Southern India (1)

Southern India differs from the north in several respects. The first difference that the visitor tends to notice, once they have got away from the typical Indian maelstrom of airport, traffic, city centre, etc, is that with the less densely concentrated population comes a somewhat more laid-back atmosphere and attitude than in the north. The hassles and pressures, the touts, are still there, but seem somehow less intense.

The second real difference is in the culture. Southern India was never really assimilated into the Mogul empire, and only ever partly conquered, so there is a huge wealth of Hindu architecture and a proportional lack of Islamic, with next to no Buddhist remains and no continuing tradition of Buddhism at all. At times, it seems as though the visitor has entered a different country, but India has a way of reasserting itself on the senses…

trichy stall

Stall outside Sri Ranganathaswamy Temple, Tiruchirappalli (Trichy), Tamil Nadu State. All over India, amongst the heat, dust and drabness that pervades the majority of the population’s day to day life, one finds colour.

trichy garland seller

Garland seller outside Rock Fort Temple complex, Trichy. The garlands will be used to decorate statues of gods during pujas (ceremonies) conducted in the Temples.

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Rock Fort temple, Trichy.  A view of the main temple from the pathway that leads to the tiny temple at the top of the rock. Non Hindus are not allowed into the main temple, dedicated to Shiva, or the temple at the top dedicated to Ganesh…although for a small donation, the priest is willing to waive this rule…

From my journal:

‘The trip is not particularly uncomfortable. It is a typical five hour trip through India – dust, buffaloes, half a dozen schoolchildren stuffed into an autorickshaw, wait-till-the-other-guy-blinks over-taking, temples large, medium and small, huge dry river beds, The Cauvery full of water, trees, strange crops, broken down trucks, train lines stretching arrow-straight into the distance, rows and rows of stalls with neat piles of fruit and vegetables, rows of hanging water bottles from the roof, biscuits, samozas, cigarettes and crisps, a child squatting in the dirt, mum feeding the family beneath the tree, Tiffin Ready signs, smart petrol stations, mud huts, cement buildings, palm shacks, huge residences surrounded by high walls – all concrete, police traffic blocks (ignored), it all blurs into one.’

trichy temple 2

Part of Sri Ranganathaswamy Temple complex. This is the largest of all temple complexes in India, covering a staggering 60 hectares, and is dedicated to Vishnu. The Gopuram (tower) on the left is painted white, as a symbol of purity, and is one of the buildings that non-hindus are not permitted to enter.

white goporam trichy

The White gopuram, in all its glory.

trichy puja 2

Pillar in Sri Ranganathaswamy Temple, liberally decorated with coloured powders and with offerings of incense, rice and flowers. Devotees of the god concerned will conduct their own personal pujas to ensure health and prosperity, or perhaps for some more specific purpose, such as to request the birth of a son or success in a particular undertaking. Although this temple is dedicated to Vishnu, other gods are represented there and prayed to.

trichy puja 1

Another, nearby, pillar in the same temple. Although in the same temple and close to the pillar in the previous picture, this shrine will be to another, different, god. Its use, however, will be the same.

Another Creative Art Post

I’ve had a go at woodcarving, too. Would you like to see a few? You would? That’s marvellous.

As if I ever needed an excuse to blow my own trumpet!

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The first one is my version of a Sri Lankan carving. This piece consists of two panels; the first one depicting a garuda (a mythical bird who carried the god Vishnu) and the second depicting a lion. It is 10 in x 20 in, and carved in sycamore wood.

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The second one is also a copy of a Sri Lankan carving, this time an elephant attacked by an eagle. My version is in Ash, and measures roughly 6 in x 3 in.

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The third piece is a totally different subject; my interpretation of a painting by the American artist Georgia O’Keeffe of oak leaves. I have carved it in -appropriately enough – oak wood, and it measures 7 in by 3 in.

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Finally, this is my interpretation of a medieval piece from a church in England – I forget which one – depicting the crucifixion of Christ, with Christ flanked by Saint John the Baptist and the Virgin Mary. Again, it is carved in oak wood and measures approximately 8 ins x 13 ins.

Every now and again I think that I would like to work on another carving (possibly one of those two or three unfinished ones I still have hanging around the house!), but we are rather short on space. If I ever manage to get hold of a studio again, I promise myself that I will.