An Andalusian Adventure (1) – Re-blog

It is certainly much harder to learn a foreign language when you get older. Since we’d like to do some more European travel (in my case, especially Spain) I’ve been trying to polish up my Spanish, but seem to be making very slow progress.

But I said I would re-blog the occasional post so here’s one from 2020 about a walk I took in Spain back when I was young and a hell of a lot fitter than I am now:

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It wasn’t my first trip to Spain, although it was a long time ago now. I walked into Malaga with a rucksack on my back and followed the signs for ‘Centro’ until I found myself in the crowded central district of older narrow streets with three- and four-story shops and cafes, guest houses and cheap hotels. The second hotel I tried offered me a perfectly adequate room on the third floor at a very good price.

The hotel was old. The wooden floors of the corridors were worn and polished by the passage of countless feet, and everywhere seemed gloomy. It gave the impression of having more nooks and corners where light never penetrated than it should. But the only light came from the occasional bulbs hanging from the ceilings, and other than by returning to the street, the visitor would only encounter daylight once they had reached their room and opened the curtains.

The bed was old, and sagged a good deal more than it should, and the furniture was so dark with age it was difficult to make out the grain. As a base for a few days, I decided it would suit me fine. As I unpacked and settled in, I suddenly heard a violin being played. It sounded quite close, and I opened my bedroom door to investigate. I had just decided the sound was coming from a neighbouring room when it stopped, and then a door opened. A man about ten years older than myself emerged and stopped when he saw me.

‘I’m sorry,’ he said. ‘Did I disturb you?’

He introduced himself as a German who I shall call Matthias, although I am no longer certain that was his name, and who immediately invited me to go for a beer.

It would have been rude of me to refuse.

Matthias was meandering around Europe, he told me, and supporting himself largely by busking. Later that week I was to see him playing in the street and be surprised at just how many passers-by threw coins into his hat. It seemed a particularly enjoyable way to travel. Over those beers and then over a few more later in the week, we talked travel and philosophy, music and religion. When I meet someone while travelling, I find it interesting how I often have less constraint than I would when I meet someone for the first time in more familiar surroundings. Frequently, I will reveal things about myself I would never dream of doing to someone I meet perhaps for the first time at a friend’s house, or at my writing group. I presume it is the unspoken knowledge we will never meet again.

Beside the entrance to the hotel was a little café where I made it my habit to take a breakfast consisting of strong coffee, sometimes with slices of thick white bread dipped in olive oil, sometimes with fried eggs. It was a good place to sit and watch Malaga waking up. Its clientele were a broad mixture of workers all grabbing a quick breakfast on their way to office, shop or building site. Mostly they sat in silence, reading the morning paper and smoking, other than to give their orders to the waiter. On the bar a tiny transistor radio chattered away in speech too indistinct for me to make out more than the occasional word. In a way, though, that only added to the atmosphere. Despite it being a familiar situation, there was enough of the unfamiliar and the foreign to make it feel a little exotic.

I wanted adventure, I wanted to explore. I’ve wanted to do that for as long as I can remember. I travelled in those days with a few changes of clothes in a rucksack and a minimum of half a dozen paperbacks, which invariably included something by Hermann Hesse and at least one poetry book.

That, at least, hasn’t changed much.

I liked to travel light (other than the books, of course), so I had no camera with me and probably very few of the essentials most people would think to take on a Spanish holiday. No swimwear, for example. I don’t do beaches, at least not in that way.

But I had come to Malaga because I had a peripatetic nature, and my itchy feet were troubling me. After a few days I decided to take a walk out to the little town of Colmenar, to the north of the city. I would take a room there for one night and return to Malaga the following day. Any other destination would have done just as well; the purpose was the journey, and the journey was the purpose. I chose this route simply because while wandering around the outskirts of Malaga I saw a narrow road winding up into the hills with almost no traffic on it, signposted to Colmenar. The morning after I had made the decision, I packed my rucksack and checked out of my hotel immediately after breakfast.

Part 2 to follow

Writing Update

I haven’t done one of these for a long time. For anyone wondering what has happened to my novel in progress, it’s finished. Hurrah! I know there were two earlier versions which got discarded as soon as I had finished them, but I’m really pleased with this one – it’s the book I had visualised when I began it nine years ago. Only better. When I had finished the earlier versions, I felt relief they were finished, but no joy. This time, I’m really happy with what I’ve written. I know it’s what I want to say.

Irrelevant photo. Because.

It has had the attention of several beta readers and is now all the better for their suggestions. It has also had what I hope will be the final edit, and I am beginning the process of looking for a publisher or an agent. This means a lot of research and writing both long and short synopses. And then, I suppose, months of waiting to see whether I have any luck.

