New Year New You Meh

Anyone still following their New Year’s resolutions? Good on you. As a rule I don’t make them, but this year I have drawn up a bit of a list. Partly, this is a coincidence. I’m on Goodreads, and they encourage you to set a reading target for the year, which I usually do as I think it provides that little extra spur to get on with it when I don’t feel much like reading.

When I’m feeling a bit meh, for example.

But the timing of the Goodreads prompt, being at the start of the year, not unnaturally suggested I might compile a little list of targets in other areas, which I did, but which I’m not going to be foolish enough to share here. Anyway, those few of you who follow me on Goodreads might notice that the couple of books I’ve been reading so far this year are books I’ve read before. And that’s because one of the resolutions I’ve made is that I shall re-read lots of books this year that I have read and enjoyed in the past. Favourites of mine. Books that give me real pleasure to read. In fact, the TBR pile beside my bed is currently eight books, not including the one I’m reading, six of which I’ve read before.

Re-reading a book is always a good idea anyway, as one inevitably notices things one didn’t notice the first time around. But my motive is pleasure, pure and simple. I shall still read some new books this year, but I shall focus strongly on those I’ve read before that I love. We’re often told, in one way or another, that we ‘should’ read this or that book, or that it is an ‘essential’ read (I know I’ve been guilty of it myself in the past, and will no doubt do it again). Well, this year, those folk can shove off. And take their ‘essential’ reads with them.

New Year’s Resolution lists seem to be routinely full of ways to ‘improve’ the maker of the list – make them fitter, get a better job, etc etc – rather than simply to bring pleasure. And although that’s perfectly laudable, it’s important not to forget pleasure for its own sake. It’ll help us get through the year.

A Bit of Digging

Well, they arrived yesterday.

I have finally got my family history book formatted and printed, and I reckon it looks quite decent. So all I need to do now is to get it posted out to family members.

While researching all this, I naturally made a lot of discoveries. Some were certainly more unexpected than others, though. From previous research my father had done, we already suspected that my great grandfather had changed his name, possibly on a whim, from Prater to Canning. I was able to confirm this by, amongst other things, a comparison of various dates of birth in his family. This immediately removes the possibility of my searching back to see whether my name has any noble / famous / important roots. This is something that matters a lot to some people, although obviously only along the male line, which is why it seems to matter much more to men.

Although I turned it up too recently for the book, I have learned details about my father’s life in WWII which I would otherwise never have come to know. I had no idea – and seemingly nor had anyone else in the family – that from 1940 until joining the regular army in 1943 and being posted to India and Burma, he had been part of what had been dubbed ‘Churchill’s Secret Army’, soldiers trained to operate behind enemy lines in the event of a German invasion of Britain. Fulfilling the same role as the French Resistance, they would have carried out acts of sabotage and hit-and-run attacks to slow the enemy advance. it was only after that threat had receded that he joined the ‘Regulars’.

And then, less unexpectedly, there were the stories of extreme hardship: the early deaths, the poverty, the workhouse, tuberculosis and pleurisy…

Of course, if it was possible to search back far enough, we would all find we had a common early human ancestor, which gives the lie to the importance of race.

Does any of this research really matter? Well, in some ways, no. Does it sound crazy if I say that despite all my work, it does not matter that much to me? I’m very much in two minds over this. A lot of this felt more like an intellectual exercise than a personal quest. It was interesting to find out where my great grandparents and their parents had lived, for this felt just close enough to be a part of me. But before them? And especially when I could discover nothing more than their names and some vague dates? No, not really. Throughout this project I have been especially keen to be able to put names to old photographs, for this seemed the only way to make these people come alive again, or at least begin to. That I’ve been able to positively identify some of them feels more satisfying than pushing a line back another hundred years, although I do have nearly every branch back at least to the 1700’s, but in every case it is the stories I’ve found out about these people that matter.

