May Day Mayhem

The May Day festival, Beltane, is a survival, or revival, from the Iron Age, celebrated in Celtic communities – Scotland and Ireland particularly – and revived as a full festival in Scotland in the 1980’s by the Beltane Fire Society. Beltane was a fire festival, although nothing of that remains in the festivities carried out in England. Beltane was first mentioned by name in Irish writings from the late 800’s / early 900’s.

The English version of this festival involves cutting flowers and greenery and dancing around a maypole, which things are also carried out during Beltane, celebrating the beginning of Summer which begins on May 1st. When I was a child, dancing around the maypole was the chief, possibly only, activity carried out on May Day. I have a photograph of my brother, my cousin, and myself, dressed up for the May Day Fair at which there was maypole dancing, but no obvious indication of surplus greenery. Past generations in England celebrated May Day with a day of celebrations which while including maypole dancing as an important manifestation of encouraging the fertility of the soil (and the festival-goers!) would also have included plenty of food and drink and general gaiety.

Mayhem, if you like.

This year, I managed two May Day days out.

On Saturday, two days before May Day, I visited Kingston near Lewes, in Sussex, for the Caught by the River Mayday event. Caught by the River describe themselves as an arts/nature/culture clash and you can read all about them here. I have followed them now for several years, and this seems as good a time as any to mention that their coverage of arts, nature, and culture are second to none and if you’re not yet following them, well, you should be.

There was mask-making to begin with, especially to involve the children, the makers encouraged to incorporate flowers and greenery into their masks, and almost inevitably a certain amount of folk-horror found its way into some of these.

Nice, Richard.

This was followed by a promenade around the maypole, after which the activity moved indoors.

There were films, talks, and discussions, subjects including rivers, village life in the early eighteenth century, art, standing stones and the like, and the environment. After which, in the late afternoon, we all promenaded up the hillside to the Gurdy Stone.

This is the Gurdy Stone, a modern standing stone on a hillside overlooking Kingston. Here, Local Psycho (Jem Finer and Jimmy Cauty), held a gathering to encode the music of their Hurdy Gurdy song into the stone “To mark the 50,000 year return of the Green Comet and release of The Hurdy-Gurdy song on Heavenly Recordings.”

Throughout the day, naturally, we all had access to the pub.

And then on Monday, which was May Day, we went down to Hastings. It rather felt as though everyone in South East England must be in the town, either at the Jack in the Green festivities or watching blokes on motorbikes roaring up and down the seafront for no discernible reason. I don’t much like crowds, and some of this was very difficult. But away from the huge horsepower and testosterone nonsense, amongst the Jack in the Green celebrations the atmosphere was brilliant and the large numbers of people perfectly acceptable. Jack in the Green is a manifestation of the spirit of spring, related to the Green Man, a dancing figure covered in greenery.

The festival in Hastings has grown over the years into a large event involving musicians, dancers, Morris sides, huge figures in addition to Jack in the Green such as the Queen of the May, a witch, and others, plus any number of people joining in the procession around the town, all decorated with as much, or as little, greenery and/or flowers as they feel suitable.

There you go, a Morris side.

Followed by a large witch with a cat. Why the witch? I’ve no idea. Why not? I suppose.

And there you have it. Music. Drumming. Greenery. Crowd involvement. Summer is icumen in and winter’s gone away-o.

And there was beer again, of course.

Review of Shadowlands by Matthew Green

In this book Matthew Green charts the decline and eventual abandonment of eight British settlements; a diverse selection ranging from the Stone Age settlement of Skara Brae in the Orkneys, through several Medieval villages and cities and up to the twentieth century, to an area emptied of its inhabitants during the Second World War and a village that was abandoned when the valley it inhabited was flooded to create a reservoir – although in that case ‘abandoned’ is the wrong word, since that particular story is a harrowing tale of folk driven from their homes at the diktat of decision makers far away, not even of their own country.