There is also poetry and zine-making going on sporadically, plus some currently vague ideas for another novel.

It’s all go, I tell you.

Where Do The Dead Go?

I know. It’s been a while.

I’ve been thinking about how I publish my poetry and stories, and concluded that the simple way is the best way. I don’t wish to spend a lot of time and money submitting them to competitions and magazines, putting them to one side where they may end up forgotten or just unpublished while I decide to submit them ‘just one more time.’ I’m not interested in putting a lot of time and energy into chasing the best deal or the most prestigious publications.

The whole purpose of writing is firstly for myself, and secondly because (naturally) I’d like to be read. It doesn’t have to be a large audience, I’m quite chuffed when anyone let’s me know they’ve read something of mine and enjoyed it. In which case I might as well just write some more zines and publish work on this blog. It feels like far less pressure. And the novel I’ve finished (Long Shadows) and which is still being edited I might submit to an agent or two, but I’ve no intention of spending months and years trying. If I’ve no luck I will quite quickly just self-publish it.

Anyway, putting my writing where my mouth is, here’s a poem.

Echoes And Imaginings Issue #2

It’s out.

Issue #2 of Echoes and Imaginings has arrived. It’s available both in my Etsy shop or directly from me – message me on the contact page. The format is similar to the first issue, with articles folkloric and psychogeographical. Poetry and photographs. A bit of re-hash from this blog, and new stuff.

And speaking of this blog, I’m slimming it down. It may not be immediately obvious, but I’ve already deleted a third of the posts, with more to go. For all sorts of reasons. Just tidying up, really.

New ‘zine – Issue 1

I’ve completed my first new year’s project.

Ladies and gentlemen, I’d like to present Echoes and Imaginings, issue one.

Quite pleased with the title, actually. My aim is to produce at least four issues, although whether I do or not depends largely on how quickly I can put each issue together. I want them to roughly reflect the seasons of the year, without being too dogmatic about it. There is a slant towards folklore, psychogeography and a bit of speculation, as well as photography and poetry. Future issues may well have some of my artwork included.

I’m already writing articles for issue 2…

In this issue you can find Hoodening, Wassailing, a meditation on time, photographs, poetry, and more. There are lots of trees. Some of the articles have appeared here as posts, although there is some re-writing, but most of the poetry and the pictures are new. It is available through my Etsy shop, or just message me directly (I use PayPal).

Personally, I reckon it’s a thing of beauty.

And as well as these four issues, I have ideas for some others, which I expect to bring out at random times.

At the moment, I feel this is the way for me to go. I don’t see myself finishing a novel any time soon, although I do have an almost finished one sitting there. I don’t currently feel inclined to get it published, though. And equally, I don’t feel inclined to go through all the hassle of submitting poems or short stories to different publications or into competitions.

And on another note, you have probably seen on other blogs the ongoing issues of pirated e-books (especially on Amazon, I hear). I think we have AI to thank for a lot of this, and it seems so many authors are having their books ripped or plagiarised it’s becoming ridiculous. For that reason, I have simply decided my books will no longer be available as e-books, and have deleted them.

Found – One Muse

‘Oh, you’re back.’

‘Well, not really. I’ve been here all the time. I just didn’t have anything to say to you, that’s all.’

‘Why on earth not?’

‘For a start, you don’t listen to me. You keep fannying around with that novel that your heart’s not in, anyway. What is it that you actually want to write? Not that one, at least at the moment.’

‘I’d love to finish it, actually, just get it out of the way.’

‘It’ll still be there when you’re ready to finish it – if you ever are. And if you’re not, it doesn’t matter. Surely you’ve got other stuff you’d rather be working on?’

‘I…’

‘Like, your poetry’s pretty crap, but you enjoy writing it.’

‘Hey! I…’

‘Then there’s the other novel, the one you’ve been faffing around with for years.’

‘Yes…’

‘So work on that one, since you actually do like it, and do a few paintings, for God’s sake. You’ve been saying you’re going to, well get on with it.’

‘I thought a muse was meant to be an inspiration, not a nag.’

‘A muse,’ she replied tersely, ‘will say whatever she thinks necessary to get her author off his lazy butt! Now, what about this pamphlet or brochure you’re meant to be doing at the moment?’

‘The zine?’

She visibly cringed.

‘Yes…that. As far as I can see you’ve been tinkering with it for months but you’ve nothing to show for it.’

