The Other One…

I have been so focused upon getting A Persistence of Ghosts out into the world recently, that I sort of forgot I have other books. One of these is Making Friends with the Crocodile, which is another novel set in India, but this one focusing on Indian protagonists. Blogging friend Smitha recently bought a copy of this, and Smitha’s very generous review of the book can be found here.

The blurb:

There is an Indian proverb: If you live by the banks of a river, make friends with the crocodile.

Set in India, this is a novel about the corrosive relationship between a mother and daughter-in-law, and the position which women hold within that society. Siddiqa’s son has brought his new wife, Naira, to live with them, so Siddiqa is no longer the lowliest in the household, for she now has a daughter-in-law to assume that role. But when Naira accuses one of her husband’s friends of sexually assaulting her, all their lives begin to spiral out of control.

Go on, you know you want to!

A Persistence of Ghosts

So, it’s gone out into the big wide world.

My new novel is released today. I don’t write many of the things and the last one came out ten years ago, so I guess this counts as an Event (note the capital letter).

Woohoo!

And I suppose I should tell you what it’s all about:

‘After Independence in 1947, Stephen Chapman’s family are one of the few British families who decide to stay on in India. Life in the peaceful Northern Indian hill station of Khodiganj goes on much the same as before, yet in 1951 his parents make the sudden decision to return to England and afterwards refuse to even talk about their time out there.
In 1988 Stephen returns to Khodiganj, determined to find out the reasons for their sudden leaving, even if those reasons might have been better kept hidden. And during the following weeks he finds he is drawn inexorably into the small English diaspora remaining there, with their own secrets and ghosts.’

And where to find it: It’s on Amazon, both as POD paperback and Kindle.

And for those of you in UK, you can order signed copies from my Etsy shop (if you’d like a dedication, message me), or just message me anyway and I’ll send it privately and take a quid off into the bargain (pay by PayPal).

Tell a friend or two. Spread the word!

And, of course, if you could leave a review somewhere, that would be most helpful!

A New Novel

Well, it’s certainly been a while. Two complete revisions and countless edits – a total of ten years in the making! Just as well I don’t create series (unless you count the zines).

(cover mock-up)

So, the lowdown. The title of the book is A Persistence of Ghosts, and it is set in India, as was my first novel. But where the first novel was set on the North India plains, in a small village, this one is set in a fictitious hill station in the foothills of the Himalaya. Whereas the first one had an entirely Indian cast, this one deals with the British community who stayed on after Independence and their interactions (or not) with the Indians there. I’m planning on a release date of 18th August, although I might yet bring that forward (or push it back if the proof copy shows up a lot of errors!).

The tease:

After Independence in 1947, Stephen Chapman’s family are one of the few British families who decide to stay on in India. Life in the peaceful Northern Indian hill station of Khodiganj goes on much the same as before, yet in 1951 his parents make the sudden decision to return to England and afterwards refuse to even talk about their time out there. Then in 1988 Stephen returns to Khodiganj, determined to find out the reasons for their sudden leaving, even if those reasons might have been better kept hidden. And during the following weeks he finds he is drawn inexorably into the small English diaspora remaining there, with their own secrets and ghosts.

Where Do The Dead Go?

I know. It’s been a while.

I’ve been thinking about how I publish my poetry and stories, and concluded that the simple way is the best way. I don’t wish to spend a lot of time and money submitting them to competitions and magazines, putting them to one side where they may end up forgotten or just unpublished while I decide to submit them ‘just one more time.’ I’m not interested in putting a lot of time and energy into chasing the best deal or the most prestigious publications.

The whole purpose of writing is firstly for myself, and secondly because (naturally) I’d like to be read. It doesn’t have to be a large audience, I’m quite chuffed when anyone let’s me know they’ve read something of mine and enjoyed it. In which case I might as well just write some more zines and publish work on this blog. It feels like far less pressure. And the novel I’ve finished (Long Shadows) and which is still being edited I might submit to an agent or two, but I’ve no intention of spending months and years trying. If I’ve no luck I will quite quickly just self-publish it.

Anyway, putting my writing where my mouth is, here’s a poem.

Phew!

A mere ten days after mentioning I thought I was close to finishing the final draft of A Good Place, it is, in fact, finished. This is the second novel I have written that’s set in India, this time in a fictitious hill station in the Himalaya, amongst the English diaspora remaining behind after Independence.

Having discarded two previous drafts, the skeleton of the story is now essentially the plot I visualised way back when I started.

There is a lesson in there, somewhere.