In each chapter he tells the story of the decline of the settlement drawing upon written records for all but the oldest, Skara Brae, for which he relies upon archaeological evidence, and some of the more recent, for which he uses a mixture of eye-witness accounts and the testimonies of those who had heard their stories at first hand. Of all the stories here, that of Dunwich is probably the most famous, with its myths of bells from long-drowned churches being heard far out under the waves, although the popular description of Dunwich as a ‘drowned city’ is inaccurate, as it fell away into the sea as the cliffs beneath it were eroded away. But much is known of Dunwich, with many extant records and maps of the city, enabling Matthew to chart its decline and eventual end in some detail.

Hirta is the biggest island of the St Kilda archipelago and was occupied for at least two thousand years until 1930, when the final thirty six islanders voted to leave. By then, most of the families and younger residents had left for the mainland, and their traditional way of life had become unsustainable. Until a couple of hundred years ago the islanders were virtually cut off from the rest of Scotland, due to the distance and the difficulty of making a landing at the island. Existing almost exclusively on a diet of seabirds (remarkably, they were apparently lousy fishermen!), the islanders lived a remarkably difficult life and it is no surprise that as they were exposed more and more to the outside world, more and more of the islanders opted to leave for a better life.

I found I was drawn deep into these stories not just because I found them so fascinating, but also because of Matthew’s skilful and easy style. A very well researched and beautifully presented book, I’d definitely give it five stars out of five.

Coll – A Wee Bit Random (1)

I really thought I had already written a post about Coll, from our first visit there eight years ago, but it seems not. But we were lured back there earlier this year, as we knew we would be, sooner or later, so here’s a few random shots from both this visit and the first one.

I love travelling to an island on a ferry. It is comparatively slow travel and you get a real sense of the distance travelled and the mood of the world you pass through. It takes two hours forty minutes to reach Coll from Oban; not a huge amount of time, but time enough to realise you’re no longer on the mainland.

Arinagour is not the largest capital city in the world. Although it is the main settlement on Coll, it only has a population of around 50. Although the entire population of Coll is only between 150 and 220 permanent residents, depending on which source you consult.

About halfway along the coast on the northern side of the island, there is a bay called Bagh an Trailleich. On our first visit, we walked there hoping to see some seals, but were disappointed. This time, there were about fifty seals on this small island in the bay

Our cottage was five minutes or so walk from the ferry, and having left our bags there we walked the short way to the island community centre, where we knew there would be a Saturday market and we intended to buy a few treats (homemade cakes, jam, and the like) for the week. While we were there, we saw a flyer for a gig by Daimh (pronounced ‘dive’) on the Wednesday evening. All we learned from this flyer was that they are a Scottish folk group and we thought that sounded like a good evening. On the Wednesday evening, we learned they are frequently described as a ‘Scottish Super-group’, and quickly discovered why. It was one of the best concerts I’ve been to. If you fancy a taste of what they do, I recommend this: Daimh live at Celtic Connections

There is just one stretch of dual-carriageway on the island, a length of less than fifty metres, and it’s very difficult to understand why it’s there. There are three main roads on the island, all ‘B’ roads, and this stretch is along the one leading to the hamlet of Sorisdale. As you can see, it’s not the busiest road in the UK, but it may be the shortest stretch of dual carriageway.

Someone is bound to know.

Sorisdale is a former crofting and fishing village at the north east end of the island. There are a couple of modern houses there, but also a number of old cottages with turf or thatched roofs, in various states of repair or disrepair.

And because it’s Scotland, here’s yer Highland coo. Yer’ve met him before.

A Warning To Other Writers

Oh, this sodding book.

I…no, first, a little bit of context.

Those of us who call ourselves creatives, why do we create? Why do we have this need to make things? I know the usual answer is we write / paint / carve / whatever it is we do, because we have to, because there is something inside of us that needs to find an outlet. But what is that something? In my case, as well as a storyline it is frequently a place where I have spent some enjoyable time. It provides me with a comfortable setting in which to tell a story.

Most of what I do, certainly the work I feel is my best, my most successful (in the sense of expressing what I want to express), falls into that category. My long poem The Night Bus, for example, was the result of a thirty year (admittedly intermittent) search for a way to record my experience of a long bus ride across Northern India into Nepal. I attempted prose and paintings without success, although through this I did develop a style of painting I went on to successfully use on many Indian paintings, and had long given up on the project when chance showed me a way into the poem. The poem I completed succeeds in conjuring up (for me) the impressions and feelings I had on that journey; I can relive the journey again by re-reading the poem. Whether it conveys anything of that to other readers, I naturally cannot know.

