More Random Stuff; this time, Artworks

Creatively, for me this week has been rather a damp squib.

I have managed a little writing and research on ‘The Assassin’s garden’, but I’ve not had a very good week, one way or the other, and am just not up to writing a blog today.

So, the easy way out.

This is a somewhat random mix of some of my paintings from the last 10 or 15 years.

rock-no1

An oil pastel painting of a rock structure a few miles away from where I live – it looks to be a heavily abstracted painting, but is actually reasonably accurate!

 

chestnuts

A watercolour – chestnuts in autumn.

 

summer-medway

A chalk pastel – alongside a nearby river, The Medway, in summer.

 

nepalese-village-door

Another oil pastel – a door in a house in a village in the Khumbu region, Nepal.

 

007

Charcoal on paper – Musician.

 

dusk

Acrylic on canvas – Dusk.

I think that’s suitably random; I’d be surprised if anyone could find a theme there, other than ‘paintings’.

Have a good weekend, everyone.

Another Creative Art Post

I’ve had a go at woodcarving, too. Would you like to see a few? You would? That’s marvellous.

As if I ever needed an excuse to blow my own trumpet!

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The first one is my version of a Sri Lankan carving. This piece consists of two panels; the first one depicting a garuda (a mythical bird who carried the god Vishnu) and the second depicting a lion. It is 10 in x 20 in, and carved in sycamore wood.

004

The second one is also a copy of a Sri Lankan carving, this time an elephant attacked by an eagle. My version is in Ash, and measures roughly 6 in x 3 in.

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The third piece is a totally different subject; my interpretation of a painting by the American artist Georgia O’Keeffe of oak leaves. I have carved it in -appropriately enough – oak wood, and it measures 7 in by 3 in.

001

Finally, this is my interpretation of a medieval piece from a church in England – I forget which one – depicting the crucifixion of Christ, with Christ flanked by Saint John the Baptist and the Virgin Mary. Again, it is carved in oak wood and measures approximately 8 ins x 13 ins.

Every now and again I think that I would like to work on another carving (possibly one of those two or three unfinished ones I still have hanging around the house!), but we are rather short on space. If I ever manage to get hold of a studio again, I promise myself that I will.

By Popular Request (2)

First of all, a huge ‘thank you’ to all of you who contributed to the comments thread on my post earlier this week, ‘Religion or Philosophy.’

I thought it made it the most interesting so far, and all of your comments certainly given me much food for thought about what I had written and my feelings around the subject.

So, today, a couple more paintings. I didn’t paint much when I was in Oman, apart from a few sketches and watercolours, so these ones were worked much later, from some of the photographs I took.

It is in the desert that I have been most aware of the contrast between light and dark, and that is something that I wanted to bring out in these paintings.

P1050093

Oman #1 Acrylic on board. 24 ins x 36 ins

There is something about ruins, by their very nature, that is stark. They have been shaped by human hand, but are now broken. Designed and built for a purpose, but now with that purpose gone. There is a sadness, or at least a feeling of melancholy.

There is a sense of emptiness, which is frequently a feeling that comes upon the traveller in the desert.

And in the desert, there is not that softening growth of ivy, for example, to soften the harsh and fractured edges of ruins.

P1050094

Oman #2 Acrylic on board 37 ins x 23 ins

The second painting, Oman #2, was also an exercise in the use of triangles in composition.

Chinese New Year

Well, a couple of days late, but that is just typical me, I’m afraid. So, Gong Xi Fa Cai, everyone!

Of course, It’s a good excuse for me to show off a couple more of my paintings.

chinese new year 1

Chinese New Year #1

Chinese New Year 2

Chinese New Year #2

Both paintings are 24 inches by 18 inches, and are acrylic on board.

The last time that I took part in Chinese New Year celebrations, was when I was staying in Kolkata in 2013. Until then, I had not realised that there was such a large Chinese population there. I was staying in a small guest house some way away from the main streets, and heard the sounds of drumming from outside. When I went to investigate, I found a group of almost 100 young Chinese, all dressed in red T-shirts with their names on the back, a number of dragon and lion costumes, and a good supply of cabbages and coins. I wandered around with them for about an hour or so, as they went from house to house, dispensing good luck.

I think it is fair to say that it was an unexpected treat.

By Popular Demand

A few weeks ago I put up a couple of pictures of paintings that I had made of Indian subjects, and a number of readers were kind enough to say that I should put up some more.

Today, then, a couple more.

ladakhi door 1

Ladakhi Door #1

Doors are a favourite subject of mine, and this one is from a monastery in Ladakh, Northern India. Ladakh is sometimes known as ‘Little Tibet’, and in some ways, now, it could be said to be more Tibetan than Tibet. Historically, it has been a part of Tibet, and I have an old book of a journey that was taken in 1904, ‘Through Western Tibet’, by Jane Duncan, a doughty traveller, which places Leh in Western Tibet, although I am not certain of exactly where the border lay then.

mosque

Mosque

There was quite a bit of artistic license employed in the making of this painting. It is based on a mosque in Bopal, but I have never been there, instead relying on photographs. I have made no attempt to depict it accurately, but instead I interpreted it to create a totally new aspect.

Both of these paintings are in acrylic, on canvas, and measure 24 inches by 36 inches.

A bit of paint splashed around

A different sort of creativity, today. I paint, at times, so here are a couple of my paintings that were inspired by my trips to India.

bihari door

This one is of a door on a house in the North India state of Bihar.

 

india #1

And this one a more impressionist rendering of doorways, arches and windows.

 

Although writing has always been the primary medium through which I have tried to express my thoughts and feelings, it was my first trip to India, 28 years ago, that persuaded me to try to paint seriously. Although I have done little in recent years, I still dabble on occasions, and suspect that it is only a matter of time before I begin work on a new painting.