‘Mr Business Brain’ or ‘Trying to blow my own trumpet without ever having learned how to’.

In today’s alternative ‘Alice in Wonderland: ‘When I use a word,’ Trumpty Numpty said in rather a scornful tone, ‘it means just what I choose it to mean — neither more nor less’.

Lewis Carroll obviously saw this fellow coming.

Just thought I’d share that with you. Anyway, back to the task in hand. After two ridiculously hectic weeks, I now have to do my best to catch up with everything. Onward!

***

I don’t have a business brain.

I look at my clutter of short stories and paintings, my carvings and photographs and think ‘I should be able to at least make a bit of a living out of all of these.’

ladakhi door 2            001

But I don’t. And then I wonder ‘how on earth I am going to do it?’ and go ‘aaargh!’ and run off into the distance.

It really doesn’t help.

And so, if I had to have made a New Year’s Resolution this year, it would have been to sort all this out. I didn’t, but that doesn’t mean I can ignore it for any longer.

To begin with, then, how about attracting new blog followers?

Dressed in a loincloth and brandishing a spear (not a sight that sensitive readers should try to picture in their minds), I go charging out onto the lightly wooded WordPress plains, hunting new blog followers.

‘Aha, there’s one!’ I think, spotting a potential follower grazing harmlessly beside the River of Inspiration. I sneak up on them, then hurl a ‘follow’ at them, hoping that they will respond in kind.

Er, no.

It’s just not me, unfortunately. As I have mentioned in the past, I find it incredibly difficult to blow my own trumpet. And I will not ‘follow’ someone just for the sake of getting a ‘follow’ back. I do understand that anti-social media make up the platforms I have to work with, but for some reason I have not yet got my head around using them properly. So for blogs, I shall carry on as I always have. I don’t hunt for followers, I let them find me. Then if they follow me, it is presumably because they like what I’m writing.

Of course, they might simply be after a follow in return, but that won’t happen unless I like what their site does.

I do need to be more professional, though. For a start, then, I have begun to properly update the information on each site I use – such as the ‘Author Profiles’ on Goodreads, Amazon and LinkedIn.

So please feel free to connect with me on those sites – Goodreads LinkedIn. I promise I will put up more book reviews on Goodreads, and try to work out just what the hell LinkedIn is for.

mosque      untitled-grayscale-01

I shall sort out the prices on the paintings and photography websites.

What? Oh, Paintings and Photographs – thanks for asking!

Making Friends with the -Crocodile

And I need to find new ways to promote my novel Making Friends with the Crocodile. 

And then, there is this blog. I must regularly update the information on the ‘About’ page and the ‘My Writings’ page.

Do I need to simply be bolder in my approach to all this? Should I put a ‘shop’ on my blog?

I don’t know. But, learning how to properly use the limited anti-social media I reluctantly and sporadically do take part in (other than blogging), is a priority for me.

But I’m damned if I will ever use Twatter, though.

The Indian edition of my book is published!

Well, it’s taken me long enough, as I’m sure everyone will agree, but I have finally managed to publish Making Friends with the Crocodile as a Print on demand paperback in India! Hurrah!

It is published by Pothi, and is available on their site, here, and on Amazon.in and Flipkart.

pothi-advertising

It is still available as a Kindle e-book from Amazon, and is also available as an e-book from Kobo, worldwide, for those who do not favour Kindle.

I have been told plenty of times that I need to be more proactive promoting the book, but I’m not terribly good at that. However, this is me having another pathetic stab at it:

Buy it now! It’s great! Please…pretty please…

Oh well, I’m working on it.

Should you be kind enough to buy it, or, indeed, if you have already done so, please consider leaving a review. Reviews encourage others to buy the book, and, on Amazon, once a book has garnered a certain number, then Amazon list it a little more prominently – which is a tremendous help to the author!

And I have been lucky enough to garner some very complimentary and generous reviews, so far. A few excerpts:

‘This beautifully written story, set in a village in Bihar, draws you in from its first page.’

‘Making Friends with the Crocodile is a very fine book. And it takes us into the harsh reality of the life of women in rural India, much more effectively than any official report.’

‘The characters are depicted with obvious respect for a culture that is both beautiful and at times shocking. By the novels finale, though tragic, we are left with a very thought provoking and memorable story.’

‘This is a novel with depth and real emotional involvement. Told simply and with an honesty that defies disbelief at events and attitudes, it packs some serious punches. It’s a story that will live with me for a long time, and one that has materially altered my opinions about certain cultural norms. Researched in real depth and related in language that fits the narrator so well, it’s a very good read.’

‘Mick has delved into the mind of a middle- aged woman living in rural Bihar and has beautifully sketched the love – hate relationship she shares with her daughter in law. The book gives a lot of perspective on the mind-set and predispositions that prevail in the rural north Indian society (which apply, at large to many other parts as well).’