‘I…’

‘You seem to have decided on a few of the poems you want to put in it, and a short story, but you haven’t rewritten the essays you wanted to use, haven’t sorted out the photographs and done nothing towards the artwork. You’ve not even decided on a title for the thing yet!’

‘I’ve…’

‘Yes, and that’s another thing. You keep jumping from one thing to another, and never completing anything.’

‘I’ve always thought it’s good to have a couple of projects on the go. When I get stuck on one I can go and work on another.’

‘Yeeessss….a couple you say. Exactly how many have you got on the go at the moment?’

‘Ah, er, I’m not sure…’

‘No? Well roughly how many?’

‘Er…’

‘Very roughly? You don’t actually know, do you? Just finish something! What about the short poem’ -*cringe* – ‘zine you’ve got in bits? As far as I can tell it’s nearer completion than the other one.’

‘Um, I suppose I could…’

‘And I’m not some lifestyle guru, but get out and go for more walks. And listen to more music and read some more books. You’re not reading very much at the moment, are you? And read something you want to read and listen to something you want to listen to. Not because you think you ‘ought’ to, whatever the hell that means. And stay off fricking social media, too. It’s poisonous.’

‘That’s certainly true.’

‘So just see that you do, or I really will be off. I’ll be checking up on you more regularly, now. I can see it’s the only way.’

She’s a tough, unforgiving, so-and-so, my muse.

Old

God’s bones.

Cold stone skin covering

A hewn wooden ribcage that

Conceals a petrified heart.

A fossilised giant wallowing in a garden

Growing nothing but death.

.

We know we will get old

But it takes you by surprise all the same.

Perhaps we refuse to see the signs –

Unexpected offers of assistance,

A sudden inability to run for the bus and

A need to take more frequent breaks.

We become fragile,

And lose confidence in our abilities.

.

Perhaps we lack courage, but

Must we resort to this?

.

Really, only the young want to live forever.

Oh, the tedium of eternity

Where angels yearn for the peace of annihilation!

We have a choice;

At the end we have a chance to be brave.

Belief Systems and Rain

I had a conversation with a blogging friend a few days ago, in the course of which she asked me if I knew why it was that so many Westerners seemed drawn to Eastern beliefs, especially the more ‘esoteric’ ones.

I briefly mentioned the fascination the East has held for Westerners throughout history, and the fact that many in the West have drawn away from traditional religion – specifically Christianity – in the last fifty or sixty years especially, and that leaves a void: when you have been brought up within a belief system, that needs to be replaced by something. The Beatles nudged a whole generation in that direction by visiting the Maharishi in Rishikesh in the 1960’s / 1970’s, and there followed a whole slew of books on the subject, many seeming to want to outdo the others in sheer weirdness. But even before that there had been a lot of interest in both Buddhism and Hinduism from the late Victorian period onward, with a number of popular books available.

I can’t claim to be immune to this, either. I also rejected Christianity long ago, but felt I needed something to take its place despite deciding the concept of gods had no place in my life. The world is a wonderful and incredibly beautiful and fascinating place, all of which is explained perfectly well by science. But I do need something to satisfy the spiritual part of me – a part that, surely, all of us have?

I have read a lot about Buddhism, and for a long while thought of myself as a Buddhist. In a way, I still do, although I can’t entirely buy into the belief sets of any of the three major schools of Buddhism. But I did read Buddhism Without Beliefs by Stephen Batchelor. I can’t remember the details of the book, but that is unimportant, it’s the message of the title in this case. I like Buddhism. I like its core message, which pared down to basics is simply to be kind to everyone and everything. It is the only religion I know that has no need for gods. Oh, sure, they’re there if you want them, but no one is ordering you to have one.

This doesn’t have to be ‘esoteric’ or ‘eastern’, either. It can apply just as well here in the west. And it doesn’t require sacred writings or rituals, I find poetry or a walk in the woods does just as well for me.

I’m listening to the heavy rain as I write this – which is something that seems to happen a lot at the moment, but is something I find particularly soothing. I wonder at the origins of this; is it something primeval, hidden deep in my DNA from the times we lived in caves or rough shelters and we could take comfort from the fact we were snug, and perhaps large sharp-toothed beasts were taking a similar break somewhere and not out looking for early humans to eat? Or is it perhaps just a forgotten memory of a very calming experience I once had, which my subconscious has decided to hang onto for my benefit, but without telling me why? I am aware of a few of the times I’ve experienced it, such as lying in a tent at night hearing the pounding of the rain on the canvas, with a wonderful feeling of warmth and snugness. Then there was another time in the mountains of Spain, coming across an abandoned cottage just as a rainstorm hit and spending the next half an hour or so just sitting on a bench and leaning against the wall, listening to the rain and thinking. I’m sure there must be many more.

