Shorelarking at Rye

We went down to Rye harbour in Sussex, a few weeks ago, on a beautifully sunny but bitingly cold day. The actual harbour entrance is in the middle distance of the above photo with Dungeness Power Station just visible on the horizon in the distance.

This red-roofed hut sits on the shingle on the approach to the harbour and has become the iconic image that everyone photographs. I resisted the temptation this time, but took this one a few years ago. No one seems certain when it was built, but it was certainly in use from the early 1900’s onwards and was used to store fishing equipment.

The salt marshes behind the harbour constitute a nature reserve and are an important place especially for migrating birds. We walked around the marshes for an hour or so and did see quite a few birds, especially when we spent some while in a hide with the binoculars we’d brought. No close-up photos, because we were too far from the birds and I only had my pocket camera that day, but especially noticeable was was a group of some forty to fifty cormorants.

One of the tasks of the Environment Agency here is to continually move shingle in trucks westwards along the coast to shore up (pun intended) the sea defences. Due to the prevailing winds, longshore drift continually moves shingle eastwards along the coast and without this intervention it would choke the harbour mouth and undermine the sea wall at Pett (to the west). They load up the trucks with shingle from the shore, the trucks drive west and tip it out on the shore. The sea washes it eastwards along the coast again. The trucks load up with shingle from the shore…It almost feels a pointless exercise, but I suppose there’s no real alternative.

But longshore drift means that the shorelark on the South coast of England has a chance of finding rocks and stones (and all sorts of other things) that originated further to the west, and we spent some while searching among the stones here to see what we might turn up.

Shorelarking? It’s like mudlarking, but on the seashore. ‘Larking’ in this sense means looking for…well, anything. Coins, interesting rocks, anything lost or old or, preferably, both. Not that we found much, not that we ever find much, but we don’t do it as seriously as some folk. And as nice as it would be to turn up the sort of finds some people find in the mud of the Thames, we’re not that dedicated. But in the past I have found bits of flint tool while fieldlarking, and usually come home from a walk with an interesting stone or two.

We did find a couple of interesting things that day – they don’t look much, do they? But the grey stone in the centre is possibly a Mesolithic hammer stone, used for shaping flint tools while the nail had a tiny piece of wood still attached, but this crumbled away as soon as I picked it up. How old is it? I’ve no idea. Nails like that were in use from the 1800’s through into the 1900’s but it’s impossible to pin it down further. My immediate thought was it could be part of the beach groyne, but when I looked they seem to be constructed entirely with rivets. Maybe it is from an old shipwreck. The rock at the bottom is simply a lump of sandstone from further west along the coast, a piece of what was called Hastings Sandstone when I studied geology, but now known as the Ashdown beds. Nothing special, again.

Just an interesting few finds on the beach on a cold sunny day before we headed off for a warm drink.

Winter – 3

Winter would have brought a period of enforced leisure for our ancestors. Their days would have become shorter with the increasing hours of darkness, until in midwinter the daylight hours would make up only one third of the time.

All outdoor activities would effectively cease in the darkness, and even during the day the worsening weather would limit what could be achieved outdoors. But other than those tasks that could be carried out, what did they do in these times? how did they pass those long hours?

At times, no doubt, there would have been feasting and merry-making because they would have required some cheer and a sense of well-being to help them get through the winter. But they must also have been mindful of husbanding scarce food resources through those long barren months.

it may be that they played games. Although archaeology hasn’t furnished us with evidence of board games or dice or variations on these, it is still possible they would scratch, perhaps, some form of grid into the beaten soil of the floor and play games of skill or chance. It is not beyond possibility that some flat rocks with strange scorings and lines on them were used for that purpose.

With no TVs or books or computers, it might seem to us that time would have weighed heavily on their hands. But you are used to what you are used to, and they would have seen things differently. They may have looked forward to a period of relative inactivity; long hours of no talk, sitting or lying down, the mind slowing down until hours were passed in no thought. Did they then also pass unusually long hours in sleep? A kind of semi-hibernation as a way of conserving energy?