And my stories, too. I look through Making Friends With The Crocodile, and I am in rural Northern India again. I re-read The Last Viking and can easily feel myself on an island off the west coast of Scotland. This is not to imply any intrinsic merit to my writing, other than its ability to transport myself, at least, into the setting I am attempting to describe.

These stories are a composite of three basics: a setting, as mentioned already, a storyline – and again this needs to be something important to me, or I find it pretty well impossible to put my heart into it, and strong, convincing, characters.

It is useful, then, to know where lots of my writing comes from, and what shapes it, what drives it. I have long suspected that this is frequently nostalgia and, recognising that, have wondered whether this might be a bad thing. Nostalgia, after all, has a rather bad press…does it just mean I am living in the past because I am viewing it through rose-tinted spectacles? As a way of not addressing issues of today I should be tackling?

This yearning for nostalgia, though, is a desire for something we see as better than what we have now. To write passionately about something it needs to be something I feel strongly about. Obviously this can also be something we find frightening or abhorrent – dystopian warnings about the future or anger about injustices, for example – but even in those cases the familiar provides a cornerstone of safety, even if only by way of comparison.

This is also true when I paint. I am not someone who can paint to order – if I’m not inspired, it does not work. A number of difficult commissions have proved that point to me. I paint what I like, what moves me. After all, whatever I am creating, it should be foremost for myself.

That book, then…

I began writing it about five years ago for all the wrong reasons. I had self-published Making Friends With The Crocodile and decided my next story should also be set in India, and as a contrast decided to write about British ex-pats living in a hill station in the foothills of the Himalaya. I wanted to write about India again. The trouble was, I had no idea what story I was going to tell. I had no stories that might slot into that setting I felt in any way driven to write; it just seemed to feel appropriate at the time. I was pleased by the reception the first book had and felt I ‘should’ write this one.

What could possibly go wrong?

I spent time putting together a plot, with which I was never wholly satisfied, and began writing. Really, I should have seen the obvious at that point and bailed out. But I carried on, and twice reached a point where I thought I had the final draft.

My beta reader then proceeded to point out all the very glaring faults.

So twice I ripped out a third of it and chucked it away, then re-plotted the second half of the book and got stuck into the re-write. I’m sure you can see part of the problem at this point – I wanted to hang onto as much of the story as I could, instead of just starting completely afresh. And now here I am trying to finish the final draft for the third time, as my February project for this year. And it’s just not working for me. But at this point, after well over a hundred and fifty thousand words (half of which I’ve discarded) I just feel I’ve invested too much time and effort in it to abandon it now. Somehow, it has to get finished. I do have an idea for a couple of quite drastic changes which I’ll try this week, but unless I feel I’m making some real progress I’ll then happily put it aside for a while and concentrate on next month’s project: painting and drawing.

And, to be honest, if it eventually ended up as a story of less than ten thousand words, and if I felt satisfied with it, then I’d take that as a result, now.

And the moral of all this? I’m sure there was a point after a couple of months when I knew I shouldn’t have been writing this book. I should have binned it there and then and saved myself a lot of fruitless trouble, but stubbornly ignored the warning signs.

A Scottish Coast to Coast Walk (3)

22nd April 1994

Today the intention is to take it as easy as possible.

Loch Duich

Last night, after a fruitless search for treats I cooked myself some supper and then decided to walk on for another half a dozen miles or so with a view to just leaving a token walk into Kyle of Lochalsh. But I’d already done a good twenty miles already, and it was a really stupid move. Eventually I bivvied just off the side of the road, with the weather closing in rapidly. Clouds were rolling down the mountainsides and coming up the loch. By the time I was in my sleeping bag all hell broke loose. I don’t think I’ve ever heard anything like it. The wind howled and shrieked and at times it screamed. And the rain that accompanied it absolutely hammered down. It seemed to go on for most of the night and I lay there unable to sleep for the noise.