The blurb: ‘Siddiqa was only just into her teens when she was forced to leave her home to live with her new husband and his family in another village. The years have passed, and now Siddiqa has three children of her own. Her grown up son has brought his new wife, Naira, to live with them, so Siddiqa is no longer the lowliest in the household, for she has a daughter-in-law.

Life in rural India is particularly harsh for women. This novel explores themes of female oppression and tradition and asks whether the next generation will find life any easier.

I suppose that at least when I publish my next book, I should have a much better idea of how to go about it.

The Christmas Story! 3rd and Final Part.

They could see at once that something was very wrong.

There was no movement from the child in the bed of course, since they were within TimeShift, but the agonised rictus on his face, the distorted jaw and neck, and the twisted body lying half in and half out of the bed, immediately made them freeze and stare in horror.

A snapshot…a cruel statue…tiny hands caught in time, clawing desperately at a heaving chest…bulging eyes…

Henderson actually thought he could hear a terrified scream, somewhere in the air in that suddenly awful room.

‘Shee-it!’ Said Edwards, softly and slowly.

Nobody moved.

315a

After a minute or so, as if by comment consent, they opened the door and slowly went out to the landing, each of them reluctant to leave the child – it felt like they were abandoning him.

‘Try that door.’

Lesley was the nearest. Raising his fist he began to tap gently at the door, then realised what he was doing and shrugged, pushing the door slowly open.

They faced a woman frozen in the act of throwing a dressing gown around her shoulders as she stepped towards them, the dressing gown caught billowing like a hero’s cape, although her face was frightened and staring. Instinctively, they all took a step back.

‘She’s heard him,’ muttered Edwards. ‘She’ll make sure he’s okay.’

But none of them believed it.

‘She’ll get an ambulance, for sure.’

‘But what about all that fucking snow? How will they get through that?’

‘What can we do?’

‘I don’t know.’

‘Seems blindingly obvious,’ said Edwards, after a couple of moments. ‘We just pop him in the sleigh and take him to hospital ourselves.’ Henderson looked grim.

‘It’s really not that easy, I’m afraid. We’re in TimeShift, but he’s not.’

‘So? Just bung him in the sleigh anyway, and off we go.’

‘No, we can’t. When you’re inside TimeShift you can’t move any other bodies that are outside. It’s impossible. And even if we could, what about his mum? She’d just find him gone.’

‘So to get him to the hospital, we have to do it outside of this TimeShift thing?’

‘I think we’ll have to do everything outside of that. First we need to find out what’s wrong, which means we have to get outside of TimeShift straight away. Talk to his mother….’

‘…won’t she sort of just freak out when she sees us?’

‘We can’t worry about that. We just need to work out how to do it.’

‘Don’t you know, then?’

‘Er, no. When it happened last time, I don’t know how it worked.’

‘Can you call the office and ask them?’

‘Only in real time. But there is one way I can think of. One or both of you will need to stay here, whilst I take the sleigh and come back in…what, one minute? Will that give you long enough to speak to her and find out what’s happening?’ They both looked doubtful.

‘I’m not sure that the sight of us appearing in her house at the dead of night will really help. Ain’t there any way you can stay here? At least she’ll know who you are.’

‘I don’t think so. Neither of you know how to operate it.’

‘No, we don’t. Okay, come back in a minute or two, and we’ll tell you how we’re getting on.’

***

There were four figures on the landing when he returned.

Lesley and Edwards were standing either side of the woman they had seen in the bedroom, who had her hands to her mouth in shock, whilst the fourth was a man in pyjamas who was lying stretched out on the floor A cricket bat was lying a short distance from his outstretched right arm.

‘What the…

‘Sorry, I had to biff ‘im.’

‘Why?’

‘He was attacking us.’

‘Oh, for…

‘But the boy’s having a fit, and needs to get to hospital. And, shit, that was weird.’

‘What was?’

‘The way she stopped moving the moment you appeared.’ Henderson looked at him, and then went back into the child’s bedroom. He was still lying in that awful, contorted, position, but now there was just a hint of dark blue in his lips. He returned to the landing.

‘I think he’s dying. We don’t have much time.’

‘Have you got a plan, then?’

‘Just to get him to hospital as fast as possible. If I go and get that programmed into the SatNav, then we just have to come out of TimeShift and get him on board as quickly as we can and…’

‘Oh, bugger it! It’s obvious!’ shrieked Lesley suddenly.

‘Eh? What are you talking about?’

‘Well, instead of pratting about here, why don’t we just go and get a doctor and bring ‘im here? We can stay inside this TimeShift bastard thing until the last moment, then.’

‘Yeeess…that might be the answer. It’d probably be quicker. Although, we might have a problem if they don’t believe us. We can’t afford to spend too long trying to persuade them; the boy mightn’t last that long.’ Edwards narrowed his eyes.

‘Don’t you worry about that. The doc’ll come with us!’

***

Finding the hospital proved to be the easy part.

It was a small hospital, and at that time of night there were a mixture of sleeping and wakeful patients, nurses doing rounds and writing in folders and dealing with a number of minor crises, but it seemed impossible to find a doctor. They stood at a doorway staring into a restroom where a nurse was sitting with a half empty mug of something and a pile of papers. She looked tired.

