Dull day

It is a particularly dull and miserable day, today, with unbroken thick grey cloud overhead, an unpleasant, damp cold, and a very thin rain in the air. I read bits of my novel, and I yearn at this moment to be in India. That I am looking through a few of the photographs I took in India, at the moment, does not help.

P1050060

I am now at the stage of giving my short novel its first edit. I have written the book from the point of view of an adult female in a rural community in Northern India. It is primarily about both the relationship between the two main characters; a woman and her daughter-in-law, and about the roles and the treatment of women in a male dominated society. The way that I have written it, it is essential for the reader to be able to get inside the head of one of the main protagonists. So, for this reason, I felt that the narrator had to be one of them.

It is a little unusual, of course, but hardly unheard of, for a writer to write with the voice of someone of the opposite sex, although it is more usual for female authors to adopt the voice of a male narrator, rather than the other way round.

(Is that because we are so shallow and easily understood? Don’t answer that, it might be a post for another time, although if I did attempt to write it, I probably wouldn’t have the courage to finish.)

Anyway, whether this voice I have used in my novel sounds authentic or not, might be quite another matter.

I can imagine several areas where I might have succeeded less well than I would have hoped;

a) It might sound like a male voice, especially to female readers.

b) I may have painted a vague, shallow picture of my narrator, subconsciously avoiding difficulties.

c) I may therefore have painted minor characters more brightly than the protagonists.

d) By doing this, I may present as an arrogant westerner, thereby fulfilling images of ex-colonial stereotypes.

On my CV, however, I do have a few months when I was living and working in a small town in Northern India, much of the time spent in rural areas, amongst a dozen or so visits to India in total.

It probably goes without saying that I also have a keen interest in most things Indian, many books about India and, of course, we all have Google.

And writers do, all the time, write about places and situations that are outside their experience, and it is never really possible for anyone to fully understand the thought processes of someone from another time, another culture, or another gender, and so it is a level playing field in that respect.

So, with a glance out of the window at the gloom outside, I’ll get on with it. I do wonder how many male writers have tried to write with a female voice, though, and how successful they felt they were…

…anyone want to come in at this point?

A Day in Ladakh

Wednesday 13th April 2005

This morning, there is a clear blue sky, with just a couple of clouds sitting on top of the Stok Mountain Range. It doesn’t seem quite as cold in the morning as it has been recently.

I go for breakfast at the Budoshah. I don’t really know why I eat here (I certainly don’t always), unless it’s because the morning sun warms the corner that I’m sitting in. I’m the only person here and when I walk in, the waiter always seems frightened to see customers. When I’m eventually given a menu (and everything is always ‘off’ – it’s a Kashmiri restaurant, so two thirds of their dishes are chicken or mutton. The day before yesterday, people were being told ‘no chicken no mutton’.), I ask for scrambled eggs on toast.

I’m told no, they can’t do it. Fried, boiled or omelette, yes. But the cook obviously can’t scramble them.

And black coffee.

‘Pot?’

How big is the pot? I ask.

‘Ah…I get one’. He disappears back into the kitchen, never to return. I sit back and contemplate the Ladakh Mountains in the sunshine, prayer flags waving lazily beside the temple. With luck, it will be another warm day. I think I’ll catch a bus to Thikse Gompa.

My coffee arrives. In a glass.

The toast arrives with heart-stopping chunks of Ladakhi butter – like everything here that calls for butter. I thought at first that it must be cheese. It seems to be the Ladakhi/Tibetan way. I made a mistake and had a cheese sandwich the other day – the cheese is just like butter, so you can imagine what it was like for my poor western tastebuds. I had to scrape most of it off.

leh street

It’s 12.45, and I’m sitting on a rock in hot sunshine at the foot of Thikse Gompa. The bus ride here was remarkable (and where else in India would you find that the driver would wait a few minutes whilst a passenger nipped off the bus to buy some bread?). All the way here, we passed through this wonderful desert scenery, with fairy-tale castles and palaces and the like clinging precariously to the tops of cliffs.

