A Warning To Other Writers

Oh, this sodding book.

I…no, first, a little bit of context.

Those of us who call ourselves creatives, why do we create? Why do we have this need to make things? I know the usual answer is we write / paint / carve / whatever it is we do, because we have to, because there is something inside of us that needs to find an outlet. But what is that something? In my case, as well as a storyline it is frequently a place where I have spent some enjoyable time. It provides me with a comfortable setting in which to tell a story.

Most of what I do, certainly the work I feel is my best, my most successful (in the sense of expressing what I want to express), falls into that category. My long poem The Night Bus, for example, was the result of a thirty year (admittedly intermittent) search for a way to record my experience of a long bus ride across Northern India into Nepal. I attempted prose and paintings without success, although through this I did develop a style of painting I went on to successfully use on many Indian paintings, and had long given up on the project when chance showed me a way into the poem. The poem I completed succeeds in conjuring up (for me) the impressions and feelings I had on that journey; I can relive the journey again by re-reading the poem. Whether it conveys anything of that to other readers, I naturally cannot know.

And my stories, too. I look through Making Friends With The Crocodile, and I am in rural Northern India again. I re-read The Last Viking and can easily feel myself on an island off the west coast of Scotland. This is not to imply any intrinsic merit to my writing, other than its ability to transport myself, at least, into the setting I am attempting to describe.

These stories are a composite of three basics: a setting, as mentioned already, a storyline – and again this needs to be something important to me, or I find it pretty well impossible to put my heart into it, and strong, convincing, characters.

It is useful, then, to know where lots of my writing comes from, and what shapes it, what drives it. I have long suspected that this is frequently nostalgia and, recognising that, have wondered whether this might be a bad thing. Nostalgia, after all, has a rather bad press…does it just mean I am living in the past because I am viewing it through rose-tinted spectacles? As a way of not addressing issues of today I should be tackling?

This yearning for nostalgia, though, is a desire for something we see as better than what we have now. To write passionately about something it needs to be something I feel strongly about. Obviously this can also be something we find frightening or abhorrent – dystopian warnings about the future or anger about injustices, for example – but even in those cases the familiar provides a cornerstone of safety, even if only by way of comparison.

This is also true when I paint. I am not someone who can paint to order – if I’m not inspired, it does not work. A number of difficult commissions have proved that point to me. I paint what I like, what moves me. After all, whatever I am creating, it should be foremost for myself.

That book, then…

I began writing it about five years ago for all the wrong reasons. I had self-published Making Friends With The Crocodile and decided my next story should also be set in India, and as a contrast decided to write about British ex-pats living in a hill station in the foothills of the Himalaya. I wanted to write about India again. The trouble was, I had no idea what story I was going to tell. I had no stories that might slot into that setting I felt in any way driven to write; it just seemed to feel appropriate at the time. I was pleased by the reception the first book had and felt I ‘should’ write this one.

What could possibly go wrong?

I spent time putting together a plot, with which I was never wholly satisfied, and began writing. Really, I should have seen the obvious at that point and bailed out. But I carried on, and twice reached a point where I thought I had the final draft.

My beta reader then proceeded to point out all the very glaring faults.

So twice I ripped out a third of it and chucked it away, then re-plotted the second half of the book and got stuck into the re-write. I’m sure you can see part of the problem at this point – I wanted to hang onto as much of the story as I could, instead of just starting completely afresh. And now here I am trying to finish the final draft for the third time, as my February project for this year. And it’s just not working for me. But at this point, after well over a hundred and fifty thousand words (half of which I’ve discarded) I just feel I’ve invested too much time and effort in it to abandon it now. Somehow, it has to get finished. I do have an idea for a couple of quite drastic changes which I’ll try this week, but unless I feel I’m making some real progress I’ll then happily put it aside for a while and concentrate on next month’s project: painting and drawing.

And, to be honest, if it eventually ended up as a story of less than ten thousand words, and if I felt satisfied with it, then I’d take that as a result, now.

And the moral of all this? I’m sure there was a point after a couple of months when I knew I shouldn’t have been writing this book. I should have binned it there and then and saved myself a lot of fruitless trouble, but stubbornly ignored the warning signs.

