Yesterday’s Walk

We’ve had rain recently, and everywhere was muddy again. Much more like I would expect February to be. The ground had dried out quite a lot over January, but the soil was still saturated just beneath the surface and it doesn’t take much for it to turn back to thick, claggy, mud. But the weather was better than had been forecast; and as I set out the sun was glinting on the stubble fields and in the shadows there was just the faintest blue hint of frost. It felt so Spring-like. Everything was suddenly green and growing.

Soon, I was much too warm in all my layers. Mornings like this inevitably remind me of other favourite walks; long walks on sunny, clear days. I walked through a valley which was filled with birdsong – blackbirds, robins, blue tits, the demented cackle of a green woodpecker, and the determined drumming of a greater spotted one. In the future I will probably take walks that remind me of this one.

I must sometimes be a frustrating person to walk with – I like to stop frequently and just look around me. Absorb the landscape. The air smells fresh, now, but without the over-sharp coldness that stings the nostrils. Even though it is too early to smell flowers in the air, there is something on the breeze…Something evocative, much like the scent of woodsmoke causes me to instantly think of trekking in Nepal, or campfires closer to home in Sussex.

Suddenly there is a kestrel overhead…I never seem to get those shots of foxes or buzzards and don’t know whether I’m just too slow or if everyone else just walks along with their cameras in their hands, ready to take that photo.

At least flowers and trees tend to keep still. I do find my camera can be an unwanted distraction, though. If I am walking along looking for something to photograph, I feel I’m not really seeing the landscape around me. I’m just searching for a subject. For that reason, I often don’t take a camera with me on walks.

The first peacock, in fact the first butterfly of any kind I’ve seen this year. But talking of green woodpeckers and kestrels, I think there is a case for replacing all their somewhat dull modern names with the ones they used to have in the past: the green woodpecker was the yaffle, named for its wonderful manic call, the kestrel used to be called the windhover – how wonderful is that? And in the seventeenth century it was actually commonly known as the windf*cker. Perhaps the prudish Victorians banished that name the same as they changed the perfectly named white arse to the bland (and meaningless) wheatear.

I think we should reclaim the names; they add extra interest to a long walk.

Apocalypse Deferred Just A Tiny Little Bit

Yesterday, I went for a walk around parts of Sussex and Kent. The sun shone – Hooray! I managed the whole walk without aching too much afterwards – Hooray again! I said good morning to some sheep and patted a very nice horse. I just knew it was going to be a Good Day.

At one point I went along a footpath I haven’t used for several years, and was delighted to see this:

And then another four miles or so later there was this:

The council have made this area a Designated Roadside Nature Reserve. Established for several years now, it has a rich variety of wildflowers and grasses, and is fairly humming with insect life.

Perhaps there is a little hope for us, after all.

Ghost Roads

I love old roads that have fallen into disuse, or been relegated to the role of footpath.

There is one a few miles away on the edge of the next town. It used to be part of the road running from London to Hastings, but when the ‘A’ road that now serves that purpose was built, it not only rendered it redundant for the purposes of long distance travel, but the new cutting actually sliced through it, so it now ends at the top of a hill. From that point, there are only a couple of footpaths leading away in different directions.

Almost fifty years ago (really? Ye Gods!) I cycled along there on my way to the coast from the London suburb in which I lived as a teenager. Many of the roads I used that day are now very much wider, and all are much busier, save the one on the edge of that town. When I walk there from my house, it feels that for that part of the walk I am on a ghost road. I can still think myself onto my cycle, into that year, and the absence of traffic feels weird. If I think hard, I can almost feel spectral traffic going past. What adds to that effect, is that I often walk that way in the evening and the light – or lack of it – only encourages those feelings.

I think of it as a Ghost Road, but that definition really refers to a road that is haunted. Such a road is the B3212 that crosses Dartmoor, and on the stretch between Postbridge and Two Bridges it passes the cluster of buildings known as Powdermills. Powdermills is so-called because most of it was built for the manufacture of gunpowder. The buildings are spaced far apart in case of accidents (translation: the gunpowder blowing them to Kingdom Come), and for the same reason the roof of each building was of tarred paper. This allowed the blast of an accident to disperse upwards, hopefully giving the occupants of the building a slight chance of survival.