‘Don’t they have doctors here at night?’ asked Edwards.

‘I suppose they must have, but I don’t know where we’ll find them.’ They looked at each other.

‘Well, why don’t we just take a nurse?’

‘Well, why not? Come on.’

They hurried back to the sleigh, and as soon as they were aboard, Henderson switched off the TimeShift.

‘Right! Let’s go!’

They ran through the entrance and down the corridor, ignoring the shout from the desk porter, and burst into the restroom.

‘We’ve got a boy dying out there!’

‘What? Who are you? Where?’

‘I don’t know the address; you just need to come with us. He’s having a fit.’

‘I can’t just go…’ Her voice faded away as she took a proper look at the elves.

‘You’ll come with us,’ said Lesley, in a voice that said very clearly that she was going with them. ‘You need to bring anything?’

‘Er, yes…a couple of things…I’ll need a hand.’

‘Right, come on. We’re in a hurry!’

There was plenty of room on the sleigh, with most of the sacks now lying empty on the floor at the back. It took a couple of seconds to deploy the new ramp and push the trolley of equipment on board, and then they were up in the sky again, the nurse in the front seat beside Henderson. As soon as the reindeer started up and they were back in TimeShift, he felt himself relax.

‘Right. Sorry about this, but there’s a boy having a fit, and the ambulance would never get through this snow.’ She nodded.

‘Okay, I get that. I understand that you’re Santa Claus…I suppose. But,’ she lowered her voice and jerked her thumb backwards, ‘who on earth are they?

‘Elves.’

‘They look a bit rough for elves!’

‘I’ve had worse.’

‘You want a beer, love?’

‘What? I…’

‘We’re here!’ said Henderson, hurriedly. This time he managed to bring the sleigh down in the road, squeezing in between a couple of parked cars.

‘Let’s get the trolley off first.’

They pushed it through the snow up to the front door, and then Henderson switched off the TimeShift.

‘Okay. Hurry!’

They hammered on the front door.

***

It was two hours later.

At least, in some ways it was, but just at that moment it was really a hundred and eighty-nine and a bit years earlier.

‘And you’re sure the little feller’s alright, now?’

‘The nurse said he’ll be fine. And we’ve only got two more drops, then we can go home.’

‘Right, I think we need some more beers, then.’

‘Hey, these are good ones!’ Henderson said in surprise. Edwards looked hurt.

‘What was wrong with my lagers? You seemed happy enough with them earlier.’

‘Oh, nothing. No, they were great. I mean, these are pretty expensive ones. Where on Earth did they come from?’

‘Oh, they were in the lounge in that house. I’m sure no one will mind.’

‘No,’ Henderson agreed, ‘under the circumstances, I’m sure they won’t.’

***

If you’ve read this far, and my thanks for doing that, then you might like to read last year’s Christmas short stories:

First one

Second one

Third one

Fourth one

The Christmas Story! Part 2

‘Right,’ said Henderson, ‘here we go.’ He pressed the big green button and the reindeer burst into life. Less than ten seconds later, they were cruising through the sky just below the clouds. The TimeShift had kicked in, and, looking down, they could see they were passing over what appeared to be a small town, nearly every chimney of every house belching smoke, and the few roads between them devoid of traffic. Then the air around them crackled slightly, and instantly they landed on a rooftop in a modern day housing development. It was night time.

307a

Henderson glanced at the elves and nodded. ‘Okay?’

‘Nah, you’re the Big S. Best you do it.’

‘You know the rules!’ he said, in a passable imitation of Nicol’s voice. To his surprise, they looked at each other, grinned, and then got out.

They all stepped forward together, and found themselves in the middle of a darkened room, although each of them was able to see as clearly as if it were daytime. There was a single bed on either side of the room, each containing a sleeping child. On the end of each bed lay a large bag shaped like a sock, made from red material and embroidered in white with ‘Merry Christmas.’ A card table had been set up at the foot of one of the beds, covered with a small white cloth on which there was a small glass of sherry, and a plate with two mince pies and a carrot. He popped the mince pies and carrot into a small bag he was carrying, and poured the sherry into a flask. While he did that, the ‘elves’ put the regulation number of presents into each bag.

‘Dunnit.’ Said one of them. Henderson nodded, put a tick against the first name on his list, did that thing with his fingers he had to do, and then they were back in the sleigh. He turned around and put the bag and the flask on the floor behind the seat, and pressed the button.

‘Mind if we have these?’ said a voice behind him.

‘Go ahead.’

‘Cheers. Saves on lunch, anyway.’ He paused. ‘They don’t mind you eating one or two, do they?’

‘No, eat as much as you want. They don’t much care what happens to them anyway.’

‘What do they do with them when we get back, then? Do they just throw them away?’

‘They used to, but it goes to a food bank, now.’

‘What about the carrot? Can I give it to the reindeer?’

‘No, these ones can’t eat carrots. Don’t try it, whatever you do.’

