All The Lost Words

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Last night I dreamed I sank into the depths of some great ocean.

I went down, right down to the bottom of the sea and

There I saw a wooden chest.

And then a mermaid appeared and smiled, and indicated

That I should open it.

 

But having done as she had asked,

I thought at first I had made a mistake,

For I beheld countless stars shining in the depths of the chest,

Which appeared to be as large and as wide as the sky.

And even as I thought this, those stars rose up and surrounded me

And then, dismayed, I saw them floating up until they reached

The surface of the sea,

Where they were taken by the tides and currents

And swept away to every corner of the Earth.

 

***

 

When I awoke, I felt sad for the loss of those stars.

But then I realised it had been a dream, and

I fell asleep again and dreamed I laboured down a mine.

And I was hot and weary and grimy as I crawled

Through low passages, searching for precious stones.

It was tiresome work but finally,

Rounding a corner, I saw a distant glow and

As I drew near, I saw a gem that shone amidst the darkness.

I found then I carried pick and hammer, and

Any number of chisels, so I set to work.

 

After much labour I held the gemstone in my palm and

The light from this treasure seemed to flow out from my hand,

And illuminate every corner of the mine.

This gladdened my heart, but one appeared who I had been dreading,

Although I had not known it until that very moment,

And they took the jewel from my hand and disappeared,

I knew not where.

 

***

 

And so again I awoke and then

I slept a third time – troubled sleep! – this time

I dreamed I walked on crowded streets

And watched the many who surrounded me

And listened to their talk.

These were the conversations carried on

By every man and woman who had ever lived,

Or ever would.

 

But after time their speech became confusing;

I could no longer distinguish any words, and then

The world fell silent, although they still spoke,

And still I watched and found that I could see their speech,

And all their conversations floated on the breeze

Before me,

For their speech was made of stars and gemstones,

Mingled now with flowers and with ash.

Mingled now with night soil and with butterflies.

 

And I was content with that, and now slept deeply.

 

An Author Page, a Relaunch, and, well, Other Things.

…what’s not to like?

Um, I meant that as a rhetorical question, and I’m rather hoping I won’t get any answers to that!

But, as promised a few weeks back, I have got around to creating my Author Page on Facebook. You can find it here and if you are on Facebook, please feel free to nip over and follow it.

I was going to put up a screenshot of the page, but I really can’t work out how to do it and almost lost the will to live trying.

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Totally irrelevant picture of wild boar hoof prints in Portugal instead

The point of creating an Author Page is so that I can separate out my writing and blogging posts from my personal ones on Facebook. I shall still send posts from this blog to both accounts, but the Author Page will also get a number of updates on my writing progress and other posts that my personal one won’t.

I will probably put up an album of my paintings.

It is even possible that Bob might be persuaded to make a guest appearance, just so long as he can find his way there.

The relaunch? I have put together extracts from a few of the very kind reviews I have received for my novel Making Friends with the Crocodile, which is available on Amazon by clicking on the picture below. Since I have taken the rather huge liberty of writing the novel in the first person, as an Indian woman, I am especially delighted with some very complimentary reviews which have come from Indian women.

The extracts read:

‘Mick Canning depicts quiet lives of ordinary desperation, in an Indian context. Although the “million mutinies” of which Naipaul writes have rescued India from famine and penury, it now needs a million more to deliver it from social, sexual and religious prejudices like those which bedevil the life of the narrator and her family.

Canning is an acute observer of nature as well as human nature, and his prose flows.’

 

‘This beautifully written story, set in a village in Bihar, draws you in from its first page. We see the household through the eyes of Siddiqa, wife of Maajid, mother of two school-age girls and her son Tariq, who is married to Naira. We are drawn into the rivalry between Siddiqa and Naira, in a society where the men are the only wage earners and the women’s lives must, by tradition, revolve around their wishes. Small incidents pile up, one after another, as the underlying harmony of the household is fractured by the resentment and self-loathing of Naira. The family is Moslem, the village is a mix of Moslem and Hindu, and one incident threatens the uneasy cohabitation of the two communities. The police, seen as a hostile force in the village, get involved with an unpredictable outcome to the novel.’

 

‘In his debut novel Mick Canning weaves a brilliant story of the tragic life of a young bride in rural India – a story that is synonymous with many women, who continue to suffer oppression and victimization at the hands of men.

The characters are depicted with obvious respect for a culture that is both beautiful and at times shocking. By the novels finale, though tragic, we are left with a very thought provoking and memorable story.’
‘In an understated tone, the story presents the lives of people in an average Indian village in Bihar, and highlights the conditions that not only dissuade a woman from reporting an assault but also subjugate her further by holding her responsible for it.

Mick has delved into the mind of a middle- aged woman living in rural Bihar and has beautifully sketched the love – hate relationship she shares with her daughter in law. The book gives a lot of perspective on the mind-set and predispositions that prevail in the rural north Indian society (which apply, at large to many other parts as well).

Siddiqa, the protagonist character gets as real as she can be. The manner in which, the author connects the social issue with the system and institutions is very authentic and shows his deep understanding of the culture and milieu.
Go for it, if you like to read serious stuff that deals with real thought provoking issues.’

 And how is the writing going? I’m so glad you asked. I’m working hard on the new novel, and occasionally putting in some time on the older one that just seems to keep changing its mind on what it wants to be. *sigh* It’s like living with teenagers.

I’ll put up a proper update on all that soon.