It will shortly go off to a couple of beta readers for their comments, and then hopefully after that it will just be a case of one final edit, then the hard part. I intend to at least have a go at finding a publisher and / or an agent.

But for now, I think I’ve earned a beer.

My Virtual Reality

One of the things about growing…older, let’s say…and I’m not saying it’s a good thing or a bad thing, is the growing realisation that we’re never going to live in that place that we are convinced is perfect for us, or have the day to day lifestyle that is everything we want.

One consolation for the writer, even if it’s rather a shallow consolation, is the opportunity to write these places and lifestyles for ourselves. For the last year or so, nearly all my creative writing has been rather experimental, which is one reason I’ve not put much up on here. Rather than focusing on writing the complexities of a story arc, I have been very much concerned with the character of the characters I have written, and possibly even more concerned with the environment they occupy.

In a way, then, I’m exploring different versions of myself – although that, surely, is what all writers do anyway? – and it is instructive how much all of these versions have in common. For anyone who knows me, the information that these scenes involve almost nothing of town or city should come as little surprise. But it’s a learning process, a personal learning process. And even the photos I’ve chosen to accompany this post serve to reinforce what I already know about myself.

And the other strand that occurred to me as I thought about all this, is how it has brought home to me that the priority in my writing – my absolute, number one priority – is that first and foremost I am writing for myself. Whatever I write has to please a rather demanding reader; myself. And if that means my writing is even less ‘commercial’ than it was before, then so be it.

Strangely, this seems to have removed the pressure of time. I’ve always ended a writing day either pleased with the amount I’ve written or berating myself for not having written more. As if that was the sole measure of how successful or productive my day had been! Now, though, writing just for myself, success can be equated with how good I feel the output is; and by ‘good’ I mean quality (as defined by me, for me). So even a few lines that work well may be a good day’s work. I think this time pressure, this fixation with writing a certain amount each day, is a purely commercial pressure; an I-need-to-finish-another-book thing.

So goodbye to that. It’s not for me.

Why You Should Buy Books (especially mine!)

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Hours of pleasure for the price of a cup of coffee in Bigbucks.

Like any other worker, you pay for my time. Only unlike the decorator, say, you only pay for a tiny fraction of the real time spent creating your book.

And what do you get for this investment?

Why, I bring you a whole, newly created world to explore!

I introduce you to people you never expected to meet, without the inconvenience of having to make small talk with them.

Heroes and villains, fools and wise men.

Perchance I will take you on a perilous voyage, yet you will return safely to the shore.

Encounter your deepest fears, and overcome them.

Know love, and disappointment, happy ever after and abject failure.

See through the eyes of the cruel and the eyes of the kind.

And all this for less than the price of a coffee.

And unlike the decorator, I won’t come and tread paint into your carpet, disappear for two weeks to do another job, leave your kitchen a complete mess, eat all your biscuits or drink all your tea.

I mean, really, what have you got to lose?

The Night Bus

After a day of faffing and kerfuffle (and a little bad language, but not too much) yesterday, I have posted my new book up on Amazon.

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The Kindle e-book will be released on 30th November and is available to pre-order now. It will take a few days yet for the paperback edition to be ready, as I need to check through a printed proof first. I’ll post when that is done.

The book is in two parts. A collection of seven short – and not so short – stories, which make up the bulk of the book, followed by a selection of recent poems.

I have always enjoyed travel and, one way or another, nearly every piece in here is to do with travel. The only exceptions are a couple of the poems that seemed to fit in among the others for aesthetic reasons.

Some of the stories are quite dark, but the majority of the poems have a lighter touch. In these, especially, I hope that my love of the natural world comes through.

Two of the longer stories are set in India; in one, a young man goes in search of a mysterious destiny, while in the other a travelling Englishman becomes embroiled in a chilling disappearance. One story speaks of the support and comradeship of a close-knit island community while another tells of jealous intelligences far older than mankind.

Of the poems, there is one long piece, which gives the title to this collection and tells of a long journey across India and into the mountains and, among others, one short series of poems about the ancient paths and tracks of Britain.

An early piece of writing advice I was given, and for which I am eternally grateful, was ‘Write the stories and poems you want to read’. This I have done, and I hope you will want to read them too.

Self Publishing – a Blessing or a Curse?

That depends on who you talk to, of course.

pothi edition

The self publishing boom has given rise to the publication of millions of new books, the majority of which would never have been published traditionally because they would be either deemed to be of insufficient interest to return a profit to the publishers or because they were, frankly, just too terrible to see the light of day.

How good a book is can be very subjective in many ways, but certain rules must apply.