But back to my question. Does any of this research matter? I do think it has the potential to bring us a little closer to our families by emphasising our shared history, and I’ve greatly enjoyed long discussions with cousins about our various researches and discoveries. But beyond that? Well, I’ve enjoyed learning the social history involved with my family, the realities of how people actually lived in the towns and countryside over the last few hundred years. And as well as emphasising my connection to my extended family it has also, as I wrote a few month ago, given me a greater sense of connection to the land where I live.

I have enjoyed exploring the past, but I’m not going to live there.

At Tunbridge Wells Literary Festival

Tunbridge Wells now boasts a literary festival. Over four days this year it hosts talks from well-known writers such as Michael Rosen, Michael Parkinson and Sheila Hancock. But not just the big names.

Yesterday was the day local writers could book a table and hawk their wares. It’s been some time since I’ve taken part in one of these, in fact, I’ve only done it once before, I think. When I used to regularly have paintings in exhibitions, I spent a lot of time essentially doing the same thing – chatting to other painters, talking to members of the public who might buy a painting and generally ‘networking’ (I still find that a slightly silly word). Although talking about Making Friends with the Crocodile did have another effect – it reminded me again that I’m beginning to feel I ought to take one final trip to India, sometime.

Anyway, I think I should probably do one of these more often. Did I sell armfuls of books? No, but I sold a few. I had some good conversations with members of the public and other writers, It also seems to have the effect of energising my commitment to writing, which is something that happened to my painting at exhibitions, too. Talking about my books and projects encourages me to focus afresh on them and, basically, get my finger out and get on with it, which can’t be a bad thing.

So, I’d better get on with it.

Review of Shadowlands by Matthew Green

In this book Matthew Green charts the decline and eventual abandonment of eight British settlements; a diverse selection ranging from the Stone Age settlement of Skara Brae in the Orkneys, through several Medieval villages and cities and up to the twentieth century, to an area emptied of its inhabitants during the Second World War and a village that was abandoned when the valley it inhabited was flooded to create a reservoir – although in that case ‘abandoned’ is the wrong word, since that particular story is a harrowing tale of folk driven from their homes at the diktat of decision makers far away, not even of their own country.

In each chapter he tells the story of the decline of the settlement drawing upon written records for all but the oldest, Skara Brae, for which he relies upon archaeological evidence, and some of the more recent, for which he uses a mixture of eye-witness accounts and the testimonies of those who had heard their stories at first hand. Of all the stories here, that of Dunwich is probably the most famous, with its myths of bells from long-drowned churches being heard far out under the waves, although the popular description of Dunwich as a ‘drowned city’ is inaccurate, as it fell away into the sea as the cliffs beneath it were eroded away. But much is known of Dunwich, with many extant records and maps of the city, enabling Matthew to chart its decline and eventual end in some detail.

Hirta is the biggest island of the St Kilda archipelago and was occupied for at least two thousand years until 1930, when the final thirty six islanders voted to leave. By then, most of the families and younger residents had left for the mainland, and their traditional way of life had become unsustainable. Until a couple of hundred years ago the islanders were virtually cut off from the rest of Scotland, due to the distance and the difficulty of making a landing at the island. Existing almost exclusively on a diet of seabirds (remarkably, they were apparently lousy fishermen!), the islanders lived a remarkably difficult life and it is no surprise that as they were exposed more and more to the outside world, more and more of the islanders opted to leave for a better life.

I found I was drawn deep into these stories not just because I found them so fascinating, but also because of Matthew’s skilful and easy style. A very well researched and beautifully presented book, I’d definitely give it five stars out of five.

My Top Books of 2022

Well, my favourite twelve, anyway. One a month, if you like, although that wasn’t how I read them. Or perhaps the twelve book reviews of Christmas – oops, no. Missed that one. Anyway…these are some of the books I read in 2022, not books that were first published this year. But I seem to have read so many good books in 2022, it’s difficult to make a choice and this has ended up being a little arbitrary.

Stranger in the Mask of a Deer by Richard Skelton. It has been a long time since I last read something new and immediately put it into my top ten reads, but this remarkable work is straight in there. A few weeks later I had to re-read it, captivated by its dream-like quality.