Castle Eilean Donnan

But by six the rain had stopped and the wind dropped, although it was still having a good old blow. I got up, packed up, then walked a mile or so back up the road to get a photo of Castle Eilean Donnan which I’d passed in semi-darkness the previous evening.

Through the rest of the morning I walked along the side of the loch through alternate rain and sun and constant gusting winds. Or perhaps ‘limped’ would be a better description, since I was now extremely footsore, and perhaps that contributed to a slight sense of let down when I got to Kyle. Still, that was my target and I’ve achieved it in around three and a half days. I will have covered around eighty to eighty five miles and since a lot of it was over steep hills and bog, I’m quite pleased with that.

Looking down Loch Aish towards the Isle of Skye

I think it’s important to state here that even if I still enjoyed the same levels of fitness and stamina I enjoyed almost thirty years ago, and was able to repeat this walk, I would not do it this way.

I’ve no wish to set records and, really, I did not wish to do so then, but there is a sort of perverse pride that says ‘Look, I can walk thirty miles a day’, although that is not the only reason I covered so much ground each day. It was the middle of summer in Scotland, with very long daylight hours. The temptation to use them to do ‘just another couple of miles’ was too much at times.

Skye from Kyle of Lochalsh

And now I’m in a cheap guest house and about to have a shower and go out to find a café. Or maybe even a pub.

I suspect I’ll sleep well tonight.

A Scottish Coast to Coast Walk (2)

20th June 1994

It rained during the night, but when I emerge from my bivvi in the morning it has eased to an occasional drizzle. Down the valley to the east, the sun is glittering on the trees, while the hilltops are shrouded in cloud. Cotton grass and heather dance around me in the breeze, and it is warm.

Glen Coiltie, looking west.

Through the morning, I work my way further west up Glen Coiltie, the wind slowly increasing in strength and the drizzle turning gradually to heavy rain. When I top a final ridge and begin to head down towards Loch Aslaich the wind positively howls. I plod along and gradually up onto a plateau where the path simply disappears. With the low cloud drifting across at ground level this becomes a good test of my navigational skills.

The weather worsens again. At times I stop just to retreat further into my waterproofs rather like a turtle withdrawing its head into its shell. It is a lovely landscape, desolate and wild, but just too wet and windy to enjoy, never mind even to think of taking any photos.

By the evening I am alongside Loch Beinn a Mheadhoin, after a long, wet, day. For a couple of miles I had been looking for somewhere to camp, but the path was through old pine forest and the ground was several feet deep in fallen logs and branches, all covered in moss and lichen. Eventually I find a spot near a waterfall amongst a few birches at one edge of the lake. It is a lovely spot, but I know what will await me in the morning.

21st April 1994

I unzip my bivvi and immediately a huge cloud of midges descends upon me. I forego breakfast for the moment and pack up as quickly as I can, flapping my arms around ineffectively and swearing my very bestest swears.

Not the best place to camp, beside open water with lots of tree cover

Soon enough, though, I am away from the water and ahead of me snowy peaks rear up above the trees. The thrill is upon me again! As I walk through the morning, the clouds are lowering and thickening again, but for now the rain holds off, for which I am thankful. It had been so wet the previous day the rain had managed to soak everything inside my rucksack. During the night I had gradually brought maps and clothes into my sleeping bag for my body heat to dry out. By the morning probably about half of it was dry.

It is colder than yesterday. The snowline looks to be lower here; I am at about three hundred meters and there are pockets of snow level with me on the mountains nearby. But with the improved weather as well as the scenery, my mood is much better and I am enjoying just being part of the environment. It reminds me of other walks and treks I have done – I keep thinking of Nepal! – and in this mood the miles seem to melt away as I walk. The previous day, at one point I had managed less than five miles in three hours up on the plateau in the atrocious weather, so this day is a huge improvement.

The Five Sisters in the distance and Creag a Chaorainn on the right,

I follow a river for a while, and where the water is moving slowly I can really appreciate how beautifully crystal clear it is, even though it has a deep brown hue from the peat. There are tiny orchids in the grass, although I don’t know their name, but few other flowers just here.

