‘Once I leave, I am back out in noisy, smelly, confusing, squalid, hassling, bright Paharganj. When I first came here, it seemed very strange and exotic, had an unusual, exciting feel to it that was difficult to identify but was certainly the strange, unfamiliar sounds, smells, sights and feel of an unknown culture. Even the bits that were new, still seemed dirty and somehow old, as if something about them owed their existence to the distant, Indian past. This has gone and I miss it most keenly, since I keep getting a hint of it, floating unexpectedly on the breeze with sounds and smells that remind me of when I first came out here. This has been replaced, however, by something almost as precious…I feel completely at home.’ 13th November 2009
Crowds near the Ajmeri Gate, Old Delhi
Turkman gate, Old Delhi. One of the gates in the city walls at the time of the Indian Mutiny / 1st Indian War of Independence, it dates from the seventh city of Delhi, Shahjehanabad. More recently, in 1976, during the Emergency declared by Indira Gandhi’s government, it was the scene of another infamous episode, when crowds protesting about the bulldozing of their houses in an effort to clear slum areas and force them out of the city were fired upon by the police, killing several of them.
Tenements near the Turkman Gate, Old Delhi
Mihrab, or Arch, in a building in the Lodi Gardens, Delhi
Delhi Gate, in the old city near Chandni Chowk. This photo was taken in 1989. When I passed the same gate in 2009, the traffic was a whole lot worse!
The great tower of Qutb Minar. The first of the Moslem invasions was by Muhammed, Sultan of Ghur in what is now Afghanistan, in 1192. Having overrun a large part of the Northern Indian plains, he returned to Ghur, leaving his new territory in the hands of his army commander and favourite slave, Qutbuddin Aibak. Qutbuddin decided to leave a monument to his religion that was designed to overawe his new subjects and inspire his own people, and set about building a mosque with a massive tower nearby. The tower itself is almost 73m high and is 15m in diameter at the base, tapering to 2.5m at the top.
Decorative details of the stonework. Most artistic decoration is, as usual with Islamic craftwork, patterned work and verses from the Koran. At Qutb Minar, there are also plentiful stylised, and sometimes surprisingly realistic, depictions of plants with flowers and buds and long, winding stems and tendrils. To construct the mosque, artisans used stone from Hindu and Jain temples and many stones and panels still depict the original carvings, frequently defaced but still recognisable.
The famous ‘non-rusting’ iron pillar. This stands in the courtyard of the mosque and was here long before the mosque was built. It was made in the reign of Chandragupta II (AD 375-413), is composed of almost pure iron (99.72%) and shows only the slightest sign of rusting. A sanskrit inscription on the pillar indicates that it probably stood originally outside a Vishnu temple, possibly in Bihar, and was moved later to this site. It would probably have had a garuda, the vehicle of Vishna, on the top.
Squinch-arch in Iltutmish’s Tomb. A squinch is a ‘bridging’ structure, used here to support a dome (now gone). Iltutmish was Shamsuddin Iltutmish (ruled 1211-1236), 3rd ruler of Delhi (after Qutbuddin and Aram).
Brahminical motifs on the columns of the Quwwat-ul-Islam Mosque. These pillars were originally part of the Hindu and Jain temples that were razed in the area when Qutbuddin built his capital. It is chronicalled that 27 temples were destroyed. They would have been reassembled by Hindu craftsmen, Qutbuddin using local labour.
Mick Canning 