It is essentially a poetic narrative ranging between the present day and Palaeolithic Britain, told by humans both ancient and modern, and by non-human voices. Its essence is life and ritual, the connection between humans and animals, between humans and the land they occupy, and the elements surrounding them.

The remains of deer skulls complete with antlers, but with eye holes punched into the skull so they might be worn as masks, have been found at Star Carr in Yorkshire, dating to approximately eleven thousand years ago. It is presumed these masks would have been used in rituals…

Millstone Grit by Glyn Hughes. This very readable book was originally published in 1975, describing a fifty mile walk the author took through East Lancashire and the West Riding of Yorkshire; an exploration of the moorlands and villages alongside the industrial towns, all of them suffering in their own ways from the effects of the loss of traditional industries in that area. It is about Hughes’ attachment to this area he came to live in, the clash between human and non-human landscapes, and about working class history in these places, but above all else about some most remarkable people he meets along the way.

I re-read The Old Weird Albion by Justin Hopper. This is a book about tracing a mystery in his family’s past, beginning with a woman preparing to throw herself off Beachy Head, a notorious spot for suicides, but also about the effects the landscape of the South Downs has had upon people.

This is a book I reviewed on this blog when I first read it three years ago – the link is here – and I’ll just put an extract of that review here: ‘He has a gift for sifting and selecting the weird in these relationships, not just at sites that might be naturally expected to encourage the weird, such as Chanctonbury Ring, high on the Downs above Steyning or in old ruined buildings, but also in humdrum blocks of flats in modern developments. He references modern phenomena like crop circles and throughout there is the presence of ‘magic’, in the sense of a natural force. Many of the people he meets are an eccentric mix of the weird, too, although I choose this description carefully, largely in the old, original meaning of the word of ‘fate’ or ‘destiny’.’

Another re-read, this time of a book I first read some forty years ago. The Spire by William Golding is a novel set in medieval England, in an unspecified city somewhere in the south. It is a story essentially about pride and hubris, about the Dean of a church determined to have built a great spire on his church, despite warnings that the foundations will not be able to support such a colossal structure. The ending seems predictable and yet that is not really where the story is going, being more concerned with the characters inhabiting that space.

The setting is the church and environs, and it evokes the feel of the ecclesiastic medieval as successfully as The Name of the Rose does. One test of how good a novel set in historical times is, is whether it transports the reader easily to that setting. I certainly found it did.

I bought Hemisphere by Pete Green at an event where poets read excerpts from their work. It is effectively a poetic journey around the northern hemisphere, beginning in Scotland, the journey approximating to the latitude of the arctic circle. The writing conveys a tremendous sense of place and feels very right for the cold edgelands described.

Holloway by Robert MacFarlane and Dan Richards, with illustrations by Stanley Donwood is a short book, describing a journey MacFarlane, Donwood, and Richards made in Dorset, essentially a revisit of a trip MacFarlane made previously with Roger Deakin for an earlier book, exploring holloways. Holloways, often known as sunken tracks or paths, are old – frequently very old – paths made over the centuries by the passage of feet, both human and animal, and perhaps by the wheels of wagons and carts. It is a short journey – perhaps ‘experience’ would be a better word – describing wild camps and walking, cycling and visiting old buildings; in some ways, perhaps it is really no more than a short camping trip, undertaken by a group of men acting out a boyhood adventure. The writing, though, by both MacFarlane and Richards is exquisitely poetic and Donwood’s illustrations never less than beautiful.

Notes on the Sonnets by Luke Kennard.

‘Luke Kennard recasts Shakespeare’s 154 sonnets as a series of anarchic prose poems set in the same joyless house party.

A physicist explains dark matter in the kitchen. A crying man is consoled by a Sigmund Freud action figure. An out-of-hours doctor sells phials of dark red liquid from a briefcase. Someone takes out a guitar.

