January. A New Year, a New Project. Well…projects…

Well, here we are again. A New Year. At least we’ve had a few sunny days, recently:

On Rye Harbour Nature Reserve, Sussex.

Heading up on to the South Downs from Clayton, Sussex.

‘Jill’ windmill, near Clayton, South Downs.

‘Jack’ windmill – no longer working, and now a private dwelling.

And another shot of ‘Jill’ – restored and now working

I don’t miss 2021 at all, although I’m sure I’m not alone in that. But I got off much easier than many people, of course. I’m still here, for a start. But I had a few health issues that I’m now stuck with, and these have slowed me down a bit and have forced me to alter my lifestyle in small (but annoying) ways. And I feel old. I am old. If you’re under twenty one, then I’m incredibly old!

And for various reasons I had a very unproductive year in that I found writing really difficult and just couldn’t get my head around any art. Although I don’t make New Year Resolutions as such, I’m tackling the uninspired non-productivity by setting myself, well, not exactly goals, but projects for each month of the year.

I have been researching my family tree, and instead of nice neat charts and tables, I have reams of scrap paper with partly legible duplicated notes (and a few charts and tables). For January, then, I am sorting all of those out and making those nice neat charts and tables, and trying to fill in some of the many gaps I’m discovering as I do so. It’s only halfway through the month and it’s going well, so that’s a success so far. But the rest of the year will comprise creative projects. For the next one – February – I intend to fill all the gaps left in my work in progress, A Good Place (the novel I’ve been working on for four or five years). I won’t get around to editing it, but I intend to complete what I am determined will be the final draft.

And then for March, I shall…well, I’ll tell you that in February.

My Virtual Reality

One of the things about growing…older, let’s say…and I’m not saying it’s a good thing or a bad thing, is the growing realisation that we’re never going to live in that place that we are convinced is perfect for us, or have the day to day lifestyle that is everything we want.

One consolation for the writer, even if it’s rather a shallow consolation, is the opportunity to write these places and lifestyles for ourselves. For the last year or so, nearly all my creative writing has been rather experimental, which is one reason I’ve not put much up on here. Rather than focusing on writing the complexities of a story arc, I have been very much concerned with the character of the characters I have written, and possibly even more concerned with the environment they occupy.

In a way, then, I’m exploring different versions of myself – although that, surely, is what all writers do anyway? – and it is instructive how much all of these versions have in common. For anyone who knows me, the information that these scenes involve almost nothing of town or city should come as little surprise. But it’s a learning process, a personal learning process. And even the photos I’ve chosen to accompany this post serve to reinforce what I already know about myself.

And the other strand that occurred to me as I thought about all this, is how it has brought home to me that the priority in my writing – my absolute, number one priority – is that first and foremost I am writing for myself. Whatever I write has to please a rather demanding reader; myself. And if that means my writing is even less ‘commercial’ than it was before, then so be it.

Strangely, this seems to have removed the pressure of time. I’ve always ended a writing day either pleased with the amount I’ve written or berating myself for not having written more. As if that was the sole measure of how successful or productive my day had been! Now, though, writing just for myself, success can be equated with how good I feel the output is; and by ‘good’ I mean quality (as defined by me, for me). So even a few lines that work well may be a good day’s work. I think this time pressure, this fixation with writing a certain amount each day, is a purely commercial pressure; an I-need-to-finish-another-book thing.

So goodbye to that. It’s not for me.

We Do Violence

Yay! Day seven of my Poem-A-Day-For-A-Week-Or-So project. I’m jolly impressed I got this far, although I say so myself. And I’m quite pleased with this one. Although, like all the others, it’ll benefit from some work on it later.

We Do Violence

We all occupy two places simultaneously:

Wherever we happen to be in the physical world,

And wherever we currently inhabit in our heads.

The trick is to get the two to coincide.

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We interpret our landscape as we walk,

Inflicting our thoughts upon it, changing it,

Or at the very least changing our perceptions of it,

Rather than being truly open to the experience.

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To achieve that, like a meditation

We need to let go of our thoughts.

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And the worst of these interpretations,

Is this absurd need to name everything.

We begin to only look for particular things.

And filter out those we cannot name.

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We do violence to the landscape in this way,

Subverting it from what it is, to what we wish it to be.

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We need to listen to the landscape in silence,

undistracted by thoughts or by words.

Words are, at best, a poor substitute for things.

As soon as we name a thing, we claim it as our own.

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We limit it to our own understanding, and we dilute it,

By placing it in the company of other things

That we name the same. It is akin to taking away the

Individual names of people and referring to them all as person.

Quick!

Day 6 of my poem a day for a week or so project. Almost there! And this one is a bit of an experiment…

Quick

Quick, the useless and the wistful,

The deceitful and the unwary,

Come now to me, for I must be honest,

For I must write my poem

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I have things to say which I must first discover,

Although this seems to take so long.

But time is perfectly without fault and

Time alone will determine how long I must take.

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I am forever reinventing myself

Plunging in to find out what resonates

Immersing myself in this life

Until I understand or tire of it.