‘Oh. Right.’ There was silence for a moment, then he heard a fsshh followed rapidly by two others, and then a hand suddenly appeared over his shoulder holding a tin of lager.

‘There you go, Big S. There’s a spot of Christmas cheer. It’s a bloody long day, this.’

‘Oh, thanks,’ he said in surprise. He took a sip, and then shivered slightly. It tasted pretty strong. ‘Better than that bloody sherry, anyday. Cheers!’

‘What happens to that?’

‘The sherry? Biofuel. That’s all it’s good for.’

A couple of hours into the shift, Henderson found he was beginning to relax. He was beginning to relax quite a lot, actually. He took his hands off the controls and turned around, leaning one elbow on the back of his seat.

‘I know one of you guys is called Edwards,’ he said, conversationally, ‘what about the other?’

‘It’s Lesley,’ the bigger of the two said grimly, clenching his fists belligerently. Henderson smiled.

‘Oh, right. Lesley, then, pass me another of those tins, would you?’

He reckoned they must be about halfway through the shift. It was always difficult to tell, what with their bobbing backwards and forwards randomly through the last two hundred years or more, and because of that it seemed somehow ridiculous to start worrying about whether it was two o’clock or three o’clock.

And at the moment, it didn’t seem to matter anyway.

But gradually they were working their way through the list; each name was ticked off in order, and the sacks that held the presents in the back of the sleigh were slowly emptying.

He thought he’d drunk three of those lagers, although there was a little voice somewhere inside him insisting it was four, and was just thinking it was a jolly good job that he didn’t actually have to drive the sleigh, when…

Crunch! Sssssssccccrrrrrsssshhhhhhh! Whump!

It took a lot to get reindeer to crash, but it seemed he’d managed it.

‘Where are we?’ Henderson slowly wriggled up from the foot well and got back onto his seat. He pulled his list out from his pocket and stared down at it.

‘Err, just outside Huddersfield. Probably.’ They had landed, but for some reason instead of coming down gently onto the roof of the house they were to visit, the sleigh had rushed down through the falling snow until it had collided with a hedge of conifers. The impetus had taken them through the trees, although they seemed to have a fair amount of snow and twigs over them and on the floor of the sleigh, then they had bounced a couple of times on the ground and come to rest against a low stone wall that formed part of the rear boundary of quite a large house.

He felt a little shaken, but nothing worse than that. He looked round at the others.

‘There’s a fair bit o’ the white stuff here, ain’t there?’ said Edwards, rubbing the back of his head,

‘Yes. Are you both okay?’

‘Yeah. Let’s get on with it.’ They all stood up, and Lesley picked up one of the sacks.

‘Right.’ They stepped forwards, but all that happened was that they found themselves standing ankle deep in fresh snow. ‘Oh.’

‘That’s not meant to happen,’ put in Lesley.

‘No,’ Henderson looked up into the sky, where the clouds were continuing to release a fair amount of snow, ‘and nor is that.’

‘What?’

‘Somehow, we’re in real time. Get back in the sleigh.’ They jumped in, and Henderson sat staring at the SatNav with its large red over-ride button, wondering what he should do now. He had a feeling that he’d been told about this the previous year, but the alcohol had made his thoughts rather woolly. As he hesitated, though, he heard a shout and looked up to see a couple of figures running towards them.

‘Oh, shit!’ Quickly he pressed the start button, and the reindeer roared into life. Seconds later they were up in the clouds again, and then they were down and sitting on a snow-covered roof. He looked at his list, then looked suspiciously at the co-ordinates showing on the SatNav. It seemed the program had reset itself automatically and they were now at the correct house.

Inside, he checked the list again. One child, boy, aged eight. Name of Dylan. On top of a chest of drawers was a hand-written note beside a mince pie and a couple of chocolates that read ‘For Santa, love from Dylan.’

That seemed okay then. He put a tick next to the name and they returned to the sleigh.

It was another short hop to the next call; the sleigh had barely risen to the clouds before it was down on a roof again. This time, the snow was seriously thick, and the flakes hanging silently around them were very big and very fluffy. It was remarkable, he thought, that the reindeer didn’t feel the cold.

But they wouldn’t, of course. Not these ones.

‘Right, come on. Only a few more to do, now.’ They stepped forward into the snow and materialised in a small bedroom.

And froze in horror at what they saw.

***

If you’ve read this far, and my thanks for doing that, then you might like to read last year’s Christmas short stories:

First one

Second one

Third one

Fourth one

The Christmas Story!

 

Well, it’s now December, so I suppose it can’t be too long before we begin to see the first of the Christmas decorations going up in the shops, and then, ooh, another week or so and we’ll start seeing some Christmas adverts on TV.

I said I definitely would not do another Christmas short story this year, so here it is. Part one of three. Probably.

In a way, this continues on from last year’s Christmas stories; I’ve put the links to them at the bottom of the page if you’d like to refresh your memories!

