It’s That Time of Year

Chestnuts. Watercolour on paper. Size: 8ins x 10ins. 21 years ago.

In Another Lifetime I could Have Been…(2)

…a monk.

Yes, you heard me correctly. a monk. Regular readers of this indulgence will know I pour scorn on organised religion, but also that I have a hankering for the simple life and for solitude. I would love to be disciplined enough to do without fripperies, but I never quite seem to get there. Obviously social media would also have to go if I was a monk. In fact, even if I didn’t become a monk, I think perhaps social media should go. That would be good for me.

But not books, of course. They’re Important.

In another time, a time when belief in the predominant religion was a given, I would have had no problem in becoming a monk. But since I don’t have that belief, it sounds like a contradiction to say that to me the spiritual side of life is extremely important, but the spiritual is, to me, separate from religion. I view the spiritual side of me as being that part that yearns for simplicity, for art, for the minimum possessions required for life, and to be surrounded by nature. Incidentally, I also understand that monks are given a daily ration of beer or wine.

That also sounds good.

And because I was fortunate to have been born in an age of scientific enquiry when most people no longer blindly accept religious dogma, but are generally prepared to question it, I am free to make choices based on my own conscience and on what I consider important.

But I could almost, under certain circumstances, become a Buddhist monk, even in this life. I have said before how I am attracted to Buddhism, although as a philosophy rather than as a religion. I like the way the emphasis is on yourself to make your best life. Gods don’t have to be involved.

I have twice spent a week in that sort of environment – one time a week of Zen meditation, which was very hard work but left me with a great feeling of clear-headed calm, and once on a retreat at a Benedictine monastery where I made a point of attending a simple morning service each day and spending the rest of the day in thought and writing and painting and gently wandering around the extensive grounds. As a panacea for the stresses of modern life it was difficult to beat. I could, as I said, see myself in another life settling into the routine there on a permanent basis. But not in this life.

David Nash and Impermanence

A few days ago we went to the Towner Gallery in Eastbourne, Sussex, specifically to see the Eric Ravilious paintings and prints on permanent exhibition there. There was also a large exhibition by the sculptor David Nash, who works with wood on a large scale. The fact that the whole exhibition, which also included a gallery of paintings, prints and a couple of small installations, and was intended to highlight the effects of the Climate Crisis, was the first one ever curated by Caroline Lucas M.P. of the Green Party was an added bonus for me.

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As much as I enjoyed the Ravilious, I was blown away by Nash’s sculptures. To see wooden sculptures on that scale is unusual in itself – usually that would be the preserve of stone or metal – but that very scale plays tricks with the mind and the eye. Boxes and bowls many times larger than one would expect meet the eye as you walk around the galleries, and many of the pieces also deceive where perhaps one looks to be made from several separate pieces of wood, but on closer inspection are carved from a single block like the boat shapes in the top picture, or the ‘stack’ in the one below that.

Much of the work is left rough-hewn, but even this can be deceptive. Some pieces have been carefully finished to give that appearance.

Sculpture is the art form that seems to exist to interact with the natural world. A number of the works here are based on natural forms, but there are also stories of projects Nash has undertaken where his sculpture is either living, in the form of carefully planted and managed groves of trees, or interact in other ways.

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‘Boulder’ is one such project. One of the first large-scale pieces Nash made was to cut a boulder-shaped chunk from a tree (illustrated at the top of Nash’s charcoal drawing above) in 1978. This was then transported to a stream near to where he lives and works, in the Welsh hills, and rolled into the water. Since then, it has slowly made its way downstream until it reached the estuaries and inlets of the sea, where it finally disappeared in 2015. Nash documented its travels in a series of photographs and films made regularly all the while, and presented in the exhibition as a film.

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Nash’s sketch of a Larch trunk

It feels as though there is something of this meeting of art and the natural world in old ruins overrun with scrub and grass. They frequently seem to have a sculptural quality that complements the landscape around them, in a way that more pristine buildings do not.

And I like the sense that an artwork, like a ruined building, is not permanent and that eventually the natural world will absorb it back into itself. That it will reclaim it. Perhaps the artist and the environmentalist in me merge here.

My own sculptures are in wood, and some of them are set out in our garden where they gradually degrade over the years through the action of sun and rain, until they appear strangely like some weird plants that have sprouted unexpectedly there.

