I dug these out the other day, while we were having a bit of a tidy-up. I must have done these a good fifteen years ago, possibly more. They are all created by chopping up some of my photographs (nowadays we’d just crop them on the computer!) and mounting them on card. I’d originally thought to make a couple of tryptychs, but then began playing around to see what I might end up with. Then I put them in a drawer and forgot about them.
I think I might have another go with the tryptychs, especially. I have a couple of ideas…
Linked by colour and subject matter
Insects photographed in Oman
Skies and…things that aren’t skies…
The land and the sky
‘A rose, chopped up in pieces, would probably smell like something or other. Maybe.’ – Shakespeare.
My favourite New Year’s Eve party occurred on either the 13th or 14th April 1988, from which you may conclude this was not at home in England. I was in the Himalaya, walking the Annapurna Circuit. And my uncertainty about the date is due to the fact I didn’t keep a travel journal in those days. In fact, I’m not even sure exactly where we were staying that night, although I do know we were still heading up towards the high pass, the Thorung La, and that we were still well below the snowline. At the end of the day’s walking we camped, as usual, and while we were eating supper we were informed that we were invited to join in the New Year celebrations in the village close by.
It wasn’t the place in the picture above – it was smaller – but it was definitely what could be described as a little one horse place somewhere rather high up in the Himalaya. The celebrations involved drinking, singing, and dancing. Actually, the celebrations were drinking, singing, and dancing. The drink was chang, which is rice beer, a traditional Tibetan drink, which is drunk on any and all occasions, by everyone. It is cloudy, it doesn’t taste very strong, it’s not very strong, and it slips down easily.
And then there is rakshi, which is a distilled liquor and a whole new level of peril. We were warned about that.
Up where we were, the singing consisted largely – possibly entirely – of folk songs. We were already familiar with at least one of them; when we had been in Kathmandu, the hit of the season was apparently a song called paan ko paat which we heard on radios everywhere – you can find many versions of this on YouTube if you feel curious – and as the chang flowed, so the singing increased in intensity. So too did the dancing – there was what might very loosely be termed a band, consisting of a number of people playing traditional instruments – and we either tried to keep up or stood around drinking and talking with our most hospitable hosts.
I have no photographs of this, sadly, since it was dark and I had no flash on my camera. The only light came from oil lanterns. You’ll just have to imagine a host of Nepalis and half a dozen westerners crammed into a tea house and having a jolly good time.
And then we were informed it was our turn to sing.
They asked us to sing something traditional from whichever countries we came from. I think the others made a reasonable fist of it, although maybe that’s just me assuming that everyone else sings better than me. Which they do. And some of their interpretations of ‘traditional’ may have been rather elastic. And then came the words I had been dreading, the words that sent a frisson of horror through my entire being: ‘Your turn, Mick.’
I must have been drunk, because suddenly I knew that if I had just one more drink I could do it. And so I did. I do at least know quite a few folk songs although I couldn’t remember the words to more than a couple of verses of the one I chose, but no one seemed to mind. On reflection, I suppose no one even really listened.
The rest of the words came to me as I lay in my tent that night, listening to sporadic bursts of singing and shouting – but by then, there was little difference between the two…
…but not literally, unfortunately. I did say I would re-post another travel post from some while back, so here it is.
Four years ago I wrote four short posts about Tengboche. Here I’ve combined them into a single post and added some extra pictures and text to give a little more information about this lovely place.
Tengboche is a monastery complex and a couple of trekking lodges at 3860m on the route up to Everest Base Camp from Lukla, in Nepal. It sits high above the waters of the Dudh Khosi, the rapidly flowing river than runs alongside much of the Everest Trail.
The monastery complex. On arrival in the afternoon, the clouds are low. This seems to be the pattern most days – clear mornings and then the clouds coming in early afternoon. In a general sense, weather patterns in the Himalaya – certainly in some parts, and probably at certain times of the year – can be quite predictable. When I trekked the Annapurna Circuit, for example, we were told one evening that around ten o’clock the next morning there would be strong winds blowing in the valley we were to follow, because that was what happened every day. And blow they did. At ten o’clock.
From inside the monastery grounds. The monastery is a Tibetan Buddhist complex, liberally decorated with the pictures, statues, and symbols to be found in every such place.
Roof decoration
Inside Tengboche monastery following a puja (ceremony).
Rightly or wrongly, I don’t like taking photographs of pujas in monasteries. It feels intrusive and bad mannered. I would feel the same in a church, mosque or temple. This has nothing to do with any beliefs of my own, but is born of simple respect.
I noted in my diary: We have just sat in on a chanting puja, but my meditation failed dismally. I was completely unable to concentrate on my breath as all that I could think of were my freezing feet!
It was blooming cold!
This view must have been photographed so many times, but how fantastic is it? Sunset on Everest (left) and Nuptse (right), photographed from Tengboche. This was taken on my third visit; the other two times the clouds failed to clear in the evening, so this was an unexpected treat.
And this is the same view in the morning – but with the addition of Ama Dablam on the right of the picture. Ama Dablam is possibly my favourite mountain; the classic ‘mountain-shaped’ mountain, similar to the Matterhorn.
Close-up of window showing the dawn chorus orchestra.
We were awoken in the mornings by the harsh notes of conch shells and the clashing of symbols. This was part of the morning puja, rather than a summons for coffee and porridge. It does make for an excellent alarm call, though.
Mick Canning 