pleasure – Mick Canning

Anyone still following their New Year’s resolutions? Good on you. As a rule I don’t make them, but this year I have drawn up a bit of a list. Partly, this is a coincidence. I’m on Goodreads, and they encourage you to set a reading target for the year, which I usually do as I think it provides that little extra spur to get on with it when I don’t feel much like reading.

When I’m feeling a bit meh, for example.

But the timing of the Goodreads prompt, being at the start of the year, not unnaturally suggested I might compile a little list of targets in other areas, which I did, but which I’m not going to be foolish enough to share here. Anyway, those few of you who follow me on Goodreads might notice that the couple of books I’ve been reading so far this year are books I’ve read before. And that’s because one of the resolutions I’ve made is that I shall re-read lots of books this year that I have read and enjoyed in the past. Favourites of mine. Books that give me real pleasure to read. In fact, the TBR pile beside my bed is currently eight books, not including the one I’m reading, six of which I’ve read before.

Re-reading a book is always a good idea anyway, as one inevitably notices things one didn’t notice the first time around. But my motive is pleasure, pure and simple. I shall still read some new books this year, but I shall focus strongly on those I’ve read before that I love. We’re often told, in one way or another, that we ‘should’ read this or that book, or that it is an ‘essential’ read (I know I’ve been guilty of it myself in the past, and will no doubt do it again). Well, this year, those folk can shove off. And take their ‘essential’ reads with them.

New Year’s Resolution lists seem to be routinely full of ways to ‘improve’ the maker of the list – make them fitter, get a better job, etc etc – rather than simply to bring pleasure. And although that’s perfectly laudable, it’s important not to forget pleasure for its own sake. It’ll help us get through the year.

I’ve been hiding from the internet.

No, I didn’t go away, unfortunately, although a holiday was what I both have been and am still craving. I made a rash promise some weeks ago to put up a Facebook Author page, to do a minor relaunch of my novel, and to serialise a bawdy Elizabethan detective story. Really, I should know myself better than that.

I think it was the short story that finally broke me.

Writing, for me, is a pleasure, comparable to painting. It is all about crafting the finished product, taking my time and eventually producing the best I can. When all goes well, the process is immensely satisfying from beginning to end.

Within that process, of course, there are times of writer’s block, false starts and finishes, wrong turnings, and many other things to go wrong. And the editing can be an infuriating process. But overall, there needs to be a flow.

Making Friends with the Crocodile worked for me at the length it was (45,000 words), since I wrote it almost as a stream of consciousness as the story unfolded in my mind. It came out in a rush partly because of its importance to me, and partly because I found I could visualise the characters, the story and the setting clearly. Once I had reached the end, I knew that was the end.

Obviously, many stories take a lot more coaxing to get down on paper. I’ve struggled with ones that need to be forced, certainly in places, partly because at that point they are not ‘me’ at the heart of them; I have lost that flow. But sometimes because of the length.

One reason I stopped entering short story competitions is I write a lot of long short stories. I am perfectly aware of the dictum that whatever you write can be edited down to the required length and that, indeed, they should be edited down.

But I also strongly believe that when a story presents itself to be written, that story has an internal length that needs to be respected, even after editing. Some require a few hundred words, some a lot more. But to attempt to turn Making Friends with the Crocodile into a 120,000 word novel or a 5.000 word short story, I am sure would have meant a lesser read. It would have been padded out for the sake of it, or stripped down to bare bones that would have meant that the characters could not have been drawn as strongly as I wanted them to be, and therefore encouraged less empathy from the reader.

Where is all this leading?

I began the short story / serial. It was working quite well, and I had a good few chuckles to myself as I was writing it and then, suddenly, it was almost 10,000 words long and nowhere near finished.

Oh dear.

So I attempted to cram and trim and edit and get it down to a suitable length for serialisation, but I was not happy with the result. Oh no. And I had one of my minor panic-I-can’t-cope-stress attacks and decided the only way to deal with it was to hide.

So, I’m not going to serialise it after all. I will finish it, but the attempt to condense it into a few instalments simply wasn’t working, and what I ended up with felt completely wrong. I will return to it at some point in the future, and finish it as the novella that it clearly is.

There is another strand to all this:

I made the Facebook Author page. That was the easy bit, and I’ll show you where it is next time. And I put together the re-launch promotion piece by the simple expedient of gathering together extracts from lots of the kind reviews the book has had.

But I am in a state of recurring panic, once again, over this huge need to self-promote to sell books. Of course, we all want to, but we are forever urged to use this or that platform, accept this or that offer, etc. Now, we are told that we ‘must’ have a YouTube channel. Really? And a presence on all sorts of social media. Are we not ‘serious’ writers if we are not prepared to move heaven and earth to sell a couple of extra books? That we should ‘invest’ a hundred or five hundred dollars here and there to advertise ourselves?

I have sold a few, and what is really important to me is the tremendous feedback that I’ve had.

Blowing my own trumpet is anathema to me, as I have written in the past. I just can’t do the selling and marketing the way that seems to be presented as essential. It’s an aspect of life that I hate, and a reason I have never gone into ‘business’. Everything around the promotion and marketing just seems relentless and is something that I cannot cope with.

Fortunately, I am not interested in fame. The idea frightens me.

And I really struggle with social media. I have had two goes at being on Facebook, and cope with it at the moment by not going on it very much. I spent ages trying to see the use of Linkedin, and have solved that one by closing my account last week. I really see no use for it.

And I am not doing Twatter.

So here I am back on WordPress, which is a platform I do enjoy. I’ll dip in and out of it a bit over the next few weeks or months, I suspect, since I still feel a bit panicky, but I will be there.

Thank you for your patience!