In Praise Of Trees

It has been mind-buggeringly hot and humid for most of the last week, breaking records for mind-buggeringly hot heat here in the UK. But now, with heavy rain and gloom and a delicious green light filling the kitchen from the trees and bushes outside in the garden, it not only feels refreshingly cooler but looks it, too.

During this last week, almost the only way I could bear to be outside at all, was sitting on our lawn in the shade of the gorgeous hazel tree that dominates the garden.

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In so many countries, trees are planted to provide shade whether it be for travellers, or for residents in towns and villages or city squares.

They understand the value of the shade the trees provide in hotter climates, but in the UK we, and by that I mean governments and entrepreneurs and business people, we seem to be obsessed with cutting down trees, almost for the sake of it.

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Yet we can no longer pretend we have no idea how vital trees are; for us, for the ecosystem, for the planet. We need them to remove the carbon from the air and to replenish oxygen. They are habitats for huge numbers of wildlife. Their roots help bind and provide stability to the soil, preventing erosion, landslides, and the spread of deserts. Where they exist in sufficiently large numbers the water vapour they give off helps to bring down local temperatures and increase rainfall.

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They are sources of food for animals and for people, and for thousands of years their wood has been used for building dwellings, making furniture and utensils, fencing, tools, boats and wagons, and as a beautiful raw material for artworks.

And they soothe the soul!

Used intelligently and sustainably, they will continue to perform this role for as long as we wish.

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Yet despite all we now know, we continue to cut down trees at a ridiculous rate. In Brazil, we are losing rainforest now the size of three football fields per minute! The rainforest in Indonesia is also being cut down at a rapid rate. The HS2 rail link planned for the UK will cost a stupid amount of money and destroy massive amounts of woodland, just to take a little time off rail journeys that already happen.

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Yet there are many smaller – petty – instances of trees being cut down that amount to official vandalism, no less. I feel particularly strongly that in many towns in the UK it has long been the policy that when trees planted along streets have become larger than the council thinks appropriate, they cut them down but rarely if ever replace them with new, younger, ones.

The call to re-wild areas of the UK is growing, and I feel we should now be devoting as much land as possible to the creation of new woodland, as well as re-planting hedgerows to replace fences, and individual trees in gardens and parks and along roads.

And stop cutting them down!

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A Grand Clear Out!

Most of you are probably aware of my Etsy store, where I put up some of my artwork for sale.

At the moment, I desperately need to make some space in the house, and so I am selling off a number of paintings for very much less than usual – not much more than the cost of materials and the postage.

If you’ve ever felt like owning one of my paintings (and, let’s face it, at least…er…one or two people have…) then now would be a good time. The only catch is that I’m only mailing them to UK, because otherwise it would still make them more expensive than I want to sell them at, due to the cost of the postage.

Payment would be by Paypal, which is a very secure way to pay and gives the buyer a lot of security.

The prices on here are the total cost, including postage within UK.

If you’re interested in any of them, please message me. And even if not, I’d be ever so grateful for a re-blog!

poppies and daisies

Poppies and Daisies, acrylic on board, 24 ins x 18 ins, price £40

 

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Chinese New Year #1, Acrylic on box board, 24 ins x 18 ins x 1 in deep. Price £40

 

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Poppy #1, Acrylic on board – Framed, size 11 ins x 14 ins, Price £25

 

summer solstice

Summer Solstice, Acrylic on board, size 24 ins x 18 ins – framed, price £40

 

taklamakan

Caravanserei, Acrylic on board, 24 ins x 18 ins, price £40

 

dusk

Dusk, acrylic on box canvas, 14 ins x 18 ins x 1 in deep, price £40

Wood Carving

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I’ve shared this picture of one of my wood carvings before, but never with any detail. But now I’ve shoved it into my online shop, I thought I’d say a little about it.

My piece is 13 inches tall by 7 inches wide, and just under an inch deep. I carved it out of oak and it took me about a week to do.

It’s a copy of a Fourteenth Century French carving of a crucifixion scene in ivory, that would have been intended for use in a private shrine.