Anyway, there were many such accidents and many deaths. The B3212 is supposedly haunted at the bend nearest Powder Mills, just where it passes over the Cherry Brook, by a pair of hairy hands that try to wrench the steering wheel of unwary drivers that pass that way, causing them to crash. I admit to occasionally slowing down at that point and taking my hands off the wheel to see if anything happened.

It didn’t.

But I still like to think a Ghost Road is one that has fallen into partial or complete disuse. Perhaps old Roman roads that survive as footpaths are ghost roads; there are certainly stories around the country of spectral Roman legions marching along them at the dead of night.

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I think there is something magical about any road falling into disuse and gradually becoming overgrown. A road constructed for wheeled traffic used only by foot traffic. It has a special feel when you walk it, different to the feel of other footpaths.

A country lane at night can feel like a Ghost Road, especially in the light of a full moon.

Another type of Ghost Road is the ancient trackway. These paths criss-cross the British countryside and are often of great antiquity. Formed originally by the passage of feet, both human and animal, but used later by carts and other four-wheeled vehicles. These also seem to have that magical feel, although in this case I feel I’m sharing the passage with the ghosts of countless other travellers over thousands of years.

And in the midst of the lockdown during the Covid-19 pandemic we seemed to acquire a few more of these Ghost Roads – an unexpected benefit of the pandemic, in my opinion. It seems a real shame they have become busy again.

Flint Flakes and Very Big Snails

We are now allowed to go out to exercise for an unlimited amount of time each day.

This may not have been top of everyone’s Relaxing-the-Lockdown-Rules-Wish-List, but other than the opportunity to finally begin to see some family and friends, I think it was top of mine. On this first day of slightly increased freedom, I take camera and notebook and go off for a longer walk than I’ve been used to this last couple of months. Nothing particularly long, but it feels good to know there is no reason at all for me to limit my walk or have to justify it to anyone.

Naturally, there are other walks I want to do even more, but I’m still reluctant to use public transport to get to somewhere I want to walk and, to be quite frank, the government has not made it clear whether I’m allowed to (although they’ve given the police a major headache if they want to try to control it). So for the moment, the South Downs will have to wait.

But now I am thinking of a walk I did almost exactly a year ago, to reacquaint myself with an area of the North Downs I lived close to a long time ago. I planned to walk along an ancient trackway running along part of the ridge of the Downs, and marked as such on the Ordinance Survey map. This is an area where many Roman remains have been found over the years, mainly in the wide river valley nearby, but I had no idea how old the trackway was thought to be, whether it pre-dated the Romans or was more recent.

But many of these routes were in use long before the Romans arrived, since the early Britons found the lower lands were frequently too marshy and thickly wooded for either easy settlement or for travel. And so it is highly likely this route is several thousand years old. One of the Old Ways. And just walking along it gives me a sense of continuity with the past.

In a wooded area the footpath passed a wide, shallow pit, although there was nothing marked on my map. Mindful that it was always possible it had been dug out by early settlers mining flints, I stopped and poked around in a few areas of exposed earth until I found a couple of flint flakes that appear to have been worked.

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To my un-scholarly eye one flake appears to just be a waste flake struck off the flint being knapped (R), but the other could be the tip of perhaps a knife that was being worked but broke in the process, or even a stone chisel (L).

Having adjusted the focus of my eyesight, as it were, to looking for worked flints, I almost missed the fact that the obvious snail shell partially revealed nearby was larger than it should have been, measuring about 5 cm across.

The Romans brought all sorts of goodies to Britain, including a large edible snail (there’s no accounting for tastes) that we now call the Roman Snail. Although found over much of Europe, they have become rare in recent times. In the UK, too, they are now only found in a few areas, including parts of the North Downs, and are protected under Schedule 5 of the Wildlife and Countryside Act making it illegal to kill, handle or possess them without a licence.

The shell I found obviously belonged to one that had long ago gone to meet its maker (or maybe a few herbs and a thick gravy), although I had no way of telling how long ago.  Whether there is still a population of living snails in that area I don’t know either, since that is information that tends to be kept as secret as possible.

But both the finding of the flint flakes and the snail shell seemed to reinforce that feeling I had of continuity with the past.

