It’s November. And I’ve set myself the target of finishing the first draft of ‘A Good Place‘ by the end of the month.
What is a first draft? No one seems to agree with anyone else on this one. And my use of the term here is a little different to most of the definitions I have come across.
A hill station in Northern India photographed by my father during WWII. How is this relevant? read on…
Ideas of what constitutes a first draft seem to vary from, at one end, a sketch of the story arc with most of the characters written in, a mixture of great and awful writing, plot holes and loads of inconsistencies to, at the other end, the story pretty much as the author imagines it, but with minor inconsistencies to iron out, prose to polish and some information dump to delete.
I imagine that any single writer’s idea of a first draft will depend upon what type of writer they are. Being a pantser myself, i.e. NOT beginning with a carefully planned storyline and characters, but making it up as I go along, I think the first draft has to be closer to the finished article than if I were a plotter. This is because it is a little harder to see when I have reached that destination.
So my personal idea of a first draft is the book written from beginning to end, no obvious plot holes, no gaps, and nothing I think is glaringly wrong.
When I come back to revise, plot holes will reveal themselves, and I’ll deal with them then. What I shouldn’t be doing is coming back to a work with a huge gap where I found it too bothersome to write the dialogue in the first place.
So it’s mainly dialogue I’ll be working on. There are two scenes which need a lot of work on them still, and quite a lot of smaller gaps in the final third of the book. The draft currently weighs in at about 85,000 words, which is almost twice the length of Making Friends with the Crocodile, and feels to me to be the right length for the story.
It’s taken quite a while to get here. I know it’s generally accepted that the second novel usually has a far more difficult birth than the first, but the storyline has changed tremendously over the couple of years I have been working on it, and has become something I had not foreseen at all.
I’m not quite there yet, though.
And what is A Good Place about?
I’m so glad you asked.
It is 1988, and an Englishman arrives at a small hill station in Northern India. At first he appears to be no more than just another tourist, but gradually we learn he lived in the town as a child, during the time of Partition. A couple of years later his family moved back to England in a hurry, and he suspects it might have been due to some dark or ignoble reason and has decided to do a little research.
The human landscape of the story is the mixture of characters living there, the good and the bad, the well-off and the poor, the weird and the apparently normal, especially the English left behind after Partition. It also happens to be the one hundred and fiftieth anniversary of the founding of the town by the English, and amidst the planned celebrations there are predictable feelings and tensions over this.
And the main character’s private life is a bit of a mess…
I’m with you, I think Mick. The first cut has to be nearly the last cut.
I learned early that if I had to make too many changes, it either felt like it must be poor work, or it became a different poem.
I always tried to take critique on board for the next poem, rather than try to rewrite what I’d already done.
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Thanks, Frank. I need to take on board the critique for the book, but I’d rather there wasn’t mountains of it.
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Amen to that, Mick. Hope it’s going well for you.
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Getting there…
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I find your perspective interesting, Frank. I find my poems to be deeply personal so (thus far at least) I have only made changes in response to my own inner voice and will, I think continue to operate in this manner. Kind regards – Kevin
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Hi Kevin. Yes, I believe that works best.
I don’t care much for the dismantling and reconstruction philosophies of some approaches to critique. It kills off my joy in having written the poem.
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How exciting, Mick. It sounds like an interesting book.
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Thanks, Robbie. That’s the plan, anyway!
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I look forward to reading your novel when it becomes available, Mick. Best – Kevin
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Thanks, Kevin. Some way to go yet!
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The sketch of the story sounds interesting. I’m sure a second novel is a better attempt because as a writer we mature. Good wishes, Mick…always!
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Thanks, Arv. I hope that will be the case. At the moment I worry it will not be up to the standard of the first one (for what that is worth), but I suppose all writers worry about that.
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I feel you should rest the worries aside and work on it. We are improve with time and experience. There are no shortcuts as far as writing is concerned unless you write a lot of short stories.
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You’re quite right, Arv. I should use it as an incentive to ensure the new book is as good as I can make it.
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great. All the best, Mike! 🙂
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Sounds like a fantastic story! I can’t wait to read it.
I’m NaNo-OMG too so maybe we can check in and wish each other luck.
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Absolutely, Barb. Are you actually NaNoWriMo-ing or some variation thereof? I tried it last year (or the year before – My God, I can’t remember!) and gave up after the first day, knowing there was no way I’d get anywhere near the word count.
And thank you!
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It seems like the universe picks November to really lower the hammer on me but yes—I’m going to give NaNo a shot. While I’m in the zone, I usually manage to get some useful stuff written.
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Good luck with that, then. I’ll check in to sympathise when you put up Posts of Despair. If i was nearer I’d pop round with the whisky…
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I would love to read this book, Mick.
All the best! 🙂
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That would be marvellous, thank you.
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Tantalizing description, Mick! Enjoy the first draft process.
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Thanks, Donna.
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Full of admiration for you writing a novel Mick. I just haven’t got the self-discipline. Sounds like a fascinating story too. Hope the second draft doesn’t take too long to sort out now …….
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Ooh, not quite finished the first draft yet, Jonno. When I do it will need to sit quietly somewhere on its own for about three months before I look at it again. Then, hopefully, there won’t be too much to do…
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I expect it needs to mature a little and maybe ferment a bit before you can return to it?