I’m not a religious person, but I do enjoy looking at some of the wonderful carvings that were produced, especially in later Medieval times, for use in churches. In fact, virtually all art in the western World at that time was probably intended for religious use. Even that which ended up in private hands – i.e. Royalty or others of the ruling classes – almost invariably depicted religious subjects.

My shop can be found here.

Leh Old Town

Fourteen years ago I went up to Ladakh, in the Northern Indian Himalaya. Crikey, fourteen years! Where did that go?

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This is a painting I made in ink and watercolours of an area of the Old Town of Leh, the Main Town of Ladakh. It shows part of a Buddhist shrine, next to another old building. Most of the buildings are a mixture of stone and wood, the wood frequently carved and / or painted.

Although there were quite a few new buildings in the town, the majority of them were old and the whole town had the feel of belonging to another century. I travelled in early April, before most visitors arrive and when Ladakh is still bitterly cold and wintry – certainly overnight. During the day the temperature just sneaked a little above freezing. This meant that I seemed to be the only Westerner there – I certainly don’t remember seeing any others – and I was never hassled by touts of any description, possibly because it was still too early.

But, above all, the people were among the friendliest I have ever met.

Regretfully, I doubt I’ll get another chance to go there, but it is certainly a very special place!

Picture available on my Etsy shop site here

A Walk And Other Things

It was bitterly cold but sunny first thing yesterday morning, but after a couple of hours the air had warmed up enough to tempt me out. I was due a walk anyway, having not even left the house the previous day.

Every year there is a point somewhere around the middle of February when I feel the warmth of the sun for the first time that year, but yesterday morning there was already a hint of that.

It wasn’t cold enough to freeze the ground, except in a few particularly exposed places, and so it was very muddy underfoot. Therefore it was a delight to occasionally walk through drifts of last years leaves.

And there was so much birdsong. So much so that it became a background noise that was easy to filter out after a while, except when a particularly loud or unusual song caught my attention. Not that I do that deliberately, since birdsong is one of the delights of the countryside. At some point or another when I’m out, I can usually hear the rooks, but maybe because of the sun and the noise from the other birds they seemed to be silent. I’ve always associated them with cloudy skies for some reason, perhaps because I’m so used to hearing them on moorland and in the hills and mountains.

But I’m sure they like a sunny day every bit as much as the next bird.

This morning is cloudy again and the rooks are back. Outside I hear crark crark crark, and the occasional cronk. There is rain and sleet forecast for later, so I go into town in the morning. By the time I get home, the sky is already full of dark clouds and threatening to drop some weather soon.

The afternoon, then. I partly spent painting this little fellow:

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The blue tit is one of the few British birds whose population seems to be increasing slightly at the moment, in contrast to most whose populations have fallen – sometimes dramatically – over the last few years. We seem to be losing lots of the birds I took for granted as a child, which is such a sad thing. As a race, we seem to be so damned good at exterminating other creatures.

Oi, That’s My Content!

Again, a disclaimer. I am not a legal expert, and you may feel it necessary to use authoritative sources to check the information I am presenting here.

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In my last post I talked about the potential issues around using someone else’s art on the cover of your book.

Equally, you can fall foul of copyright law very easily when blogging. Or Twittering or Instagramming or anything else like that. I am truly astonished by the number of bloggers who appear to be unaware that copying a photograph off the internet and putting it on their blog leaves them open to legal action. And putting a note under the photograph reading ‘copied from x or y’ merely makes it easier for people to notice. There are many sites where you can download free images to use this way, but taking them from others is asking for trouble.

If it comes to the attention of the copyright owner, the least of your problems could be a ‘Cease and desist’ email from a lawyer, warning you to remove the image immediately. It is also possible that a fine is demanded, with the threat of legal action. Don’t ignore this or treat it lightly. It means Trouble.

This is one reason I don’t re-blog posts as often as I might. If I re-blog one with a dodgy image, I am also leaving myself open to legal action.