358a

It was almost the end of another tough year, another year of scrimping and scraping and just getting by. It didn’t seem right, somehow, that Santa should be on the breadline for most of the year, for that was how Henderson thought of himself now; Santa.

He didn’t really think they would take him on again this year, though. Not after what had happened the previous year, that is. But to his surprise, Nicol had smiled at him and said ‘Yes, it’ll be great to have you back on board again,’ without the slightest trace of sarcasm in his voice.

‘How have you been?’

‘Well, my back’s a bit stiffer than it was last year.’

‘You’ll welcome the new changes, then,’ he said, bitterly.

‘Changes?’

‘Yes. I’m afraid the government has taken an interest in us this year. That could spell real trouble in the future – if you come back next year, I expect you’ll find we’ve been privatised. They’re already making noises about cutting the number of presents.

‘It started last year. The Equality Commission visited us with a long list of what they called ‘positive changes’ that we needed to make.

‘Every single household with children needs to be visited, they said.

‘We do that already.

Each child needs to receive gifts of equal value, so that no one can think themselves disadvantaged.

‘We do. We always have done.

And you need to log each visit.

‘We do, it’s computerised. Has been for years. We have records going back to Victorian times.

‘And more crap like that. It feels like the writings on the wall, now.’ He sighed. ‘Anyway, this year they were back again. So if your back’s a problem, you’ll be pleased to know that all the sleighs are wheelchair accessible now; or they will be,’ he corrected himself, ‘just as soon as we finish making the changes.

‘It was sprung on us at the end of November. Some twat with a clipboard and one of those stupid plastic ID cards hanging on a chain around his neck turned up unannounced in the office. He had come to find out whether our employment record reflected the government’s ‘investment in diversity’ – whatever the frick that means. Had we heard that a shopping mall in the USA had a black Santa this year? Yes, I said, we had. And over the years we’ve had sled-loads of black Santas. And brown ones. Pink ones. One year we even had a yellow Santa. Real yellow, I mean. Jaundice, it turned out to be.’ He sighed. ‘That one didn’t turn out well.

That’s good, he said, and ticked something on his clipboard. Then: What about disabled? You’re Joking, I said. How’s a disabled Santa going to get up and down chimneys?’

‘But I didn’t have to…’ Henderson began.

‘Yes, but he wasn’t to know that. That’s for you to facilitate was his reply, though. Bloody hell, can’t these jerks even speak English? Oh, well, that won’t be a problem, I told him, I’ll just put ramps and a ladder in each sleigh.’ Nicol ground his teeth together and looked really angry. ‘I was trying to wind him up, but the bloody idiot just smiled and said oh, well done. I’ll tick that one off too, then.’

‘If I haven’t met that bloke, I’ve certainly met one or two like him.’

‘Oh, there’s more. I’ll need to come and take a look at your sleighs, now. He said. And I should have seen what was coming, then.

‘What?’

‘Now they’ve all had to go back to the workshops to be made wheelchair accessible. We’ve only got two available at the moment, which means things are a bit hectic.’

‘Does that mean you really have to take on Santas who are…well…in wheelchairs?’

‘Fortunately, not.’

‘I’ll bet that’s a relief.’

‘Just elves.’

‘Elves?’

‘Uh-huh. Elves.’ He shrugged. ‘No reason why not, I guess. You know how it works, it’s just a bit slower than usual. It means I put in a requisition for two more sleighs and teams to cover the timings. Probably the biggest pain is the changes to the delivery program.

‘Anyway, that doesn’t affect your team. Here’s your schedule.’

 

They were both rather thickly built, unshaven men. One was smoking a roll-up.

‘They don’t look much like elves’

‘You don’t look much Santa Claus.’

‘I look more like Santa Claus than they look like elves, though.’

‘Well, I’m sorry, but that’s your team. They are fully trained and know what they’re doing.’

‘Are these guys from the same agency as me?’

‘No, they’re long-term unemployed. From the Job Centre. Another government stipulation, I’m afraid. Forty-two percent of our intake this year have to be candidates who have been out of work for a year or more. But they’re okay. I did a trial shift with these two yesterday and they were, er, just fine.’ Henderson stared at him. His experience with elves the previous year had made the subject a rather sensitive one. Then he looked at the elves, who stared back at him in what seemed a rather unfriendly manner.

‘No need to gawp,’ said one. ‘Ain’t you never seen a bloke in a pixy hat before?’

‘Not for a while,’ he conceded. ‘I’m Henderson, by the way.’

‘Come on then, Henderson, let’s get in,’ said the other. ‘Let’s get this crap over with, so we can go home.’

‘Put that cigarette out first, Edwards,’ said Nicol, sharply. ‘You know the rules!’ Edwards glared at him, then threw the cigarette across the yard.

‘Bastard!’ he muttered, under his breath. Henderson took his seat at the front of the sleigh and waited for the ‘elves’ to get in.

‘This will be fun,’ he thought, gloomily.

***

If you’ve read this far, and my thanks for doing that, then you might like to read last year’s Christmas short stories:

First one

Second one

Third one

Fourth one

I have some news!