In Praise Of Trees

It has been mind-buggeringly hot and humid for most of the last week, breaking records for mind-buggeringly hot heat here in the UK. But now, with heavy rain and gloom and a delicious green light filling the kitchen from the trees and bushes outside in the garden, it not only feels refreshingly cooler but looks it, too.

During this last week, almost the only way I could bear to be outside at all, was sitting on our lawn in the shade of the gorgeous hazel tree that dominates the garden.

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In so many countries, trees are planted to provide shade whether it be for travellers, or for residents in towns and villages or city squares.

They understand the value of the shade the trees provide in hotter climates, but in the UK we, and by that I mean governments and entrepreneurs and business people, we seem to be obsessed with cutting down trees, almost for the sake of it.

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Yet we can no longer pretend we have no idea how vital trees are; for us, for the ecosystem, for the planet. We need them to remove the carbon from the air and to replenish oxygen. They are habitats for huge numbers of wildlife. Their roots help bind and provide stability to the soil, preventing erosion, landslides, and the spread of deserts. Where they exist in sufficiently large numbers the water vapour they give off helps to bring down local temperatures and increase rainfall.

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They are sources of food for animals and for people, and for thousands of years their wood has been used for building dwellings, making furniture and utensils, fencing, tools, boats and wagons, and as a beautiful raw material for artworks.

And they soothe the soul!

Used intelligently and sustainably, they will continue to perform this role for as long as we wish.

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Yet despite all we now know, we continue to cut down trees at a ridiculous rate. In Brazil, we are losing rainforest now the size of three football fields per minute! The rainforest in Indonesia is also being cut down at a rapid rate. The HS2 rail link planned for the UK will cost a stupid amount of money and destroy massive amounts of woodland, just to take a little time off rail journeys that already happen.

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Yet there are many smaller – petty – instances of trees being cut down that amount to official vandalism, no less. I feel particularly strongly that in many towns in the UK it has long been the policy that when trees planted along streets have become larger than the council thinks appropriate, they cut them down but rarely if ever replace them with new, younger, ones.

The call to re-wild areas of the UK is growing, and I feel we should now be devoting as much land as possible to the creation of new woodland, as well as re-planting hedgerows to replace fences, and individual trees in gardens and parks and along roads.

And stop cutting them down!

Wood Carving

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I’ve shared this picture of one of my wood carvings before, but never with any detail. But now I’ve shoved it into my online shop, I thought I’d say a little about it.

My piece is 13 inches tall by 7 inches wide, and just under an inch deep. I carved it out of oak and it took me about a week to do.

It’s a copy of a Fourteenth Century French carving of a crucifixion scene in ivory, that would have been intended for use in a private shrine.

I’m not a religious person, but I do enjoy looking at some of the wonderful carvings that were produced, especially in later Medieval times, for use in churches. In fact, virtually all art in the western World at that time was probably intended for religious use. Even that which ended up in private hands – i.e. Royalty or others of the ruling classes – almost invariably depicted religious subjects.

My shop can be found here.

Leh Old Town

Fourteen years ago I went up to Ladakh, in the Northern Indian Himalaya. Crikey, fourteen years! Where did that go?

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This is a painting I made in ink and watercolours of an area of the Old Town of Leh, the Main Town of Ladakh. It shows part of a Buddhist shrine, next to another old building. Most of the buildings are a mixture of stone and wood, the wood frequently carved and / or painted.

Although there were quite a few new buildings in the town, the majority of them were old and the whole town had the feel of belonging to another century. I travelled in early April, before most visitors arrive and when Ladakh is still bitterly cold and wintry – certainly overnight. During the day the temperature just sneaked a little above freezing. This meant that I seemed to be the only Westerner there – I certainly don’t remember seeing any others – and I was never hassled by touts of any description, possibly because it was still too early.

But, above all, the people were among the friendliest I have ever met.

Regretfully, I doubt I’ll get another chance to go there, but it is certainly a very special place!

Picture available on my Etsy shop site here

A Walk And Other Things

It was bitterly cold but sunny first thing yesterday morning, but after a couple of hours the air had warmed up enough to tempt me out. I was due a walk anyway, having not even left the house the previous day.

Every year there is a point somewhere around the middle of February when I feel the warmth of the sun for the first time that year, but yesterday morning there was already a hint of that.

It wasn’t cold enough to freeze the ground, except in a few particularly exposed places, and so it was very muddy underfoot. Therefore it was a delight to occasionally walk through drifts of last years leaves.

