Apologia

My apologies, in that you may be subject to some weird posts from me in the next few weeks – weirder than usual, that is.

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Having completed what I hope is the final draft of my novel, with the provisional title A Good Place, since it still seems the most appropriate title and will probably now retain it, it will now be read by my first beta reader – my wife – and then I shall put it out to three others *chews fingernails nervously* before what will hopefully be the final edit and then on to publishing!

This is the point at which I should get on with a new project, or return to an unfinished one. Or even just have a bit of a break, of course. But I am using this as an opportunity for a bit of a readjustment of my priorities. I have always had a deep love of the British countryside, and a strong interest in history, tradition, myth and folklore, although over the last twenty years or so, that has often taken second place to my interest in, and love of, India and Nepal.

I have found myself renewing that interest recently; delving into books about the British landscape, looking at many of the British painters who focused on this – Nash, Ravilious, Constable, and including modern painters such as Gill Williams and Jackie Morris, and especially those with a slightly esoteric aspect to their work (like Blake or Samuel Palmer, for example) then deciding how to take that into my own painting, plus, of course, walking as much as I can in villages, small towns and the countryside.

I intend to re-work a few of my short stories to reflect this, and write more poems on the countryside and our interactions with it.

While I am struggling with all of this, it is possible I may post some very strange stuff. Who knows?

One final thought on all this: Having already become more aware of my global footprint and made further changes in how I live to minimise it, I feel I can no longer justify flying and have concluded that, sadly, I shall probably never visit India or Nepal again, unless I can at some point find the time and money to make the journey overland. But what an adventure that will be if I do!

 

The Joy of Unknowing (1)

We have just returned from a few days away in Shropshire, which is one reason you haven’t heard from me recently.

We were incredibly lucky with the weather, and spent the time walking and reading and mooching around towns and villages. And finding time for the occasional meal and cold beer, of course.

Yes, we did some lovely walks. And I find it a natural thing to be constantly identifying and photographing whatever I see when out for a walk. I have always been interested in all aspects of the environment, be it the plants and animals, the geography and geology, the weather, or the historical impact of people on the environment in forms such as old trackways, deserted buildings, or ancient boundaries.

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And we have spent several fantastic days surrounded by an environment rich in all these things, as we have walked through woods, fields, and open hillsides, seen ancient settlements, butterflies, birds, and many wildflowers, and all this in an area of some of the most complex geology in the UK.

But sometimes I feel myself tiring of the constant need to identify and record everything; it is really a way of trying to own them.

And when you post on social media too, it can feel at times a little like a competition to put up the best pictures of this or that wildflower or bird or mountain, which naturally need to be identified and named. Especially on Twatter, whose format seems to encourage this.

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So, on our first morning away, as we walk up a track heading into the hills above Church Stretton, under early morning blue skies with the air crystal clear and beautifully cool, I decide that for now I am just going to exist in the moment.

Because by doing this, I am relieved of the constant necessity of deciding whether this bird is a rook or a crow, or whether that flower is greater stitchwort or lesser stitchwort.

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Because it doesn’t really matter.

And for now, instead of having to always know whether it is this or that bird singing, I can allow myself to simply think there is singing. There is birdsong.

Or, even better, there is a sound I find melodic, and it pleases me.

By doing this, I can relax and centre myself, which is something I feel has been badly lacking in my life recently. I have struggled with social media in any case, feeling a huge pressure to post new material and to read the many I follow, even when I don’t feel up to it.

It feels like a return to a much simpler time in my life. I can enjoy the views of the hills, the sounds of the streams and birds, and just concentrate on being.

This must have been part of the pleasure I felt as a child on every occasion when I could roam outdoors. Certainly, I was curious about what I saw, but since I knew so little about them, there was always an openness to the experience and the excitement of discovery. I would see butterflies I had not seen before, and I would just get the thrill of seeing them without having to know anything more about them. I would see wildflowers I didn’t recognise and just enjoy the shapes and colours.