Wry, insolent and self-eviscerating, Notes on the Sonnets riddles the Bard with the anxieties of the modern age, bringing Kennard’s affectionate critique to subjects as various as love, marriage, God, metaphysics and a sad horse.’

The Rings of Saturn by W. G. Sebald had been on my ‘to-read’ list for a long time, but I finally got around to picking up a copy this year. On one level, this is a walking journey taken by the author along the Suffolk coast in the early 1990’s, describing both places and people he comes across, but really, it is much deeper than that and is a psychogeographical work par excellence. Throughout the journey, we are never quite certain whether events are happening to the author, or have happened in the past, or perhaps to someone else at some other time. He goes off in unexpected directions, literary, historical, and physical, exploring a wide and eclectic range of subjects yet throughout there is a cohesion to the narrative.

The Birthday Letters are a not-quite-series of poems Ted Hughes wrote to his wife the American poet Sylvia Plath after her death. Personally, I find them to be probably his most accessible poems and wonder whether that says something about me, although this isn’t the time to go into that. Theirs was a difficult relationship, and her suicide (as well as that of a later lover of his) frequently colours people’s opinions of Hughes. Inevitably, these are often extremely personal poems, so much so that at times I feel a slight discomfort reading them, as if I’d opened someone’s private correspondence by accident, but Hughes wrote them as an attempt to restore her to him, and published them almost for the public to read as his own account of her life and death.

Sadly, Roger Deakin only wrote three books, of which Notes From Walnut Tree Farm is compiled from diary entries he kept during the last six years of his life. In these notes, he recorded his day to day life on the farm, walks on nearby Mellis Common, the yearly cycle of the natural world all around him, and his thoughts on literature, the importance of nature, and musings on the past.

Our Place by Mark Cocker is an exploration of the history of environmental thought and politics in Great Britain and, especially, the way forward. It asks pertinent questions like who owns the land and why? And who benefits from green policies? Not afraid to be radical in its suggestions, it asks why there is such a disconnect between the British public’s sympathy for and championing of the countryside and the reality of its current condition.

Digging up Britain by Mike Pitts tells the story of Britain’s history and prehistory in ten astonishing excavations. As someone who has always had an interest in history and pre-history, I found this book a timely reminder of the huge strides taken forward in our understanding of the past over the last ten years or so, due to such important tools as DNA analysis as well as the painstaking work of those who excavate and interpret these sites. There are some remarkable tales in this book.

Hindoostan

Reading my blogging friend Arv’s latest (excellent) blog on Jaipur, I was reminded that the area that is now the state of Rajasthan was originally called Rajpoot, the area comprising a mix of princely states. This sent me to look at an old encyclopaedia I have – volume two of the 1848 / 1849 Chambers Encyclopaedia. Things were rather different back then, in the days of the British Raj – a complex history I won’t go into here, especially since I know a number of my readers are already familiar with it. But from that volume, here is the map of India, or Hindoostan as it was usually known by the West, although it was occasionally referred to as India and sometimes as the East Indies.

Obviously, the countries of Pakistan and Bangladesh were still part of this country as this was long before Independence. Indeed, this was even before the First War of Indian Independence, also referred to as the Indian Mutiny, in 1857.

There is a lot that can be learned from old encyclopaedias, especially about the attitudes the west had towards other parts of the world, which make for uncomfortable reading today. But again, I don’t propose to go into that now, rather just leave this map here for interest.

But for anyone who has ever struggled with the conversion rates of currency when they have travelled, this extract might bring a wry smile. The circulating medium of India consists of gold and silver coins, paper-money and cowries. The most common silver currency is the new coinage of Calcutta…Cowries are small shells which, not being depreciable by imitation, form a good medium for buying and selling among the lower classes. Their value varies in different places. The following is their value in Calcutta:-4 cowries 1 gunda; 20 gundas 1 pon; 32 pons one current rupee, 0r 2s. sterling (2560 cowries); 10 current rupees £1 sterling. The sicca rupee is 16 per cent less in value than the current rupee, which is an imaginary coin. The Bombay rupee is valued at 2s. 3d.; a pagoda is 8s.