A Week in McLeod Ganj – part 1

2009. Blimey, that’s almost 8 years ago, now! Doesn’t seem that long! So here’s a couple of extracts from my journal, plus apologies for only taking a few photos.

Friday 27th November 2009

(I’d not been well, and couldn’t face a 12 hour bus journey, so I took a flight to Dharamsala) It all goes smoothly, and we get away just about on time. The plane is a twin engine prop; lovely, and the flight is marvellous. We are crossing the North Indian plains for a while, then all of a sudden the Himalaya jag up like freshly whitened teeth, from side to side across the horizon. We slowly approach, the ground beginning to rise up into hills and the towns disappearing. We pass Shimla atop a ridge, with its airport running along a second ridge, looking for all the world as though the top has been sliced off – and perhaps it has.

Eventually we come into land – another tiny airport where the aircraft taxis up to the small building, switches off, and then when we get out all is quiet, the mountains staring down at us and the air clear and cool. Pick up baggage, out to get a taxi to McLeod Ganj (or Gunj).

At first, the roadsides are crowded with troops of monkeys – I quickly lose all idea of how many. We pass hundreds. But as we gain height, they disappear and we are surrounded by forest.

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In about half an hour, we get to McLeod Ganj and I check into my room at Hotel Ladies Venture. It is basic, but is clean, has hot water, a bed with lots of blankets, a table and a chair. For RS 200/- a night I’m in no position to complain.

So the first thing that I do is go off to explore. I am surrounded by a busy little town full, largely, of Tibetans. Lots of shops and cafes, monks, monasteries, gompas and chortens. No hard sell. In my mind, I turn cartwheels. At the moment I am sitting up on the terrace at Village Meeting Point café, finishing apple pie and Darjeeling tea, watching the sunset amongst the mountains.

This is better.

Later, it gets colder.

Saturday 28th November 2009

I slept pretty well – it didn’t get as cold as I thought that it might. The shower was good, although the hot water didn’t last for too long. This morning I have wandered up through the town to Green Hotel for breakfast. Probably like most places here, it is filled mainly with westerners, discussing Tibetan politics. Most of the more upmarket places, that is. The Tibetans will be in the cheap eateries, since most are not exactly well off.

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There is a large ex-pat community of all sorts here, and one of the consequences of this is that such things as real coffee are served all over the place. Also Italian food, etc., etc. It is certainly no hardship for westerners, here. Everywhere offers yoga classes, meditation classes, massage, cookery lessons – you name it. Opportunities of all sorts for volunteering, too.

Today I am just going to wander around and get to know the place a bit. Try to feel the pulse of it, as it were. Like other, similar, places (Bodhgaya) it seems like several separate communities living side by side, interacting occasionally, but still separate. Or should that be different layers?

A sudden commotion beside me, as a monkey nips in through the window and nicks a bowl of porridge off of an adjacent table, making its escape out of the same window. No one seems too bothered.

After breakfast, I change some money and then stroll the kilometre or so uphill to Dharamkot village. The track goes through forest and I pass first through a troop of Macaque monkeys, who chunter a bit at me, but keep out of my way, and then pass lots of birdlife, including a small flock of birds that look a little like tits, with a mainly black head with a small black crest, and one beautiful bird, a little larger, an iridescent turquoise (mainly) like a kingfisher or a roller.

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Teashop, this way!

At the top of the hill is a little teashop where I get a lemon tea and join the other few people sitting there in silence. It is perfectly peaceful, a good place to watch the world go by, except that the world decides not to pass that way for the moment.

Back into McLeod Ganj, past the chuntering macaques, to Jimmy’s Italian restaurant for lunch. The rooftop has fantastic views over the town and across the mountains, and I watch a couple of kites slowly circling and calling nearby. If it wasn’t for the fact that I want to explore this fascinating place, I think that I could just sit here for the whole afternoon with a book.

In the event, I don’t do anything much more constructive than that. I read, I wander around; I go for tea and cake. After all, I’m here for ten days or so, so there is no rush to do anything.

I plan to walk to Dal Lake tomorrow, which is no more than half a day there and back.

 

An Alien Culture?