The Ladakhi buses are like all Indian buses, though. Today’s had plenty of pictures inside and on the windscreen (The Dalai Lama, Buddha, etc.), two vases of flowers and a fancy piece of wooden scrollwork on the dashboard, and several drawers incorporated into this.

At the moment I’m having my apricot and water lunch to the accompaniment of drumming in the background; a ritual going on somewhere. There are so many gompas here, and every private house performs their own pujas, that it could be coming from anywhere.

We passed through Shey on the way here. More of this tomorrow, I think. I intend to spend the day there.

I ‘strolled’ up to the gompa, and was shown around by a monk. We chatted in a mixture of Ladakhi, Hindi and English. He is a Ladakhi, in fact all of the monks here are. There are no Tibetans. In fact, despite the large Tibetan population here, he says that there are only two monasteries with Tibetan Lamas.

Untitled-TrueColor-01

We watched a group of young monks kicking around a football, a hundred metres or more below us.

Do families still send one son to be trained as a monk?

No, but there are still many coming.

I was first shown the giant statue of Maitreya Buddha, which is fairly modern, then the fourteenth century gompa, which is very dark and unlit, which made it difficult to properly see the wealth of thankas and statuary. I had to tell him about my family, job and anything else he could think of. That was quite hard going, and I don’t think we totally managed to get through. A pigeon flew into the gompa and started a discussion (not literally, you understand). In Ladakhi, pigeon is (I think) Po-ro, fairly onomatopoeic. In Arabic, I told him, it’s Bulbul, also onomatopoeic. Possibly it is the same in Hindi and Urdu.

Untitled-Scanned-01

Back for tea and a bucket shower.

Later, I’m walking around the market. How strange to go around market stalls and shops in India, not getting pressured and hassled at all. At times it seems almost unreal. You wonder whether suddenly it’s all going to crash around you and normal India will be resumed as soon as possible. The longer that you spend here, the more laid back you become. I don’t think you can help it! Everyone strolls around smiling and Julay-ing you and each other. I know that Ladakhis consider it the height of bad manners ever to lose one’s temper, but it really does seem unreal. I think it would be easy to just sink into the ambience of it all and find you’d suddenly missed your flight out and had overstayed by weeks, or months…

Andrew Harvey said, and I’ll have to paraphrase because I can’t remember the exact quote, ‘The wonder of Leh is that there is absolutely nothing to do. Nothing to do except slow down, switch off and just observe. Just be.’ I understand that, now. I realise that that is what I have been doing the last few days without realising it.

trees

I had Phung Sha and rice for supper at the Amdo -a Tibetan dish. It is a sort of thick vegetable stew, which I shall certainly have again.

I have always wanted to read Rumi, the thirteenth century Persian mystic and poet, and I picked up a copy today from the little bookshop. I am now wrapped up in my blanket reading it by the light of my candles.

Downstairs, my hostess is singing again. Last night, I tiptoed out to the landing to listen to her singing what I was told this morning were Ladakhi folksongs, and I creep out again to listen now.

This time it’s ‘Bob the Builder’.

Jaipur

I have recently discovered Arv’s lovely blogsite ‘Jaipur thru my lens’:

https://jaipurthrumylens.wordpress.com/

and after reading several posts and enjoying the pictures, I felt that I had to revisit my own photos of Jaipur and share a few of them.

They’re a bit of a mish-mash, but, there you go.

I was there in 2009 for a few days, and probably the thing that I remember most about it is that because I was unwell for much of the time (unusually for me),  I did not get to see many of the places there that I had wanted to see.

I think this is why I enjoyed Arv’s pictures so much.

115

 

102

 

089a

 

091a

 

092a

 

157a

 

109a

 

132

 

146a

 

 

131

 

121

 

156a

 

123a