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Exactly that.
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My notion of a complete First Draft is the draft that I think is a faultless finished draft prior to my realising that it was in fact, crap.
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Sorry about all those italics — only supposed to be on ‘think’.
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Oh Lord! Don’t say that, Hariod!
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Self-referencing, of course!
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I fear it might be too close to home, though.
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Well, a lot of well-regarded authors seem to say as much . . . (of themselves, I mean). The problem, I find, is being able to assess a sentence, or a paragraph, in some mode other than as its author. For me, there are three modes: 1) Author 2) Reader 3) Editor/proofer. Each requires my being in a particular mindset to do the job effectively, and it’s not so easy to switch from one to the other. More or less everything I write in mode 1 seems spot-on, albeit after a bit of tweaking. Then when I’m in mode 2, the next day, say, I see that it never was, and tweak it again. Then finally, in mode 3, I realise the punctuation could be altered to create a better rhythm, for example, or that there’s a more expressive/accurate/pleasing term or phrase for the one that mode 1 put down. It’s definitely a 3-levels thing for me. Anything similar for you Mick?
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I think it’s more of a time thing, Hariod. I might write something one day that seems pretty good, then come back to it later with a critical eye and perhaps it now seems clumsy or ridiculous, whether as a reader or as an editor. And something I write later may often modify my feelings towards it, too. That said, though, sometimes I’ll write something that I can read back and be fairly certain it will still seem reasonably good later.
It all probably stems from the fact that I’m most definitely a pantser rather than a planner, which means I cannot escape the reader/editor in my head even as I write.
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Not that dissimilar, really, as you’re still shifting between levels/modes, albeit generally within creative mode 1. I find the creative mode can sometimes slightly ignore the complexities of rhythm and tone that reader mode 2 picks up on. We most likely write very differently, stylistically, and for me the impetus is largely about rhythm, rather than, say, narrative exposition or even providing a clear and directly accessible means of comprehension. I’m certainly no poet, though I do lean towards including poetic diction in my striving for rhythm, if that doesn’t sound too pretentious. But being in that mode is quite different to being in more pattern-seeking modes of reading, editing, titivating, etc.
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I think rhythm is reasonably important for me, too. Where possible, I like my writing to be easy to read, reasonably easy to understand, and to flow both lyrically and rhythmically (now there’s pretentious if you like!). I’m definitely a fan of ‘slow reading’, and hope my writing falls into that category. Because of this, I need it to have a certain amount of polish before I can even consider it ready to be called a first draft.
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Sounds interesting!
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I hope it will end up that way.
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Congrats Mick…let it be a final version asap..
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I certainly hope it won’t take very much longer!
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Sounds like it will be a fascinating story. Having been to India three times and living close by (in Sri Lanka) I love reading novels that are set in India – you have a lot of competition.
Peta
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Thanks, Peta. Yes, lots of competition, although I prefer not to look at it that way! I hope it will be fascinating, although that will be up to my readers to decide!
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Hi Mick – do you hand it off to a reader/critic/editor when the first draft is complete? Or is someone reading the daily drafts and critiquing as you go? Best, RP
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Hi Richard. No, generally only I read the first draft and it’s only once I’ve then revised that to a point where I think I’ve done the best I can, will I let someone else read it. Largely because I’d like them to be picking up on what I miss or get wrong, rather than those things I can fix myself.
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Thank you.
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It sounds like an interesting story. I’m not a great reader of fiction (I’m an autobiography nut) but you never know… 🙂 Good luck with getting your first draft into its final stage/s.
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Thanks, Val. Slogging away diligently!
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I can’t imagine pantsing through an entire novel. So many thread details and little excursions to keep track of! Guess there’s something to be said for intimacy with a storyline.
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It does rather take over your life and occupy your thoughts to a huge degree.
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It sounds interesting Mick. I hope to read it soon 🙂 All the best to you.
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Thanks, Shail. If I finish the first draft this month, I’ll put it aside for another couple of months and then get stuck into the editing and revising. So, sometime next year, with luck!
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How is this going? I seem to feel I have missed a trick or two and as oyu know am fascinated to read more… updates??? 🙂
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It seems to be on track, Jackie. First draft very close to finish, after which I’ll sit on it for two to three months and then begin editing. I’m taking a bit of a breather from blogging for a while, since I seem to be up to my armpits in alligators at the moment (not literally, you understand! Just rather snowed under with Stuff).
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yes stuff is the bain of writers…..
everyday life and all that
I really hope to read it.
Published Date? any idas
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Oh, Lordy…if it all goes well somewhere around April / May?
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Hi Mick
How is it going? I feel I have slipped out of the loop
Updates? Cant wait to read and hear more..
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Sounds good, Mick. How’s it going?
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First draft complete and resting!
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Wait! I never heard of this book. Are you still working on this story sir?
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I am, yes. I decided there was quite a lot I wasn’t happy with, so it’s undergoing quite a re-write.
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I see. I understand how irritating it can be to think you are finished and realise you are just starting. I have spent about three years writing and deleting entire drafts and restarting my story. At the end, I end up disappointed with what I have written.
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But you make progress all the time, that’s the point.
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Agreed, sir.
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