More people travel for leisure purposes today than have ever done so in the past. And many work abroad on short- or long-term contracts, often with a certain amount of leisure time available to experience the culture that surrounds them there.

And this will result in these travellers meeting the people that make up the indigenous society where, for a while, they find themselves. Will there then be a meeting of minds?

Having lived in an ex-pat society, as I have referred to on here before, I am familiar with the laager mentality that often pervades it. I won’t go into all the permutations, but there is frequently a combination of arrogance and fear that leads to a strong feeling of ‘us and them’.

Many travel with the firm conviction that their own society is superior to any other, and are unwilling to see any good at all in any others. Some who go away to work resent being uprooted, and arrive with that resentment packed in their baggage. Some find the experience to be fearful, if they do not understand the language being spoken around them or assume that this alien society has values that somehow threaten them.

And they can either lock themselves away and peer over the barricades, or they can embrace the experience and learn from it.

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Travel broadens the mind, it is said, but sometimes it seems to just cement prejudices more firmly in place.

And how easy it is to travel around just looking for things to justify prejudices!

One of the more infuriating things that I come across occasionally is a bigoted and ignorant letter or article in a local newspaper (it often tends to be the local ones) where someone’s idiot views are justified by the phrase ‘I know; I was there’. I imagine them living their entire time in a foreign country in a compound that they rarely leave, yet thinking that they now know exactly how the society functions beyond their walls.

I’ve met one or two of them, over the years.

I spent three years in Oman, working, and I’ve travelled fairly extensively in India, but I do not imagine or pretend that I really have much more than a superficial experience of these places. I knew little of the local culture in Oman beyond what I could see in the streets and villages and markets that I visited. I didn’t know anyone well enough to spend time at their homes or in their social circles. I went with groups of other westerners to places of interest. I did spend a lot of time exploring the desert and the nearby towns on my own, but I was effectively still inside my own little bubble. It is a huge regret that I never got deeper under the surface.

I have, perhaps, managed to learn a little more about the real India, especially through spending time on a project in a village, although I cannot pretend, even to myself, that I really have any idea of what it is like to actually live in an Indian village.

During the later days of the British Raj, the rulers took the approach that their civilisation was naturally superior, and that there was nothing in Indian civilisation worthy of their consideration. The irony of this is that around the end of the eighteenth century, and the first years of the nineteenth, many of the British in India had taken a keen interest in Indian history and culture, themselves doing a tremendous amount to unearth much of the history that had been lost and forgotten. For that comparatively brief period, it would seem that many of the British treated Indians and their culture with a deep respect.

The reasons that this changed are probably deeper than my understanding, but two things stand out. Firstly, that from the beginning of the nineteenth century, many British women came to India in search of husbands, bringing with them what we tend to think of as Victorian attitudes, and secondly, there was an upsurge of evangelism in Britain, which translated itself in India as a movement to convert the ‘heathens’ to Christianity. These combined as a new feeling of superiority, and contempt for a society that was now seen as inferior, especially when much of it resisted their overtures.

With this, the British as a whole seemed to become more intolerant and arrogant, and less respectful of sensibilities. This culminated in the horrors of 1857, which could be said to be caused directly by these attitudes.

To return to the present day, it seems that many travellers have attitudes no better than their Victorian predecessors’. I wrote a post a few months back that mentioned a number of westerners I came across in a Himalayan hill resort, https://mickcanning.co/2015/10/25/the-mad-woman-of-the-hill-station/  should you wish to view it, whose behaviour and attitudes were just downright arrogant and disrespectful. They were doing no more than confirming their prejudices as they travelled, and at the same time I daresay they were confirming many people’s views of western travellers.

Yet there are many people who travel with open ears, open eyes and an open mind, and their rewards are far greater than those of the blinkered traveller. They have the wonderful opportunity to experience and learn about different cultures at first hand, speak to people who hold different beliefs and ideals to them, and perhaps learn a little of what drives them. In return, they have an opportunity to enlighten others, perhaps, to things in their own society that might not be understood by those others. In a small way, each and every one of them can choose to contribute either to different societies coming to understand and become more tolerant, or to the further spread of tensions, mistrust, and misunderstandings.

And all of these little interactions, added together, are as important and influential as the contacts between politicians and diplomats.