Good luck trying that one in your head in the marketplace.

My Books

While I am still sorting out a new paperback printing both for Making Friends With the Crocodile and for The Night Bus, I have put up a listing on my Etsy shop for the last few remaining paperback copies of each that I have. If you fancy grabbing yourself a copy, the links are here: Making Friends With the Crocodile and The Night Bus.

A little reminder of each:

The Night Bus This book is in two parts. A collection of seven short – and not so short – stories, which make up the bulk of the book, followed by a selection of recent poems.

Travel has always been a passion of the author and, one way or another, nearly every piece here is to do with journeys. Some of the stories are quite dark, but the majority of the poems have a lighter touch. Two stories are set in India; in one, a young man goes in search of a mysterious destiny, while in the other a travelling Englishman becomes embroiled in a chilling disappearance. One story speaks of the support and comradeship of a close-knit island community while another tells of jealous intelligences far older than mankind.

There is one long poem, which gives the title to this collection and tells of a journey across India and into the mountains. There is also a short series of poems about the ancient paths and tracks of Britain; in these, especially, a love of the natural world shines through.

Making Friends With the Crocodile There is an Indian proverb: If you live by the banks of a river, make friends with the crocodile.

Set in India, this is a novel about the corrosive relationship between a mother and daughter-in-law, and the contempt in which that society still holds women. Siddiqa’s son has brought his new wife, Naira, to live with them, so Siddiqa is no longer the lowliest in the household, for she now has a daughter-in-law to assume that role. But when Naira accuses one of her husband’s friends of sexually assaulting her, all their lives begin to spiral out of control.

Making Friends With the Crocodile – Again

Well, it’s only taken me about six months, but I’ve sent the e-book version of Making Friends with the Crocodile out into the world once more. I expect you thought I’d never get around to it.

Actually, I expect you’d completely forgotten about it. I unpublished both my books from Amazon back at the end of February (this post explains why) and since then I’ve explored a number of platforms, and most of them came up short. I’ve gone with Draft2Digital for the e-books, since I can specify they do not appear on Amazon, although even now I’ve an issue with how my second book will be labelled. It means the e-book is now available on a number of platforms, such as Apple, and this link will let you choose one of them.

It seems impossible, though, to find a publisher that doesn’t automatically offer the physical books through Amazon. Much the same as anything one sells anywhere today, either online or offline, can reappear on Amazon and there’s nothing one can do about it. Short of becoming a publishing house myself, I don’t think I can avoid it.

And before you ask, no!

I’ll now have a last scout around the internet to see if I can find a platform for the paperbacks that don’t sell through Amazon, but I suspect I’ll be unlucky. In which case I’ll probably stick with Draft2Digital and ask you nicely, should you buy one of my books, not to buy it through Amazon.

About Making Friends with the Crocodile:

‘There is an Indian proverb: If you live by the banks of a river, make friends with the crocodile.

Set in India, this is a novel about the corrosive relationship between a mother and daughter-in-law, and the contempt in which that society still holds women. Siddiqa’s son has brought his new wife, Naira, to live with them, so Siddiqa is no longer the lowest in the household, for she now has a daughter-in-law to assume that role. But when Naira accuses one of her husband’s friends of sexually assaulting her, all their lives begin to spiral out of control.’

Publishing Platforms – 2

My thanks to those who commented on my last post. I have now unpublished both books from Amazon, although Amazon won’t delist them on the grounds someone might want to sell them second-hand through their platform. I can’t do anything about that.

Making paper by hand, Kalimpong, West Bengal (2)

I will shortly re-publish The Night Bus, probably on Lulu, although I haven’t definitely decided on that platform, yet. I’ll do a little more research, first.

As for Making Friends with the Crocodile, I am persuaded to have a go at finding a publisher for it. We’ll see how that goes.

And in the meantime? Writing…