In these rainstorms, I feel as though I’m immersed in nature – something that always makes me feel calm and relaxed, and which is but a step from what the Japanese call Forest Bathing. Forest Bathing is essentially taking a walk in woodland, using all your senses to connect with that environment. This reminds me strongly of meditation, especially meditation as I learned it in a Buddhist environment, which is where I’m going with all this rambling. If I have an actual religion now, it has to be nature. A belief in nature as something important, beneficial and precious. I wouldn’t ‘worship’ nature – ‘worship’, for me, has connotations of supplicants on bended knees with hands clasped together intoning religious dogma and praying, but I do have strong feelings of respect and admiration for nature, which I suppose you could call the same thing.

It just seems a pity that more people don’t seem able to accord it the same respect.

My Top Books of 2022

Well, my favourite twelve, anyway. One a month, if you like, although that wasn’t how I read them. Or perhaps the twelve book reviews of Christmas – oops, no. Missed that one. Anyway…these are some of the books I read in 2022, not books that were first published this year. But I seem to have read so many good books in 2022, it’s difficult to make a choice and this has ended up being a little arbitrary.

Stranger in the Mask of a Deer by Richard Skelton. It has been a long time since I last read something new and immediately put it into my top ten reads, but this remarkable work is straight in there. A few weeks later I had to re-read it, captivated by its dream-like quality.

It is essentially a poetic narrative ranging between the present day and Palaeolithic Britain, told by humans both ancient and modern, and by non-human voices. Its essence is life and ritual, the connection between humans and animals, between humans and the land they occupy, and the elements surrounding them.

The remains of deer skulls complete with antlers, but with eye holes punched into the skull so they might be worn as masks, have been found at Star Carr in Yorkshire, dating to approximately eleven thousand years ago. It is presumed these masks would have been used in rituals…

Millstone Grit by Glyn Hughes. This very readable book was originally published in 1975, describing a fifty mile walk the author took through East Lancashire and the West Riding of Yorkshire; an exploration of the moorlands and villages alongside the industrial towns, all of them suffering in their own ways from the effects of the loss of traditional industries in that area. It is about Hughes’ attachment to this area he came to live in, the clash between human and non-human landscapes, and about working class history in these places, but above all else about some most remarkable people he meets along the way.

I re-read The Old Weird Albion by Justin Hopper. This is a book about tracing a mystery in his family’s past, beginning with a woman preparing to throw herself off Beachy Head, a notorious spot for suicides, but also about the effects the landscape of the South Downs has had upon people.

This is a book I reviewed on this blog when I first read it three years ago – the link is here – and I’ll just put an extract of that review here: ‘He has a gift for sifting and selecting the weird in these relationships, not just at sites that might be naturally expected to encourage the weird, such as Chanctonbury Ring, high on the Downs above Steyning or in old ruined buildings, but also in humdrum blocks of flats in modern developments. He references modern phenomena like crop circles and throughout there is the presence of ‘magic’, in the sense of a natural force. Many of the people he meets are an eccentric mix of the weird, too, although I choose this description carefully, largely in the old, original meaning of the word of ‘fate’ or ‘destiny’.’

Another re-read, this time of a book I first read some forty years ago. The Spire by William Golding is a novel set in medieval England, in an unspecified city somewhere in the south. It is a story essentially about pride and hubris, about the Dean of a church determined to have built a great spire on his church, despite warnings that the foundations will not be able to support such a colossal structure. The ending seems predictable and yet that is not really where the story is going, being more concerned with the characters inhabiting that space.

The setting is the church and environs, and it evokes the feel of the ecclesiastic medieval as successfully as The Name of the Rose does. One test of how good a novel set in historical times is, is whether it transports the reader easily to that setting. I certainly found it did.

I bought Hemisphere by Pete Green at an event where poets read excerpts from their work. It is effectively a poetic journey around the northern hemisphere, beginning in Scotland, the journey approximating to the latitude of the arctic circle. The writing conveys a tremendous sense of place and feels very right for the cold edgelands described.

Holloway by Robert MacFarlane and Dan Richards, with illustrations by Stanley Donwood is a short book, describing a journey MacFarlane, Donwood, and Richards made in Dorset, essentially a revisit of a trip MacFarlane made previously with Roger Deakin for an earlier book, exploring holloways. Holloways, often known as sunken tracks or paths, are old – frequently very old – paths made over the centuries by the passage of feet, both human and animal, and perhaps by the wheels of wagons and carts. It is a short journey – perhaps ‘experience’ would be a better word – describing wild camps and walking, cycling and visiting old buildings; in some ways, perhaps it is really no more than a short camping trip, undertaken by a group of men acting out a boyhood adventure. The writing, though, by both MacFarlane and Richards is exquisitely poetic and Donwood’s illustrations never less than beautiful.

