Writer’s something or other

I began work on a new story, but it hit the buffers very quickly. I suspect that there were several reasons for this, but probably the primary reason is that it was the wrong story at the wrong time. Having published ‘Making Friends with the Crocodile’ and feeling a little flat afterwards, I took the conventional advice to get stuck into writing again immediately and, thinking that I knew exactly which story I wanted to write (out of my lists of ideas, notes and vague drafts), and exactly how the opening chapters of said story should go, just jumped straight in and started writing.

Thud.

After the first, long, chapter I read it back and just thought ‘Oh good grief, this is so turgid!’

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I didn’t feel like re-writing it, though. And I certainly didn’t feel like ploughing on and editing an even longer clump of turgidity later. It just wasn’t working for me.

It simply wasn’t the story that I wanted to tell at the moment. It wasn’t the setting that I wanted to use, and I didn’t feel any empathy with the protagonist. Not a good start, really.

So I kicked the cat* and drank a few beers and went for a long walk.

As a result of doing all of that and clearing my head somewhat,  I am now trying out something that is almost alien for me, and that is planning a novel.

I have a setting that I have been meaning to use in a novel, and which I have used occasionally in short stories, which I enjoy writing about. I have characters with whom I can empathise. I even have a plot that I’m rather pleased with. All in all, it feels a lot more hopeful.

And something else that is rather fun: in ‘Making Friends with the Crocodile’ I had to create a fictitious town and village, but because of the story line I did not need to concern myself too much with the geography of either. For the new Work In Progress, I need much more. I need careful and elaborate maps of a fictitious town in the foothills of northern India (yup, India again!), which is all part of the plan. I need to map its roads and houses, shops and hotels. I need to decide where to put the forests and rivers and lakes and fields.

I’ve even started a brand new notebook for this!

It will probably be difficult for me to resist the temptation to just start writing, but at the moment I intend to wait until I have a finished plan that I think covers everything.

Naturally, I’ll let you know how it goes.

*Not actually true. No cats were harmed in the writing of this blog post.

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Oh, I really can’t be bothered…

Having published ‘Making Friends with the Crocodile’, I do feel that I have succumbed to the temptation of sitting back and resting on my laurels. It seems to be quite difficult to motivate myself to write anything, and, strangely, it also seems quite difficult to motivate myself to do anything about publicising said novel.

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I have tried to galvanise the other Work In Progress; my long novel ‘The Assassin’s Garden’, which already weighs in at some 110,000 words, but I seem to be very dissatisfied with anything that I write. I get too easily sidetracked from the research that I need to do, and everything that I read back seems to be somehow trite and uninteresting.

There are some short stories that I need to edit, one of them almost 15,000 words long. But do I feel like doing it? Nope.

Then there is a poem cycle that was going well…nope.

Even blogging seems to be much harder work than usual.

Is this some sort of reaction from finishing the other novel, I wonder?

But what about publicising ‘Making Friends with the Crocodile’? Surely there is plenty of incentive to do that?

Well, I have had a few reviews, and they are all very kind and generous with their praise, and I have the strangest feeling that I am so pleased with them, that they seem of more importance to me than sales.

Obviously, no sales would mean no reviews, so this doesn’t really make too much sense, but I do wonder if other writers feel this way after publishing a book.

Or could it just be because it is my first?

But, something clearly needs to be done.

I had decided to enter NaNoWriMo this year. This is National (Na) Novel (No) Writing (Wri) Month (Mo), which happens in November (No again?) and is internet based (So how come National? Search me…) and is a challenge to write 50,000 words of a novel (Gosh) in the month of November (Phew!). This is generally in the form of a first draft, to be edited later at leisure. I thought it would be fun to try, and I had begun to make a few notes in readiness.

But in a similar way to the way that my idea for ‘Making Friends with the Crocodile’ hijacked my writing last year, held a gun to my head and forced me to write it, so my ideas for this other novel have rapidly snowballed until I knew that I had to make a start on it.

And so, I now have a new work in progress.

Again it is set in India, but this time there are two main protagonists; one Westerner and one Indian, and the story will be written alternately from their Points Of View. I have pretty well worked out the details of the plot, but let’s just say at the moment that they both change a lot as a result of their meeting (I don’t do spoilers, but I do try to do teasers!).

Hopefully, this will goad me into rather more activity than I have managed in the last few weeks, including now thinking up a new idea for NaNoWriMo.

Pitfalls for Writers – 5) The Hijack

Pitfalls for Writers, an occasional series; 5) – The Hijack

I think that I will frame this in the form of a question.

But before we get to ‘this’ question, which is the one that I really want to ask, I have a preliminary question: Are you a Planner or a Pantser?

Planners, of course, plan their stories in detail; the characters, the plot, the backstories, etcetera. Some may just have a rough map of the journey, but it is a map nonetheless; it shows the route from the very beginning of the first chapter, all the way through to the end.

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Others will have minutely detailed plans of the whole story:

They will work out full details of each character, complete with likes and dislikes, quirks, friends, family, hobbies and anything else that you might care to want to know.

They will locate pictures of every location that the story references, with any relevant information that might be needed. Perhaps they will visit these locations (if possible) and take notes and photos, otherwise they might spend ages scanning YouTube videos.

There will be timetables ensuring that the continuity of the story is flawless.

They will research all historical/geographical/economic/etcetera details in advance, and then have them, neatly tabulated, close at hand.

Then there are the Pantsers.

Just like myself, I freely admit. We tend to sit down in front of a blank page and then start with a sort of ‘Ooh, that’s a good opening line. I wonder what will happen next? I did have an idea a few weeks ago that might fit in with that. Now, I wonder where I wrote that down?’ approach.

Personally, I do have, at the very least, a vague idea of where the story is going, and sometimes I even have the ending already written down (somewhere!), although it is subject to change as the story grows. Rarely do I plan in much more detail than that.

And then occasionally, as all writers know, a character might hijack the plot by refusing to do what I had intended them to do, and consequently to alter the whole storyline. But is that just us Pantsers?

So, ‘this’ question, then, is for the Planners:

Do you occasionally find that, as you are writing, you suddenly get the idea for a plot twist, or a really interesting character who fits into the story so well, and this despite your detailed plans, that you feel you have to alter your plan to include it? Even if you have spent three months on said plan and consider it inviolable?