Naturally, you cannot really unknow things in that way, just as you cannot really return to that point in your childhood, but it is possible, even if for only a short while, to let go of the need to identify and quantify (and therefore own) everything, and simply exist in the here and now.

Strolling in Sussex (1)

Yesterday, I went for a bit of a walk. The oppressive humidity of the previous day had lessened, fortunately, and it was an overcast morning with a cool breeze.

Just the way I like it.

I decided to take the train a few stops down the line, where I could get out at one of those stations that bears the name of a village a mile or so away but stands on its own in the middle of the countryside. The nearest building (other than the station itself) is a farm. Hopefully I could have a day’s gentle walking with nothing more demanding around me than birds, insects, trees and wildflowers.

I really, really, needed to do that.

It seemed a good start at the station. A good omen. While waiting for my train to draw in, my eye was drawn to a single large, white, bindweed flower in the tangle of brambles and vines and bushes, trees and garden plants escaped and gone native that serves as a barrier behind the platform.

Most gardeners hate bindweed. I suppose we do, really. Once it gets into the garden it grows at a ridiculously rapid rate and strangles any other plants in its way. And even pulling it up doesn’t get rid of it. It just regenerates. I tell you, come the end of days it will just be scorpions, cockroaches and bindweed left.

But this flower looked lovely. The largest, pure white, bindweed flowers often remind me of the calla lily, only a calla lily that is not so…let’s say…excited. One of my favourite artists is Georgia O’Keeffe. I’ve probably told you that before. But O’Keeffe was particularly known for painting large flower paintings, many of them more than a little ‘suggestive’. And the calla lily was one of her favourites. I’d show you one of hers but, you know, copyright and all that. I’ll leave you to look it up if you wish to.

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So, here’s the bindweed flower.

Anyway, I got on my train and later I got off at the correct station and began walking along the footpath and got shouted at by some sheep.

Really, there’s no other way to describe it. On one side of the footpath were a couple of dozen sheep in a field where the grass had been cropped very short and there seemed to be very little left for them to eat. As soon as they saw me, they came rushing over to the fence bleating loudly. Obviously demanding to be re-housed in the field on the other side of the footpath.

In that field, thick lush grass was being munched by a couple of dozen quite contented sheep. I didn’t hear a (Bo) peep out of them.

‘Really sorry,’ I told them. ‘I can’t help you.’ I walked on feeling oddly guilty.

But I got over it.

 

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For the rest of the morning I walked slowly through fields and along lanes, stopping frequently to look at flowers and insects and, really, just enjoying being where I was.

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Bridge over the railway

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I was just beginning to think it must be lunchtime when my path took me through a field of long grass.

This field lay between a stream I had just crossed, and a wood where I was heading. The wood stood a little higher than the surrounding fields, and the long grass of the field I was to cross was thick and green. The breeze caught the top of the grass, so it waved like the sea or a large lake and as I began to wade through it, it really did feel as though I waded through water.

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And there was the drag of the grass against my legs, and the top of the grass sparkled a little in the breeze, just as wavelets would. And there was also the sense that I was not quite sure what I might suddenly step upon. Just to complete the illusion, there were also some lovely blue damselflies darting around.

Then I finally stepped ashore at the edge of the wood, walked up a slight sandy slope that might have been a beach, and sat down to eat my sandwich.

Now, I have to tell you that this was the best sandwich in the world, and I won’t brook any disagreement. Thick wholemeal bread, cheese, several large slices of raw onion, and several thick slices of tomato. Perhaps it was my mood, and the setting, but it was damned good.

And then it was time to explore the wood.

Fritillaries

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The Snake’s Head Fritillary – also known as the Frog Cup, the Guinea Hen Flower, the Chess Flower, due to the remarkable patterns on its petals:

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The name Fritillary, in fact, derives from the Latin fritillus, meaning dice box (which were formerly chequered). Also known as the Chequered Daffodil, the Chequered Lily, and the Leper Lily, since the flower shape resembles the bell once carried by lepers.

We saw and photographed these beautiful but scarce wild flowers exactly five years ago today at Iffley Meadows in Oxford, which is a well-known spot for viewing them.

