‘Mr Business Brain’ or ‘Trying to blow my own trumpet without ever having learned how to’.

In today’s alternative ‘Alice in Wonderland: ‘When I use a word,’ Trumpty Numpty said in rather a scornful tone, ‘it means just what I choose it to mean — neither more nor less’.

Lewis Carroll obviously saw this fellow coming.

Just thought I’d share that with you. Anyway, back to the task in hand. After two ridiculously hectic weeks, I now have to do my best to catch up with everything. Onward!

***

I don’t have a business brain.

I look at my clutter of short stories and paintings, my carvings and photographs and think ‘I should be able to at least make a bit of a living out of all of these.’

ladakhi door 2            001

But I don’t. And then I wonder ‘how on earth I am going to do it?’ and go ‘aaargh!’ and run off into the distance.

It really doesn’t help.

And so, if I had to have made a New Year’s Resolution this year, it would have been to sort all this out. I didn’t, but that doesn’t mean I can ignore it for any longer.

To begin with, then, how about attracting new blog followers?

Dressed in a loincloth and brandishing a spear (not a sight that sensitive readers should try to picture in their minds), I go charging out onto the lightly wooded WordPress plains, hunting new blog followers.

‘Aha, there’s one!’ I think, spotting a potential follower grazing harmlessly beside the River of Inspiration. I sneak up on them, then hurl a ‘follow’ at them, hoping that they will respond in kind.

Er, no.

It’s just not me, unfortunately. As I have mentioned in the past, I find it incredibly difficult to blow my own trumpet. And I will not ‘follow’ someone just for the sake of getting a ‘follow’ back. I do understand that anti-social media make up the platforms I have to work with, but for some reason I have not yet got my head around using them properly. So for blogs, I shall carry on as I always have. I don’t hunt for followers, I let them find me. Then if they follow me, it is presumably because they like what I’m writing.

Of course, they might simply be after a follow in return, but that won’t happen unless I like what their site does.

I do need to be more professional, though. For a start, then, I have begun to properly update the information on each site I use – such as the ‘Author Profiles’ on Goodreads, Amazon and LinkedIn.

So please feel free to connect with me on those sites – Goodreads LinkedIn. I promise I will put up more book reviews on Goodreads, and try to work out just what the hell LinkedIn is for.

mosque      untitled-grayscale-01

I shall sort out the prices on the paintings and photography websites.

What? Oh, Paintings and Photographs – thanks for asking!

Making Friends with the -Crocodile

And I need to find new ways to promote my novel Making Friends with the Crocodile. 

And then, there is this blog. I must regularly update the information on the ‘About’ page and the ‘My Writings’ page.

Do I need to simply be bolder in my approach to all this? Should I put a ‘shop’ on my blog?

I don’t know. But, learning how to properly use the limited anti-social media I reluctantly and sporadically do take part in (other than blogging), is a priority for me.

But I’m damned if I will ever use Twatter, though.

More Random Stuff; this time, Artworks

Creatively, for me this week has been rather a damp squib.

I have managed a little writing and research on ‘The Assassin’s garden’, but I’ve not had a very good week, one way or the other, and am just not up to writing a blog today.

So, the easy way out.

This is a somewhat random mix of some of my paintings from the last 10 or 15 years.

rock-no1

An oil pastel painting of a rock structure a few miles away from where I live – it looks to be a heavily abstracted painting, but is actually reasonably accurate!

 

chestnuts

A watercolour – chestnuts in autumn.

 

summer-medway

A chalk pastel – alongside a nearby river, The Medway, in summer.

 

nepalese-village-door

Another oil pastel – a door in a house in a village in the Khumbu region, Nepal.

 

007

Charcoal on paper – Musician.

 

dusk

Acrylic on canvas – Dusk.

I think that’s suitably random; I’d be surprised if anyone could find a theme there, other than ‘paintings’.

Have a good weekend, everyone.

By Popular Request (2)

First of all, a huge ‘thank you’ to all of you who contributed to the comments thread on my post earlier this week, ‘Religion or Philosophy.’

I thought it made it the most interesting so far, and all of your comments certainly given me much food for thought about what I had written and my feelings around the subject.

So, today, a couple more paintings. I didn’t paint much when I was in Oman, apart from a few sketches and watercolours, so these ones were worked much later, from some of the photographs I took.

It is in the desert that I have been most aware of the contrast between light and dark, and that is something that I wanted to bring out in these paintings.

P1050093

Oman #1 Acrylic on board. 24 ins x 36 ins

There is something about ruins, by their very nature, that is stark. They have been shaped by human hand, but are now broken. Designed and built for a purpose, but now with that purpose gone. There is a sadness, or at least a feeling of melancholy.

There is a sense of emptiness, which is frequently a feeling that comes upon the traveller in the desert.

And in the desert, there is not that softening growth of ivy, for example, to soften the harsh and fractured edges of ruins.

P1050094

Oman #2 Acrylic on board 37 ins x 23 ins

The second painting, Oman #2, was also an exercise in the use of triangles in composition.

Chinese New Year

Well, a couple of days late, but that is just typical me, I’m afraid. So, Gong Xi Fa Cai, everyone!

Of course, It’s a good excuse for me to show off a couple more of my paintings.

chinese new year 1

Chinese New Year #1

Chinese New Year 2

Chinese New Year #2

Both paintings are 24 inches by 18 inches, and are acrylic on board.

The last time that I took part in Chinese New Year celebrations, was when I was staying in Kolkata in 2013. Until then, I had not realised that there was such a large Chinese population there. I was staying in a small guest house some way away from the main streets, and heard the sounds of drumming from outside. When I went to investigate, I found a group of almost 100 young Chinese, all dressed in red T-shirts with their names on the back, a number of dragon and lion costumes, and a good supply of cabbages and coins. I wandered around with them for about an hour or so, as they went from house to house, dispensing good luck.

I think it is fair to say that it was an unexpected treat.

By Popular Demand

A few weeks ago I put up a couple of pictures of paintings that I had made of Indian subjects, and a number of readers were kind enough to say that I should put up some more.

Today, then, a couple more.

ladakhi door 1

Ladakhi Door #1

Doors are a favourite subject of mine, and this one is from a monastery in Ladakh, Northern India. Ladakh is sometimes known as ‘Little Tibet’, and in some ways, now, it could be said to be more Tibetan than Tibet. Historically, it has been a part of Tibet, and I have an old book of a journey that was taken in 1904, ‘Through Western Tibet’, by Jane Duncan, a doughty traveller, which places Leh in Western Tibet, although I am not certain of exactly where the border lay then.

mosque

Mosque

There was quite a bit of artistic license employed in the making of this painting. It is based on a mosque in Bopal, but I have never been there, instead relying on photographs. I have made no attempt to depict it accurately, but instead I interpreted it to create a totally new aspect.

Both of these paintings are in acrylic, on canvas, and measure 24 inches by 36 inches.

A bit of paint splashed around

A different sort of creativity, today. I paint, at times, so here are a couple of my paintings that were inspired by my trips to India.

bihari door

This one is of a door on a house in the North India state of Bihar.

 

india #1

And this one a more impressionist rendering of doorways, arches and windows.

 

Although writing has always been the primary medium through which I have tried to express my thoughts and feelings, it was my first trip to India, 28 years ago, that persuaded me to try to paint seriously. Although I have done little in recent years, I still dabble on occasions, and suspect that it is only a matter of time before I begin work on a new painting.