I have some news.

I’m sure some of you (especially the writers) will remember that I reported here a week or two back the disturbing news that fictitious characters now have the legal right to sue their creators for defamation of character, or any other hurt (real or perceived) caused through those said creators’ thoughtless and heartless actions.

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In case you want to have a look, the link is below.

Sue me and I’ll have you killed!

Well, news reaches me this morning of a new grouping of characters, namely sidekicks in detective stories, who have come together under the name of Sidekicks Of Detectives (or ‘Sods’) to challenge their positions as The Most Stupid Person In A Detective Story.

Initially, the group was to have been organised by Captain Hastings, sidekick to the famous Poirot, but after some heated discussion it was agreed that, actually, he couldn’t organise his way out of his own front door without help, and the task was then delegated to Doctor Watson, who arranged a meeting at a coffee shop, one of a well-known chain, in Central London. Unfortunately, he forgot to mention either which branch it was, or the time of the meeting, and so there has only been limited progress on that front, so far.

But, further cases have already come to court.

A number of characters from ‘Three men in a boat’, by Jerome K Jerome, Bertie Wooster and others created by P G Wodehouse, and various characters from books by Spike Milligan began a collective case, but were laughed out of court.

Dan Brown is being sued by every single character he invented.

And there is some confusion in America, where Donald Trump has apparently filed a case against himself on the grounds that he has irreversibly blackened his own character.

I’m told he is confident of winning the case, since the stories he has spread about himself are scarcely believable, and that it is generally held that he must be a fictitious character, since the majority of observers and commentators say they ‘can’t believe this guy is for real!’

The trouble is, all this is symptomatic of our legislative culture. It was the retrospective case brought by Big Ears and Mr Plod against the estate of Enid Blyton that, I think, I found most distressing. By all accounts, they cooked it up over an evening of heavy drinking, after being taunted by the Tubby Bear family, and it is strongly suspected (although it cannot be proved) that much of the impetus came from a third character – possibly one of the Fluffy Cats, since they are known to be bad through and through (it’s okay, I can say that. It was proved in a recent court case of character assassination that the Fluffy Cats brought, and lost, against the estate).

But Big Ears and Mr Plod did win their case, and now not only is it a legal requirement that in future they both be referred to as intelligent, but Big Ears must henceforth be renamed as ‘Graham’. And his ears are officially ‘of normal dimensions’. Or else.

Which brings me to my own characters.

I have decided that I am not going to be dictated to, or browbeaten by, some miserable little…hang on, there’s someone at the door. I’d better just get that. Hello? What? A writ? about what? Oh…

I’m sorry, I have to stop there.

Well, yes, right…or write…

The clocks have gone back, and it’s getting dark earlier and earlier, but there is still a blackbird singing in the garden, although there is also the smell of wood smoke in the air – from a bonfire, I would guess – and a definite chill in the air. The autumn leaves have been exceptionally beautiful this year, seeming to have an extra couple of tones of red and orange. And there are still plenty of late flowers out. I may be a summer person, but it is  decidedly beautiful at the moment..

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I said I’d take part in NaNoWriMo this year, didn’t I? What on earth could I have been thinking of?

Did I really commit to writing over a thousand words a day all through the month?

Oh, for goodness sake! I’ve not even had time to look at anyone’s posts for the last five days, let alone write anything.

I quit. November 2nd, and I quit. Just like that. I’m sure no one else has ever backed out of it that early. Can I claim some sort of record?

But, as some sort of penance, I’m going to put up a short fiction piece for today’s post. I wrote it last week, so that’s almost November…

Light Years

It appears now both ridiculously arrogant and incredibly stupid, but after a mere few thousand years of development we seemed to think that we had arrived at a stage of development that we should consider to be an advanced civilisation. For a handful of years we had been capable of a rather limited space travel. We were beginning to probe the makeup of the universe and were on our way to some understanding of its complexities. And out of all of these thousands of years of development, we had had machines only for a few hundred years. We had had electric light for less than two hundred years. Computers for less than a hundred. We reached the moon one year, and two generations later we were probing the edges of the Solar System. And in those two generations, the life expectancy of almost everyone on the planet increased dramatically. We invented mobile phones and within one generation they were tiny computers that virtually controlled our lives.

In short, the pace of our technological progress increased exponentially.

But we had had wars and cruelty and genocide all of this time. We never solved that problem, we only invented crueller and more effective killing machines.

And should we ever make contact with another civilisation – that’s civilisation, mark you, not just life form – then the odds were that it might be several millions of years old.

No one seemed to realise the rather obvious implications.

And, despite warnings from a few of our more eminent and talented thinkers, we continued to recklessly send signals out into this huge unknown, advertising both our presence and our level of development.