The Weald of Kent and Sussex

South East England is my area. It is where I was raised and, other than a few years spent abroad, it is where I have lived my whole life. In particular, the Weald and the Downs. Not so much the coastline, which has never particularly attracted me, but the hills and valleys, the woodlands and rabbits, the hidden crags and open downland, the land of streams and foxes and badgers, birds and villages and butterflies.

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On the Sussex Downs

There is a curious fact about the wooded areas of South east England, which is that there is more woodland, covering a greater area now, than was the case four hundred years ago.

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Back then, South East England was the industrial heartland of Britain. This was before the discovery of the coal seams of the North and the Midlands, and the various factors which would eventually lead to the greatest impact of the Industrial revolution being in those areas.  Instead, the modest iron deposits of the Weald were mined and worked into firedogs and nails, cannon and cooking pans, as the wealth of words such as hammer and forge in place names still bear witness.

 

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Huge numbers of trees were cut down to feed the fires of these forges, and huge numbers also for charcoal burning, for building, and near the coast the great Kent and Sussex oaks were in huge demand to build the large number of ships the navy demanded. But then from the mid eighteenth century onwards, industry began to shift northwards.

Despite the pressures on the land for building and for farming in this crowded corner of our crowded island, there is actually more woodland now than there was during the fifteenth and sixteenth centuries. And that is not something that can be said of many parts of Britain or, I suspect, many parts of the world at all.

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The Weald is an area whose underlying rocks are sandstone and clay, which means that the unimproved soils are inevitably either light and sandy or thick and claggy. In some parts there are old sunken tracks known as ‘Summer Roads’, so-called because they became impassable in the winter months, when they might have had a foot or more of thick, wet, muddy, clay on their surface. When these were in use, journeys between villages that might take an hour or two in summer, could became almost impossibly long during the winter.

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At the moment, all everything in the news seems depressing and unpleasant and so, this post is an indulgence. Just a smattering of information, and a few photos of places I love, largely to improve my mood.

A Sussex Footpath

The sun shone all day.

We took a bus out to the village of Hartfield in Sussex, and had a long walk through the woods and fields, and over a few hills. Spring is certainly here, now. Although there are not yet many flowers out in the countryside, even though there are lots of daffodils and snowdrops and crocuses in the gardens, there is a wonderful fresh green gradually spreading across fields and through the woods.

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The land has already dried out quite a lot after winter – unusually, so I think. Probably because we have had a relatively dry winter around here. But even where a little water still stood around in the fields and on the paths, it just gave the sun somewhere to glitter and sparkle.

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There were plenty of birds around – tits and finches, blackbirds, thrushes, pigeons, skylarks, buzzards and a hovering kestrel.

We saw the first butterflies of the year: a Brimstone and one or two Peacocks.

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There is blossom on the Blackthorn trees, and there were a few flowers out. In places, there were lots of Lesser Celandines, and here and there a few primroses.

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Honestly, I cannot think of a better way to spend a day.

Those Old Paths

We seem to be in the middle of a spell of warm, sunny weather. It seems Spring really has arrived, although things could always change quickly, of course. But it’s the sort of weather that tempts me out to go walking as much as I can. We are extremely fortunate in the UK to have such a wonderful network of footpaths, open to the public.

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Dartmoor footpath

Many of the ancient tracks are still just that; just trackways that have never been turned into roads over the years. Often, this is due to their locations in the landscapes they traverse. Neolithic or Bronze Age man lived in a landscape that frequently comprised dense, almost impenetrable, forest, with networks of streams meandering through marshy lowlands, and wherever possible they would utilise the higher ground to move around, and hence we have long-distance footpaths today still following these same routes such as the Ridgeway, while modern roads tend to utilise the lower, flatter land where possible. Walking these Old Ways (and it is impossible to even mention them without referencing Robert Macfarlane’s wonderful book, The Old Ways!) always gives me goosebumps, as I feel I’m following in the steps of these prehistoric travellers.