And there was so much birdsong. So much so that it became a background noise that was easy to filter out after a while, except when a particularly loud or unusual song caught my attention. Not that I do that deliberately, since birdsong is one of the delights of the countryside. At some point or another when I’m out, I can usually hear the rooks, but maybe because of the sun and the noise from the other birds they seemed to be silent. I’ve always associated them with cloudy skies for some reason, perhaps because I’m so used to hearing them on moorland and in the hills and mountains.

But I’m sure they like a sunny day every bit as much as the next bird.

This morning is cloudy again and the rooks are back. Outside I hear crark crark crark, and the occasional cronk. There is rain and sleet forecast for later, so I go into town in the morning. By the time I get home, the sky is already full of dark clouds and threatening to drop some weather soon.

The afternoon, then. I partly spent painting this little fellow:

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The blue tit is one of the few British birds whose population seems to be increasing slightly at the moment, in contrast to most whose populations have fallen – sometimes dramatically – over the last few years. We seem to be losing lots of the birds I took for granted as a child, which is such a sad thing. As a race, we seem to be so damned good at exterminating other creatures.

Oi, That’s My Content!

Again, a disclaimer. I am not a legal expert, and you may feel it necessary to use authoritative sources to check the information I am presenting here.

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In my last post I talked about the potential issues around using someone else’s art on the cover of your book.

Equally, you can fall foul of copyright law very easily when blogging. Or Twittering or Instagramming or anything else like that. I am truly astonished by the number of bloggers who appear to be unaware that copying a photograph off the internet and putting it on their blog leaves them open to legal action. And putting a note under the photograph reading ‘copied from x or y’ merely makes it easier for people to notice. There are many sites where you can download free images to use this way, but taking them from others is asking for trouble.

If it comes to the attention of the copyright owner, the least of your problems could be a ‘Cease and desist’ email from a lawyer, warning you to remove the image immediately. It is also possible that a fine is demanded, with the threat of legal action. Don’t ignore this or treat it lightly. It means Trouble.

This is one reason I don’t re-blog posts as often as I might. If I re-blog one with a dodgy image, I am also leaving myself open to legal action.

But what if it comes to your attention that your work has been taken this way? Let’s say someone steals your pictures and content, and puts them up on their site without permission or accreditation. I don’t mean a re-blog, which is a different thing altogether (as long as you follow the rules!) but Intellectual Property Theft, which is what I’ve been talking about all along.

What can you do about this?

Firstly, you might prefer just to grin and bear it, annoying though it is. After all, it’s just a blog post and is it worth the fuss? Although if it was a site making money from your work, that might be another thing altogether.

Obviously, you might want to take legal action, in which case you will check carefully what it might cost you and the chances of success. There are many reasons it could be a costly and difficult process.

(Of course, this is no reason to think you can break the law with impunity. You may well come up against a determined copyright owner)

Personally, I’m inclined to send a message to the infringer along the lines of: ‘I’ll put up a link to your blog from mine. The bad news is it will include key words such as ‘property theft’ and ‘(the infringer’s name)’ which will be found by search engines for as long as the page exists’ which might well deter them. After all, it is common knowledge that potential employers, for example, tend to have a good look on the internet for information on potential employees.

It might work, I suppose. Has anyone had this problem and had to deal with it?

Some Flower Paintings

All poppies, in fact.

Since the weather is so miserable outside, it seemed a good idea to inject some colour into my life. Or into my blog, anyway.

I hope you enjoy them.

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Poppy #1. Acrylic on board. Size: 11ins x 14ins.

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Poppies and Daisies. Acrylic on Board. Size: 18ins x 24ins.

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Poppies. Acrylic on board. Size: 24ins x 18ins.

Monsoon

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Monsoon – 18ins x 24ins , Acrylic on board.

I painted this a long time ago.

Although I have been caught up in a few very heavy downpours in India, I have never been there during the monsoon. And I was reminded of that a day or two ago while having an online conversation with another blogger.

It is something that I would like to experience, sometime. In India, it is an exciting, a very welcome time – after the temperature has been steadily climbing for months, and everywhere is dry and parched, the rains finally arrive to cool the air, and the earth bursts into life.

Everyone rejoices!

But westerners avoid it. Why go to India during the monsoon, just to get wet? is the general feeling.

Yet I have a yearning to witness it, and to use it in my writing, too. To write…take photos…paint…

And just to experience it!