But what if it comes to your attention that your work has been taken this way? Let’s say someone steals your pictures and content, and puts them up on their site without permission or accreditation. I don’t mean a re-blog, which is a different thing altogether (as long as you follow the rules!) but Intellectual Property Theft, which is what I’ve been talking about all along.

What can you do about this?

Firstly, you might prefer just to grin and bear it, annoying though it is. After all, it’s just a blog post and is it worth the fuss? Although if it was a site making money from your work, that might be another thing altogether.

Obviously, you might want to take legal action, in which case you will check carefully what it might cost you and the chances of success. There are many reasons it could be a costly and difficult process.

(Of course, this is no reason to think you can break the law with impunity. You may well come up against a determined copyright owner)

Personally, I’m inclined to send a message to the infringer along the lines of: ‘I’ll put up a link to your blog from mine. The bad news is it will include key words such as ‘property theft’ and ‘(the infringer’s name)’ which will be found by search engines for as long as the page exists’ which might well deter them. After all, it is common knowledge that potential employers, for example, tend to have a good look on the internet for information on potential employees.

It might work, I suppose. Has anyone had this problem and had to deal with it?

Nice To Meet You!

It’s been a difficult time. There’s been stuff. And we all know what stuff does, don’t we? Well? Don’t we? Yes, you at the back, boy! Tompkins Minor! Well, what does it do?

‘Gets in the way, Sir.’

Louder, boy!

‘GETS IN THE WAY, SIR!’

That’s right, Tompkins. It gets in the way.

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Stuff getting in the way.

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Stuff not getting in the way.

And with all this stuff flying around, stuff I’m finding it rather difficult to deal with, sometimes it’s as much as I can do just to leave a ‘like’ on a post. Even posting a comment seems too much like hard work, although I want to. So I press ‘like’ to simply show my appreciation of the post.

But I’m working on it. I haven’t gone away, I’m just a little snowed under with…stuff.

And because it’s a new year (oh yes, Happy New Year to you all. Have you broken all your resolutions, yet? I have.), I’m thinking it might be a good time to re-introduce myself to the blogging world. So, this is me:

I have published one novel, Making Friends With the Crocodile, which is set in rural Northern India and is about the way society treats women there (and, by extension, in most places still). This has had good reviews, and I’m especially pleased with the ones from Indian women, who obviously know a thing or two about the subject! It is available as e-book as well as Print On Demand paperback.

The first draft of my second novel, provisionally titled A Good Place, is completed and I shall begin to edit it at the end of February. This story is set in a fictitious hill station in Northern India populated by a mixture of the English who remained in India after Partition, a few English travellers, and, naturally, the indigenous Indians there. In the meantime I am also working on another novel, the first in a series of 3 or 4, provisionally titled The Assassins Garden and set in both Persia and India in the 1600’s. This one I like to think of as being a mixture of ‘The Arabian Nights’ and Neil Gaiman. It starts innocuously enough, but rapidly becomes darker. The later books will also have elements of Gothic fiction and Victorian Detective stories in them. Possibly rather ambitious, I admit, but I have already written quite a large proportion of several of them.

I also write short stories and occasional poetry. At least, I call it occasional, but I do seem to be writing more of it than I used to.

And then I paint. I try to sell some of these through my shop on Etsy, although in the past I used to exhibit regularly at exhibitions and in various galleries (and sold quite well!). Perhaps I should investigate that route again.

There are links to Etsy and to my books on the sidebar, if you wish to go and have a gander.

And, when I can, I travel. Preferably with my wife. India and Nepal are favourite destinations, but so too are places closer to home in the UK, especially long-distance walks.

But, that’s enough about me for the moment. Possibly a little more next time.

My Etsy Paintings and Cards Store

A few more pictures added to my online shop here:

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Still life – Lemons

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Poppy

Both of those are monotype prints – these are made by applying printing ink directly to a smooth surface such as glass, then taking a print from this by laying a sheet of paper directly over it and using a roller for pressure. The print produced cannot be repeated, since even if a second print is produced the same way from this painting, it will be both much fainter than the first, and also the ink will have spread and faded so each one is unique.

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And this one’s quite fun – if a bit oo-er! – a peach in pastels.