And yes, we are lucky. Not only do we have so many of these paths, but we have the right to walk them whenever we please. But this has not always been the case. Up until comparatively recently, huge areas of the British countryside were owned by the landed gentry who denied the public any access. In 1932, the first mass trespass by five hundred men and women at Kinder Scout, in the Peak District, led to the imprisonment of five of the trespassers but this led to a second, three weeks later at nearby Castleton, involving ten thousand trespassers.

This growing movement, demanding the right to roam, led eventually to the creation of the first of the national parks in 1951, and to the Countryside Right Of Way act in 2000. So today it is possible to walk plentiful footpaths pretty well anywhere in the country, thanks to this incredibly successful movement of direct action.

My header picture at the very top of the page, incidentally, is a view of the Peak District looking towards Kinder Scout.

And it’s another gorgeous day today, so we’re off for a walk to make the most of it. I’ll catch up with everyone later.

A Walk And Other Things

It was bitterly cold but sunny first thing yesterday morning, but after a couple of hours the air had warmed up enough to tempt me out. I was due a walk anyway, having not even left the house the previous day.

Every year there is a point somewhere around the middle of February when I feel the warmth of the sun for the first time that year, but yesterday morning there was already a hint of that.

It wasn’t cold enough to freeze the ground, except in a few particularly exposed places, and so it was very muddy underfoot. Therefore it was a delight to occasionally walk through drifts of last years leaves.

And there was so much birdsong. So much so that it became a background noise that was easy to filter out after a while, except when a particularly loud or unusual song caught my attention. Not that I do that deliberately, since birdsong is one of the delights of the countryside. At some point or another when I’m out, I can usually hear the rooks, but maybe because of the sun and the noise from the other birds they seemed to be silent. I’ve always associated them with cloudy skies for some reason, perhaps because I’m so used to hearing them on moorland and in the hills and mountains.

But I’m sure they like a sunny day every bit as much as the next bird.

This morning is cloudy again and the rooks are back. Outside I hear crark crark crark, and the occasional cronk. There is rain and sleet forecast for later, so I go into town in the morning. By the time I get home, the sky is already full of dark clouds and threatening to drop some weather soon.

The afternoon, then. I partly spent painting this little fellow:

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The blue tit is one of the few British birds whose population seems to be increasing slightly at the moment, in contrast to most whose populations have fallen – sometimes dramatically – over the last few years. We seem to be losing lots of the birds I took for granted as a child, which is such a sad thing. As a race, we seem to be so damned good at exterminating other creatures.

The Empire Strikes Back

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Back in the day…

It will soon be the new year, and here in the UK that means the queen’s New Year honours list, handing out awards to the ‘Great and the Good’.

In theory, there’s nothing wrong with this, except that lots of the recipients get these things because they are either rich or else some sort of useless preening celebrity.

But I digress.

The problem I do have is with the OBE and MBE. Just to remind everyone, OBE stands for the Order of the BRITISH EMPIRE and MBE stands for Member of the BRITISH EMPIRE.

Surely, the time to scrap these insulting and redundant ‘honours’ is long overdue!

Sojourn on Dartmoor

I’ve been on Dartmoor. My goodness, it was nice to get away.

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Dartmoor is frequently misty and moody, as it was on one walk.

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Yet it can often be fine and sunny. But whichever it is, I always think of it as unfailingly beautiful.

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The sheep get everywhere, including on the top of old spoil heaps from derelict mine workings.

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Hooten Wheals is one such disused mine, with a plethora of remnants of old buildings and machine structures still extant. I believe the circular structures are the remains of buddles, circular shallow settling tanks used to extract the minerals from the rock.

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There are also plentiful remains of farms, houses and all sorts of settlements, from prehistoric times through to the recent past. These buildings at Swincombe are probably not particularly old.

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Old stone crosses are found all over Dartmoor. Their uses include marking the boundaries of the influences of various abbeys and waymarking paths. This one (and the one in the distance) are on Ter Hill.

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And because Dartmoor is so open, you get skies.

Wonderful skies.