Science fiction in popular culture would have aliens suddenly visiting our planet, swooping through the skies in huge flying saucers with deadly heat rays as weapons. The visitors would be recognisably bipedal – large headed, of course, since their brains would be more developed than ours – but with a limited range of facial expressions (why limited, I always wondered? Surely they would have developed more subtle ones? But perhaps they no longer needed them). The world would be in a panic; world leaders would meet, and attempt to make contact with the visitors. There would be an ill-advised attempt to engage them in battle, which would turn out very badly, but they would finally be forced to leave, or leave of their own accord, and in the end we would be the wiser for it.

But it wasn’t like that at all.

No one seemed to know what they saw, and many seemed unaware even that they had seen anything at all. There was light, but not the lights of UFOs buzzing through the skies at night, and not the stabbing beams of destruction envisioned by the writers and film-makers. For several days, it seemed to me that the light was a rather odd colour, and at times a little misty, or…hard. Others noticed that the light would move around, almost in blocks. It sounds ridiculous, but there you go.

That was about the time that I noticed a slight throbbing in my head and my brother complained of a ringing in his ears. No more than that, although it did seem that there was more shouting and arguing from some of the families in the neighbourhood, but this wasn’t particularly unusual and I thought nothing of it then.

It was the following day, which was yesterday, that everything seemed to go quiet. The arguing had stopped, for which I was grateful, but so had the background noise of traffic. I walked down to the ground floor and pushed open the door, and with that the throbbing in my head seemed to get worse. There were one or two people in the street outside, but no one seemed to be in a particular rush. All of them appeared to be strolling or standing around aimlessly and when I began to walk towards one of them, I found it quite difficult to move my legs; they felt very, very tired. I stopped and looked at the man I had been approaching, but when I caught his eye he began crying. It seemed shocking, and I wanted to cry too, although I did manage to stop myself. In the end, I turned around and went back home. I thought I’d see if there was anything on the news, but the TV no longer worked, and nor did my laptop. There was power, since the power lights came on, and I filled the electric kettle and made a cup of tea, but that tasted awful – perhaps the milk was off –  and I poured it away.

My head was still throbbing, but I thought I ought to see how my brother was this morning. I tapped on his door, then went in, but he wasn’t in his room and the bed looked as though it hadn’t been slept in. He had gone out the previous evening, and it seemed obvious that he had stayed out all night. It didn’t seem to matter.

I still felt tired, and now I did start to cry. It only lasted a moment, though, and then I thought I should have some breakfast. I put a couple of slices of bread into the toaster and put a pan on the cooker. I was going to fry a couple of eggs, but the oil in the bottle seemed to have turned a greenish colour and set solid overnight. I pushed the lever down on the toaster anyway, and for about a second the whole thing glowed with a bright orange light that hurt my eyes, and then just faded away. There was no smell of burning, and the toaster looked unharmed. I unplugged it from the wall, and lifted the lever. The bread was still white.

All of this should have worried me more than it did, but the truth was that I felt that I didn’t care. For the next hour or so I sat at the window, watching the few people outside trudging slowly along or standing and crying. A couple of them were lying motionless in the road. With an effort, I lifted my head and looked up to see that there were bands of thick colour across the sky; not clouds, because they were too transparent to be clouds, and they were the wrong colour anyway. I don’t know what colour they were, but it was wrong.

When I looked down again, the street was empty, apart from the colours.

It is possible that what we saw was no more than a trick of the light, or perhaps they were machines. Possibly, they were even the creatures that had sent them. Who knows, maybe they were both at once.

Light. Yes, light. It keeps coming back to light.

I don’t even know whether this is the end.

But I think it is.

Sue me and I’ll have you killed!

…slowly, he inched his way along the ledge, his heart in his mouth. It was too late to even contemplate turning back now. The sun was sinking rapidly in the pale sky in front of him, dropping towards the distant plains that were almost hidden in the desert haze. It would be completely dark within the hour. For the first time, he knew real fear. He could never survive a night on this thin, narrow ledge – God knows, there was barely enough room to stand and almost nothing to hold on to. It was inevitable that he would slip off at some point. Even now, there was a thin skin of ice on much of the surface, and the terrible cold would descend as soon as the sun disappeared.

Gritting his teeth, he edged towards what looked like a slightly better foothold, and cried out in sudden terror as his foot slid into space, the momentum taking him over the edge and falling…

Hell, I can’t do that! Stop! Phew, that was close.

As writers, we have to be so careful, because nowadays even our characters have rights, did you know that? And we can’t just be doing this and that to them, just as we please. Only the other day, a lawyer claiming to be acting for a character in a well-known children’s series attempted to take the author to court and sue her for, literally, defamation of character.

This character claimed that the author had totally misrepresented his actions, and applied motives to them that could only be described as evil.

And she said he had no nose, which was just spiteful.

He has claimed damages running into millions of dollars.

If this character is successful, then it is difficult to know where we will see this ending.

The fact that the author has created said character is no defence in law. Really, they are like our children. And whereas a few hundred years or more ago, parents had absolute authority over their children, and, short of killing them, could do whatever they so willed with them, nowadays they have more rights than their parents. And I’m afraid that it may come to that with our characters, too.

‘Why should I be killed off?’ They cry. ‘What right have you…?’ And so they will challenge it.