If you buy a traditionally published book, you may be reasonably certain that it has been edited and proof-read to a high standard, the printing and layout of the book is of good quality, and the actual contents – plot, dialogue, character development et al – are sufficiently well written as to repay your reading time.

There are no such guarantees with a self published book.

As a member of several Goodreads groups, I receive regular emails which consist largely of other members promoting their books. These promotions frequently consist of a synopsis of the book, extracts, and links. All well and good, but the number of extracts that are poorly written, unedited (it would seem), with poor print layout, and the number of synopses that are equally poor, is very high indeed. Probably the majority, unfortunately. And should I follow the link to the ebook sales site and read a longer extract, frequently this, too, is filled with more of the same errors.

As far as the plot and dialogue and all that goes with that is concerned, I admit that may be partly down to taste. I have no doubt that some poorly written and poorly plotted books still give great pleasure to many readers, and good luck to them. There are certainly examples of the same amongst traditionally published books. And styles go in and out of fashion, anyway.

What I do take issue with, though, is poor, sloppy editing.

Most people cannot afford to pay for professional editing – I certainly can’t. I understand that. It means doing the job yourself, but taking infinite time and care over it. Check it over and over again until it is the best you can do. The odd mistake will slip through, but that happens even in a professionally edited work. Persuade others to act as beta readers for you. They may not be professionals, but they will spot things you don’t. You are too close to the work, anyway.

If you can’t do that, don’t publish the book.

Let’s take layout first. It only takes a careful look at half a dozen professionally published books to get a good idea of what that layout should look like. And you can buy books that supply more detail. If you are serious about your book, you should do that.

Spellcheck is a useful tool, but only if it is used properly. It recognises a correctly spelled word in its database, but has nothing to say about the suitability of its use. I do find it particularly irritating to come across passages where the completely wrong word has been used, no doubt because Spellcheck flagged it up as the correct spelling. Common examples are groyne / groin, sheer / shear, alter / altar etc. etc. etc.

Grammar is the biggest minefield, though. We all get that wrong at times, even the best of us. But at least avoid the biggest howlers – the so-called grocer’s apostrophe, for example. Put the manuscript through a program such as Grammarly, which is free to download, to pick up the majority of the errors.

Another phenomenon I have seen recently is a 4,000 word story published on Amazon as a ‘Novella’. I suppose there’s nothing wrong with selling a story that length, but anything that comes in at 4,000 words is a short story. And quite a short one at that. To describe it as a novella, no matter what price it is being sold at is, quite frankly, a bit of a bloody cheek.

Please don’t do that.

And I’m sure many other readers have their own pet peeves.

 

Are those blasted kittens still there?

Having posted a few days ago about my inability to finish one project before starting three others, I’ve attempted to organise myself a little to try to deal with that.

And not too long ago, I also posted about my inability – fear almost – to promote myself effectively.

Coincidentally, several days ago I took part in a Webinar aimed at small businesses (theoretically, that includes writers trying to sell books), about using social media effectively, and whilst I was pleased to discover that I seem to be doing a fair bit right already, there are several things that I should definitely change, which I will do shortly.

shark boy crop

Not kittens.

The first thing I’ll do, will be launch my own Author page on Facebook; something I really should have done before now. And to promote it, I plan to serialise a new short-ish story on this blog, over several posts. It’s something slightly different, for me, in that it is a spoof/satire ‘gritty urban detective drama’, but set in Elizabethan England. So, cue daggers, bawdiness, vomit and lots of mud and sour beer.

This will probably be during the second week of next month.

I have also learned a little more about publishing, from the company Wet Zebra at our local writers’ group, and from a few other independent sources, which might possibly lead to my attempting to publish my next book a little differently.

That next book will, I’m now reasonably certain, be The Assassin’s Garden, which has picked up momentum again. If all goes according to plan (!), it will be the first book of a series, stretching in time from the sixteenth century to the late twentieth century, and set variously in Persia, India, Europe and England.

So, what’s it about? I’m so glad you asked. A secret, something stolen, a pursuit, crossing time and continents. Revenge. It has elements of detective story, a bit of classic Gothic horror, a touch of fantasy, a soupcon of sex and violence, some ‘straight’ historical drama, and kittens. Yes, really.

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Not a kitten either.

I’m nothing if not ambitious.

And, bearing in mind how easily distracted I am, the research will give me huge opportunities to prevaricate and wander off at tangents to all sorts of odd corners of the internet.

Making Friends with the Crocodile cover

Buy it, read it, make me happy!

And for Making Friends with the Crocodile, my published novel, I am going to re-write the promotional blurb and have another attempt to push it out further into the big, wide, novel-reading world.