An Tudair on the left and Sgurr na Lapaich on the right

And now I pass a couple of walkers and we stop for a brief chat. These are the first people I have seen since leaving Inverness and although yesterday the weather was so bad that only idiots would have been out in it (or one idiot, anyway), in a world of five and a half billion people, to spend a whole day travelling without seeing another soul from dawn to dusk is an increasing rarity.

River Affric near Athnamulloch. The sheep track is so worn it has almost become a tunnel.

I stop for an early lunch and then soon after I set off again I find the path disappears in a particularly boggy area and, predictably, it begins to rain. I take a compass bearing and step forward cautiously. Half a kilometre later I find the path again and the rain stops. Now I go uphill again, over the Eionngleann (lots of these names sound as though they come from Lord of the Rings), down into a long valley where the weather comes in again, and down to the village of Carn-gorm. The village sits at the head of Loch Duich, which joins Loch Aish and this opens up to the Atlantic Ocean. I’m definitely in Western Scotland now. Now to see if there’s anywhere in the village to get a pizza or something more interesting than what’s left in my rucksack.

Eionngleann
Looking North West down Gleann Lichd, my route down to Carn-gorm

A Scottish Coast to Coast Walk(1)

Click on map to enlarge

18th June 1994

My coach got into Inverness at 8.10pm after almost twelve hours on the road, and I was more than ready to begin walking. With over two hours of daylight left, I aimed to get well clear of the city and find a good spot to camp for the night. I grabbed a bag of chips from a chippy, then followed the Caledonian Canal southwest for about four miles, left it and climbed a little more to the west to find somewhere to sleep. I filled my water bottle from a stream, then wandered into a little wood and got out my bivvi tent and settled down for the night, black clouds heading slowly towards me as I did so.

Altourie – rain clouds coming in from the west. Torr Mor in Foreground

19th June 1994

This morning is dry and bright, but quite windy. I boiled some water for coffee and set off as soon as I could, intending to make the most of the good weather. Today I intend to cover quite a few miles on side roads which I hope will be carrying very little traffic and so get a substantial fraction of the journey under my belt before the weather gets any worse. This is Scotland, after all. I‘m expecting rain. It should also break me in gently, being easier ground than much I expect to have to walk. So, I’m aiming for Urquhart Castle, which overlooks Loch Ness and will be a slight diversion from my route but I just fancy having a look at it, and from there I can leave the road and follow the river southwest through Glen Coiltie before turning further towards the west.

As soon as I set off, I was walking straight into the teeth of a strong wind. Long distance footpaths are usually walked from west to east, at least in Britain, and there is a strong argument for that; we get the majority of our weather from the west, so by doing that we have the wind (and whatever it brings with it) at our backs. I’m walking it in the opposite direction not just because I am naturally perverse – or not only for that reason, anyway – but because the more interesting and exciting scenery will be on the west side of the country, and hence my destination. Walking from west to east I feel I would arrive at my destination with a certain amount of disappointment, with all due respect to Inverness which is a delightful city, but I’m after the spectacular wilderness.

So, into the teeth of a strong wind. It is not long, though, before I am walking through Abriachen Forest and I stop for a rest sheltered from the wind.

Abriachen Forest

I rather think Abriachen Forest has changed a little since I passed through there in 1994. I remember it as a dark wood of densely planted conifers, typical of the conifer woodlands planted in the middle to late twentieth century with the intention of producing the maximum possible yield of wood. The trees allow so little light through that other than the trees themselves – Douglas Fir and Sitka Spruce, typically – these plantations (forest is the wrong word) house very little life. But in 1998 the community of Abriachen (a small village) purchased 540 hectares of the woodland and since then have been improving it – thinning the trees, reintroducing native species and creating footpaths and trails.

But on the edge of the forest, and beside the road, there are a multitude of flowers: vetches, Ladies smock, and violets, particularly catch my eye. I draw away from the forest and I am back amongst a more natural landscape, with banks of pepperminty smelling gorse, occasional rowan trees in blossom and heather beginning to flower.