Being Wistful: South Downs 2 – Steyning up to Chanctonbury Ring

Continuing the re-post of this series while we’re in lockdown and looking forward to better times:

Mouse Lane begins in Steyning and runs along the foot of the scarp slope of the Downs, until it climbs a little towards Chanctonbury Ring, an old hill fort. It is a delightful route, as delightful as its name; a sunken lane full of flowers and bees and butterflies (and, no doubt, mice), cool under the overhanging trees in the hot morning’s sun. It would be pleasant to follow it the whole way, but our route takes us along the ridge, and so we leave the lane to take a footpath up the steep scarp slope.

But where we leave the lane, there is a poem inscribed on a stone block. It was written in 1915 during WWI, by a British soldier poet stationed in the Somme. We pause to read it then stand for a while in silence, each of us alone with our thoughts.

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I can’t forget the lane that goes from Steyning to the Ring

In summertime, and on the downs how larks and linnets sing

High in the sun. The wind comes off the sea, and, oh, the air!

I never knew till now that life in old days was so fair.

But now I know it in this filthy rat-infested ditch,

Where every shell must kill or spare, and God alone knows which.

And I am made a beast of prey, and this trench is my lair,

My God, I never knew till now that those days were so fair.

And we assault in half-an-hour, and it’s a silly thing:

I can’t forget the lane that goes from Steyning to the Ring.

Chance memory – John Stanley Purvis 1890 – 1968

Our footpath, ironically, then takes us past an old rifle range. So old, in fact, that according to a walker we stopped to talk with it is still possible to dig musket balls out of the bank behind the range.

On top of the ridge, there is a slight breeze, but it is already very hot and we are clearly in for a hard day’s walking.

Robert Macfarlane, writing in The Old Ways, records sleeping in the Ring one night, and being woken at 2 a.m. by blood-chilling screams that seemed to come from above him, and then proceeded to circle the Ring for a quarter of an hour, although he could see nothing that might account for the sounds – he rules out the possibility of a screech owl – until they finally disappeared and he fell asleep again.

I would never have shut my eyes there again, if that were me.

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The Ring has a reputation as the most haunted place in Sussex, with tales of hapless benighted travellers being scared witless for centuries. In 1966, apparently, a group of bikers decided to stay the night there and were forced to flee in terror.

We’ve been to Chanctonbury Ring before and it certainly has an atmosphere. I would have liked to have lingered for a while longer, but the downside of the journey is that we had still to cover quite a few miles in the heat to get to Amberley that afternoon.

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Three years ago when we visited the Ring, the weather was gloomy and somewhat more atmospheric, although we were mercifully left alone by whatever might be lurking around there on the astral plane.

Thankfully, it seems they only come out at night.

 

The Sussex Downs Murder – Not Really A Review

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For anyone who loves the English South Downs – and whodunnits – this book makes an interesting read.

On the one hand, it is a fairly average 1930’s detective murder mystery, although I have certainly read much worse, but on the other it provides some marvellous insights into the South Downs in the area specifically around Chanctonbury Ring in that time, which is really what took my interest.

Personally, I prefer murder mysteries involving ‘normal’ people, rather than the typical country house full of assorted Colonels and ladies and royalty and such-like, so popular at the time – other than the thought of bumping off the Upper Classes, of course! But this book delivers in that it is set on a downland farm, where the farmer goes missing, believed murdered. It even has, as a cover, an adaptation of one of the fabulous Leslie Carr railway posters of the 1930’s – what’s not to like?

The introduction mentions its ‘sense of place’, and the writing seems to me especially good at conveying an accurate feel of the landscape. One thing that comes over very strongly is the emptiness of the countryside at that time. The Downs have been sparsely inhabited since Roman times; before then, much of the population chose to live on the higher, drier, lands of the chalklands of South and South East England, away from the forested and frequently marshy lower areas where travel was difficult and clearance very hard work. After the arrival of the Romans, however, all this changed, and since then the chalklands have been left largely to a small population living mainly by farming sheep.

We now have many people visiting for leisure purposes and on fine days popular routes such as the walk to Birling Gap from Eastbourne (or from convenient car parks much closer!) may easily see hundreds of visitors striding along the footpaths and hanging off the edge of the cliffs taking selfies (other stupid ways to kill oneself are available). On the same day, though, nearby footpaths may see no visitors at all. It is still a sparsely populated area.