Sigh

Poem number five in my Poem-A-Day-For-A-Week-Or-So series. Snow outside, test cricket on the TV, beer in the cupboard. That’s my day sorted, then.

The sea sighs for you tonight.

It sucks at the shingle

And smears your footprints

Like a wet thumb rubbed across writing.

Where once you walked and left your

Prints, it gently wipes the land clean.

Lovingly it lays its cheek to the ground

And nuzzles your memory.

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We are more than specks

In the infinity of time and space

Yet somehow we need to

Make sense of our lives.

Rock endures

But so does the wind and the rain.

More so, in fact, since in the end

Mountains are levelled

And the wind and rain remain.

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In the end the passage of many feet

May be more durable than

Dwellings of stone.

I Made A Vow

Day four of the Poem-A-Day-For-A-Week-Or-So project and a bit of a rush, today, as I’ve been assembling a shed (as you do). Another one, therefore, which will benefit from a revision when I have more time.

In Tripoli I made a vow to travel light, my eyes wide open,

Travel all the time I could, to take my chances when they happened,

Planned to seek out strange new places, take some risks see new horizons,

One thing alone I wanted now, the promise of the unexplored.

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And I remember where I was, the time of day, the type of weather,

Early morning, early March, this was a time of change for me,

A time for taking big decisions, time to turn my life around,

Time to leave things in the past, the time to turn another page.

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At the time I made that vow, I yearned to go along the Silk Road,

Travelling any way I could, and though that sadly never happened,

Other projects came and went, journeys all filled with adventure,

Baking deserts, frozen mountains, close to home and far away.

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I knew the world would not be kind, it would not make my journeys easy,

Whatever it might offer me, I’d leave myself completely open,

Embrace the rain, embrace the wind, embrace the temple and the hillside.

This was my private pact with life and to this day I’ve not yet finished.

Dragon

A Poem a Day For a Week Or So number three. I had fun with this one.

Dragon

This serpentine and massive body,

Tough dark brown scales about its girth,

With emerald green draped carelessly

Lies sinuously upon the earth.

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One huge, long, foot, so saurian,

With wrinkled toes, long tapering claws,

Sweet scented earth clings yet to them and

Rain drips in the shocking maw.

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Cowards’ blades have cruelly felled it

Here, of all enchanted places!

Huge and sad and impotent

Lies still amongst its golden pieces.

Mud

The second of my ‘Poem a Day’ poems. Just getting this far is a bit of an achievement, I suppose, although I’m not particularly happy with either the meter or the rhythm. It feels as sloppy as the day itself was. But I think it has potential if I do a bit of work on it sometime later.

Mud

Today, the sun has been sent into exile,

Leaving just a weary daylight.

It has gone, and we shall never see its like again.

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In the steady rain,

Climbing this hill is an act of defiance

A far more daunting prospect than usual.

It is like a resistance.

One step forwards and two steps back

I slide and slither upon the track,

Barely keeping my footing at times.

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In places, mist curls beneath the trees

Where the birds voice their own defiance

Loud and clear.

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Beneath the endless grey,

Still lower clouds like smoke from gunfire,

From shell bursts or industrial disaster

The earth torn up and churned

From countless toiling feet.

But other than the birds,

I have the world to myself.

Clutch

I thought I would write a poem a day for a week or so. Here is yesterday’s. Of course, if this goes like most of my projects, I’ll probably give up tomorrow. We’ll see.

Clutch

Crook-backed

Misshapen

Bent and jug-eared

Skeletal spindle-shanked and

Shaggy ancient

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Like troll

The rising sun leaves it forever

Frozen on this hillside

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Mid-clutch

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Ice coursed through crippled limbs

Wedged and clinging

Four hundred years too much

In the end

Sunday Supplement – 4

I’ve been playing this album for much of the last week. the first I had heard of Sharron Kraus was on Chanctonbury Ring, the album she worked on with Justin Hopper, based on Justin’s book The Old Weird Albion. Joy’s Reflection is Sorrow is filled with beautiful haunting songs in the folk tradition, with more than a touch of otherworldliness about them.

My world is full of paths that are too well trodden at the moment. I suppose everyone’s is, really. All the paths nearby on the common and through the woods are overflowing with dog walkers and families out for exercise and relaxation, and without going further afield it is difficult to find anywhere to walk in solitude. So a longer walk is demanded this week, out to fields and woods and rivers where I know I shall meet hardly a soul.

I think I shall resist posting progress reports on my writing in future, since I jump from project to project and no sooner do I say I’m doing a final edit of x, than I am working on y and have shelved x for the foreseeable future. I have, for example, found great difficulty in finishing A Good Place, revising the plot and the ending for the third time now…

It’s downright embarrassing, really.

I’m finding writing very difficult at present, though, which is one reason I’m not posting on here very often. Like everyone else, I just need to hang in there.

And I’m reading An Indifference of Birds by Robert Smyth.

This is another book about birds, but in this case it looks at how birds see us and how we affect them. And by extension, it looks at how we affect the whole of the natural world, and the enormous damage we are doing to it. But if that sounds horribly gloomy, the book is a delight to read – beautifully written, and filled with observation and information. Do buy it.

And look after yourselves.