In places, the ground is bright with cotton grass

Now, for the first time, as I leave the road and walk uphill along a track towards the farm of Achpopuli, I get my first good view of large snow-covered mountains to he west. Once past the farm, I am on a supposed footpath heading up towards a saddle between two hill crests but the ground is extremely boggy and proves to be a taste of much of the rest of the route. My feet sink about six inches into either water or soft moss and heather, slowing my progress significantly. But then I m over, and down to a small loch where I stop to refill my water bottle and have a wash. I am surprised by how warm the water is, and I brave a quick dip as well as a shave.

Loch Glanaidh

On, then, to Urquhart Castle and then a little further out of my way to visit Divach falls, a waterfall with a drop of about a hundred feet. And near the bottom, primroses were still out.

Urquhart Castle and Loch Ness

Following a track up Glen Coiltie looking for a suitable spot to make my camp and cook supper I am walking through old forest, such a contrast to the plantation I walked through earlier. The trees are so covered in mosses and lichen it seems at times almost a wonder they are still alive. The path winds up and down and left and right and feels at times like a high mountain trail. Far below I hear the roar of the river, and for almost the first time that day feel I am absolutely in my element.

Eventually I make camp in a small hollow just below Carn a Bhainne. There is a low ridge towards the west which should shelter me from the worst of the wind. After I have eaten, I sit with a mug of tea looking across the river towards a snow pocket that is probably a couple of hundred meters higher than where I am.

The Compleat Trespasser by John Bainbridge

This time, the review without any distracting rants. Probably.

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Sub-titled Journeys into Forbidden Britain, it immediately sets out its agenda: it is both a potted history of how the land was stolen from the inhabitants of Britain, and the long struggles to regain access to much of it, with numerous anecdotes of the author’s own escapades trespassing.

The story of how the inhabitants of Britain came to lose their access to the majority of the land is a story that has been repeated throughout most of Europe and beyond. Land forcibly taken by invading armies and distributed partly to their soldiers, but mainly their officials or nobility. Land enclosed by lords and kings for hunting purposes, burning villages and evicting their inhabitants from the land. Land taken by acts of Parliament to further enrich the gentry. Land given by kings to the established church, so that peasants might labour only to feed the rich and corrupt clergy.

Land that has been kept private and jealously guarded both by strict and cruel laws, and by equally cruel methods by the landowners themselves. Thus laws that deemed the starving and dispossessed villager might be executed for taking a rabbit from land he once lived on, to feed his family. Thus the mantrap that would cut a mans leg off. Thus countless thousands beaten and sometimes killed by gamekeepers and owners.

When I attempted to review this a week ago, it ended up turning into a full-blown rant against grouse moors (I do rants so well, these days!), but even today it is not just grouse moors that are fenced off just so the idle rich can enjoy slaughtering wildlife – there is plenty of woodland and more open land enclosed around the country and dedicated to pheasant shooting, for example. There are country houses with huge estates. Land taken by the MOD for training purposes, and never returned. There are many landowners determined to block access to legal rights of way. Although the Countryside Rights of Way act of 2000 was supposed to restore access to most of the countryside, there is still much that is off-limits.

Yet there are good landowners, too. The tales of John’s own trespassing include several encounters with sympathetic landowners happy to see walkers on their land, with the obvious proviso that they cause no damage.

The improved access rights we do have today were earned the hard way. Since Victorian times there have been mass trespasses intended to both bring the issue into the public forum, and to try to force change. The Kinder Trespass of 1932 is probably the most famous, yet many preceded that. It is thanks to the countless trespassers and campaigners of those days that we have improved access rights today.

The book finishes, though, with a plea. Firstly to campaign for further land reform, for better access rights – rights that are enjoyed in Scotland, but not England, Wales or Ireland. And secondly with a warning – the current government campaigned at the last election on a promise to criminalise trespass, so that anyone who deliberately or inadvertently strays from a public footpath onto private land might find themselves on a charge in a criminal court.

Anyone who enjoys the countryside in any form, enjoys spending time there, and walking in it, should read this book. It provides a very good, clear, account of where we are, how we got here, and what has been done to get us someplace better.

But also that we still have some way to go.