Notes on the Sonnets by Luke Kennard.

‘Luke Kennard recasts Shakespeare’s 154 sonnets as a series of anarchic prose poems set in the same joyless house party.

A physicist explains dark matter in the kitchen. A crying man is consoled by a Sigmund Freud action figure. An out-of-hours doctor sells phials of dark red liquid from a briefcase. Someone takes out a guitar.

Wry, insolent and self-eviscerating, Notes on the Sonnets riddles the Bard with the anxieties of the modern age, bringing Kennard’s affectionate critique to subjects as various as love, marriage, God, metaphysics and a sad horse.’

The Rings of Saturn by W. G. Sebald had been on my ‘to-read’ list for a long time, but I finally got around to picking up a copy this year. On one level, this is a walking journey taken by the author along the Suffolk coast in the early 1990’s, describing both places and people he comes across, but really, it is much deeper than that and is a psychogeographical work par excellence. Throughout the journey, we are never quite certain whether events are happening to the author, or have happened in the past, or perhaps to someone else at some other time. He goes off in unexpected directions, literary, historical, and physical, exploring a wide and eclectic range of subjects yet throughout there is a cohesion to the narrative.

The Birthday Letters are a not-quite-series of poems Ted Hughes wrote to his wife the American poet Sylvia Plath after her death. Personally, I find them to be probably his most accessible poems and wonder whether that says something about me, although this isn’t the time to go into that. Theirs was a difficult relationship, and her suicide (as well as that of a later lover of his) frequently colours people’s opinions of Hughes. Inevitably, these are often extremely personal poems, so much so that at times I feel a slight discomfort reading them, as if I’d opened someone’s private correspondence by accident, but Hughes wrote them as an attempt to restore her to him, and published them almost for the public to read as his own account of her life and death.

Sadly, Roger Deakin only wrote three books, of which Notes From Walnut Tree Farm is compiled from diary entries he kept during the last six years of his life. In these notes, he recorded his day to day life on the farm, walks on nearby Mellis Common, the yearly cycle of the natural world all around him, and his thoughts on literature, the importance of nature, and musings on the past.

Our Place by Mark Cocker is an exploration of the history of environmental thought and politics in Great Britain and, especially, the way forward. It asks pertinent questions like who owns the land and why? And who benefits from green policies? Not afraid to be radical in its suggestions, it asks why there is such a disconnect between the British public’s sympathy for and championing of the countryside and the reality of its current condition.

Digging up Britain by Mike Pitts tells the story of Britain’s history and prehistory in ten astonishing excavations. As someone who has always had an interest in history and pre-history, I found this book a timely reminder of the huge strides taken forward in our understanding of the past over the last ten years or so, due to such important tools as DNA analysis as well as the painstaking work of those who excavate and interpret these sites. There are some remarkable tales in this book.

If…

I’ve been feeling a bit flat recently, although that’s not uncommon at this time of the year.

I know I’m currently craving solitude and simplicity, wanting to spend some time somewhere a little remote. An area of moorland, such as Dartmoor or the Pennines, would do me very nicely. Even better if there were some woodlands nearby, too. Although there would be no people around (ideally), there would be wildlife to watch and hills and valleys and those woods to explore. Maybe some interesting ruins nearby…

Simplicity, that’s what I’d want. Somewhere with no wifi, no TV, no phone signal or even radio. A decent supply of food and a few beers because, as Jerome K Jerome said, thirst is a dangerous thing. A fire to sit beside in the evening. Somewhere small and basic with no luxuries.

I’d take some books. Several sorts, so I could pick one up or swap to another depending upon my mood. At least one book of poetry, perhaps Stranger in the Mask of a Deer which I read for the first time a few months ago, and then re-read recently because it was so damned good. Maybe a Seamus Heaney collection, including the ‘Station Island’ sequence of poems, or a collection by Russian poet Yevgeny Yevtushenko for the marvellous long poem Zima Junction. Maybe I’d just take all of those.

I’d include some sort of detective novel for pure escapism, then one or two books by the likes of Robert Macfarlane – books that would inform me about the landscape I had decided to inhabit for a while.

I wouldn’t just be walking and exploring, or reading. I have a few poems I need to finish off, one about salmon and one about the Winter Solstice. In this environment I think I’d be inspired to finish them, hopefully write some more.

A week would probably do it.