John Bude evokes this sense of emptiness well. His descriptions of the roads and paths on and around the area really allow the reader to feel this. His characters walk the lanes and roads of the downs frequently without meeting anyone else on their journeys. Farms and houses are ‘isolated’, and even at a time when most people would travel by public transport to cover any distance, the population is so small that when questioned by the detective on the case, a bus conductor can remember who was on his bus several weeks before.

There are four lime kilns near Washington, on the edge of the area described in the story, which I suspect were the inspiration for the lime kiln featured on the farm in the book. No spoilers, but you might well guess their relevance to a murder mystery.

But it is the descriptions of the roads and paths that particularly take my interest, roads and paths virtually empty of footfall or traffic even during the day, emphasising how lightly populated the area was, and still is today, to a degree. Other than popular footpaths such as the long distance South Downs Way, and those footpaths running between popular tourist spots, it is still easy to find solitude in this quiet area of the otherwise heavily populated South East England.

Strolling in Sussex (1)

Yesterday, I went for a bit of a walk. The oppressive humidity of the previous day had lessened, fortunately, and it was an overcast morning with a cool breeze.

Just the way I like it.

I decided to take the train a few stops down the line, where I could get out at one of those stations that bears the name of a village a mile or so away but stands on its own in the middle of the countryside. The nearest building (other than the station itself) is a farm. Hopefully I could have a day’s gentle walking with nothing more demanding around me than birds, insects, trees and wildflowers.

I really, really, needed to do that.

It seemed a good start at the station. A good omen. While waiting for my train to draw in, my eye was drawn to a single large, white, bindweed flower in the tangle of brambles and vines and bushes, trees and garden plants escaped and gone native that serves as a barrier behind the platform.

Most gardeners hate bindweed. I suppose we do, really. Once it gets into the garden it grows at a ridiculously rapid rate and strangles any other plants in its way. And even pulling it up doesn’t get rid of it. It just regenerates. I tell you, come the end of days it will just be scorpions, cockroaches and bindweed left.

But this flower looked lovely. The largest, pure white, bindweed flowers often remind me of the calla lily, only a calla lily that is not so…let’s say…excited. One of my favourite artists is Georgia O’Keeffe. I’ve probably told you that before. But O’Keeffe was particularly known for painting large flower paintings, many of them more than a little ‘suggestive’. And the calla lily was one of her favourites. I’d show you one of hers but, you know, copyright and all that. I’ll leave you to look it up if you wish to.

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So, here’s the bindweed flower.

Anyway, I got on my train and later I got off at the correct station and began walking along the footpath and got shouted at by some sheep.

Really, there’s no other way to describe it. On one side of the footpath were a couple of dozen sheep in a field where the grass had been cropped very short and there seemed to be very little left for them to eat. As soon as they saw me, they came rushing over to the fence bleating loudly. Obviously demanding to be re-housed in the field on the other side of the footpath.

In that field, thick lush grass was being munched by a couple of dozen quite contented sheep. I didn’t hear a (Bo) peep out of them.

‘Really sorry,’ I told them. ‘I can’t help you.’ I walked on feeling oddly guilty.

But I got over it.

 

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For the rest of the morning I walked slowly through fields and along lanes, stopping frequently to look at flowers and insects and, really, just enjoying being where I was.

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Bridge over the railway

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I was just beginning to think it must be lunchtime when my path took me through a field of long grass.

This field lay between a stream I had just crossed, and a wood where I was heading. The wood stood a little higher than the surrounding fields, and the long grass of the field I was to cross was thick and green. The breeze caught the top of the grass, so it waved like the sea or a large lake and as I began to wade through it, it really did feel as though I waded through water.

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And there was the drag of the grass against my legs, and the top of the grass sparkled a little in the breeze, just as wavelets would. And there was also the sense that I was not quite sure what I might suddenly step upon. Just to complete the illusion, there were also some lovely blue damselflies darting around.

Then I finally stepped ashore at the edge of the wood, walked up a slight sandy slope that might have been a beach, and sat down to eat my sandwich.

Now, I have to tell you that this was the best sandwich in the world, and I won’t brook any disagreement. Thick wholemeal bread, cheese, several large slices of raw onion, and several thick slices of tomato. Perhaps it was my mood, and the setting, but it was damned good.

And then it was time to explore the wood.