But long hours also, of talking. They must have talked: of daily life and plans and past disasters and glories, of gossip, and told stories both new and handed down from previous generations. These stories would have been incredibly powerful tools for the preservation of the tribe. With no written word, the spoken word becomes the only way knowledge is transmitted. And thus it has to be memorised, both for use and also to transmit in the future. As aids to memorising, powerful tools are repetition, rhyme and rhythm. We cannot know exactly how this was utilised, but it cannot have been long before poetry and song evolved.

It can be no coincidence, but in all the early societies we know of who had no written records, those of which we know about through records left by others – such as the Romans writing of the Britons – it is clear that poetry and song were important, and the bard a highly valued member of that society. Indeed, the writings left by Romans, who tended to denigrate anyone not Roman as barbarian and primitive, violent, and uncultured, still make it clear these ‘barbarian’ tribes valued poetry and song highly. Partly, this must have been for educational purposes, but they seem also to have been valued for themselves, for their beauty. It is taking things too far to suggest this proves the same would have applied in Neolithic times, but it is certainly possible. At some point, there would have been music. I imagine this developed out of ritual, perhaps through repetitive chanting and the beat of drums…

And so, I can imagine this at first being perhaps the preserve of the shaman, until becoming a specialised ‘post’ – that of the bard – and acquiring the value of entertainment, as well as instruction.

Crows

054 (2)

This is the first poem in a series still not quite completed. Although the rest of the series needs to be read as a single entity, this one works as a standalone piece.

Crows are unsettling.

They make eye contact with you,

Like all their kind:

Rooks, magpies, jackdaws and their ilk,

Black-eyed, mocking, wind-flicked feathers,

Watching you from high branches,

Scattered trees, lone rocks and open fields.

Krra icily in the harshest breeze.

 

They could be smart, dark-suited undertakers,

Clearing up dead bodies or

Smug bankers, lounging in the hotel bar with

After-dinner drinks, bragging raucously.

 

Crows solve problems, are wary, learn,

And remember you.

They may reward kindness

With coins and pieces of glass,

With golf balls, or feathers.

But crows make up murders.

They hold grudges and will plot your destruction

If you cross them.

 

The Collector

Inspiration, writers’ block, ideas…I could write about all or any of these topics. Instead, I thought I’d simply post another poem – plus, of course, a picture (with far better weather than we’re having here) – and let it do the job instead.

337a

I’m a collector of images long stored in my memory,

A desert inferno of razor-sharp rocks.

A mountain breeze rippling an icy cold puddle,

Thick mists and thin soups, flowers, trains, and old shoes.

 

I’m a collector of memories, both mine and ones borrowed,

The harrowing journey, the lovers’ first kiss.

There’s betrayal and loyalty, flatulence, hope,

There’s a child being born, and a wolf at the door.

 

I’m a collector of stories, the stranger the better,

Believable, odd, and ridiculous too.

Close to home or historical, alien, fanciful,

Some to keep secret and some I can tell.

 

I’m a collector of moonbeams and of chance reflections,

A collector of sadness and bittersweet pain.

A collector of strangely shaped stones in a circle,

And dreams that tell stories I don’t understand.

 

More Random Stuff; this time, Artworks

Creatively, for me this week has been rather a damp squib.

I have managed a little writing and research on ‘The Assassin’s garden’, but I’ve not had a very good week, one way or the other, and am just not up to writing a blog today.

So, the easy way out.

This is a somewhat random mix of some of my paintings from the last 10 or 15 years.

rock-no1

An oil pastel painting of a rock structure a few miles away from where I live – it looks to be a heavily abstracted painting, but is actually reasonably accurate!

 

chestnuts

A watercolour – chestnuts in autumn.

 

summer-medway

A chalk pastel – alongside a nearby river, The Medway, in summer.

 

nepalese-village-door

Another oil pastel – a door in a house in a village in the Khumbu region, Nepal.

 

007

Charcoal on paper – Musician.

 

dusk

Acrylic on canvas – Dusk.

I think that’s suitably random; I’d be surprised if anyone could find a theme there, other than ‘paintings’.

Have a good weekend, everyone.