It has even been mooted in some quarters that these characters should perhaps be able to resort to the legal process appropriate for the time and world that they have been created for. Thus, a dragon in a tale set in ancient times, peeved because the author claimed it ate virgins and had bad breath (not sure if the two are connected…) might very well demand that it meet the author in Trial by Combat, a trial that the author would probably be rather ill-prepared to face.

Upset a Tudor monarch or a Viking chieftain, and I wouldn’t give much for your chances.

And any authors writing tales set in the future, who had unwisely failed to specify what sort of legal process was in existence at this time, might find the lawyers, or even their characters, being given the right to specify this. And that might get very nasty indeed.

But there may still be one remedy open to us. If our characters hold the threat of litigation over us, we might, just might, be able to retaliate by threatening to make their next incarnation even more horrible than the one that they are prosecuting us over. Threaten to sue me for creating you with a flatulence problem? Go ahead, and see what problems you have in my next novel! Don’t forget I’m writing a series! You had quite a decent time in the last one, it’ll be the torture chamber for you next!

It might work, but I’m still nervous about it.

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So what am I going to do? I’m just going to write nice stories about pussy cats, from now on, that’s what.

Authors, you have been warned!

Pitfalls for Writers – no.6: Historical Accuracy

 

‘Dear Mr. Author.

Whilst reading your book ‘Oh what fun and laughter we had during the time the Black Death wiped out our village’ the other day, I was disappointed to notice that you mentioned July 23rd 1449 as having been a sunny day in your fictitious village. From the descriptions you provide, you have clearly located said village a little to the south of present day Norwich, and my extensive researches prove that July 23rd 1449 would have been a rainy day there.

Yours disgruntledly,

A Pedant.’

How accurate do you need to be, as a writer, with historical facts?

If you are writing a non-fiction book, you have to be scrupulously accurate, no matter what subject it is.

End of.

On the other hand, if you are writing fiction, you have a certain amount of leeway. First of all, though, it is worth saying that if you sell enough copies of your book you will eventually attract correspondents like the fellow above. Is that something to worry about? Only if they get to know where you live, perhaps. Otherwise, send them a nice reply, thanking them for their diligence, and assuring them that you will correct your dreadful fault in the next edition. On the other hand:

‘Dear Mr Author.

The Black Death was actually sweeping the country in 1349, not 1449.

Yours smugly,

A Historian.’

This time, you’ve screwed up.

And yes, it matters.

Very minor inaccuracies are bound to slip through, and very few people will notice them. And if they do, they will not think anything of them.

Except for Arthur Pedant, of course.

The big things are another matter. Imagine reading a novel set in the days around the Russian Revolution, and then the author tells you that the Bolsheviks rose up against the state in 1927 instead of 1917. Or that they were led in the beginning by Stalin. Immediately, the author’s credibility has evaporated, as has their story.

Because the reader no longer believes the author, and they no longer accept their story.

The moral here, then, is don’t skimp on the research!

It is possible to radically change the facts of history, but the difference is that to do this the author must present it as the whole point of the story. In steampunk novels, the whole history of Victorian Britain is altered, but the reader accepts this as it is the premise behind the genre. It is seen not as a mistake, but as a narrative invention.

In many science fiction novels, the premise is a future that is the result of a different history than that which actually happened. For example, the Germans won the Second World War, or of different worlds or dimensions in which history diverges from the accepted version. Again, this is accepted by the reader, as it is the premise that the story is set on.

It is possible to break this rule, but to do so the author has to break it in such a way that it is quickly obvious that they have done it deliberately, and not by mistake.

One might, for example, set a novel in Victorian England that is not steampunk – a detective story, perhaps – but in which Queen Victoria is assassinated in 1860. As this is something that no one could possibly put in by accident, it will be seen as part of the invented narrative and accepted.

Well, probably. Where is Arthur Pedant?

The Past is Another Country…

…they do things differently there (L.P.Hartley )

Almost 20 years ago I was a care-worker, paying visits to support elderly folk who were, for various reasons, unable to cope on their own. I would provide support in a number of ways – cooking, washing and dressing,and cleaning, for example.

One man I visited quite often would talk a lot about his younger days – as is natural. He had a wealth of stories, and I always told him he should get someone to write them down. It is the ordinary person’s stories that are frequently the most interesting, and the ones that we usually don’t hear. Famous politicians, sports stars, movie stars…well, they write autobiographies, or have them written for them, and we hear all about the other famous people they knew and the hotels they stayed in…yawn, yawn, yawn.

But we hear far less about the family in the village 80 years ago, their day to day life and how the outside world impacted upon them.

Below, there is a photo of London Road, just outside of Tunbridge Wells, taken earlier today.

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My client told me that during his youth, he would walk back along this road after an evening out in town, describing how there was nothing but open fields on both sides for much of the walk. Looking at it now, it is hard to picture that, since I have never known it any way other than how it looks now.

But prior to this, in his childhood, he lived in the village of Groombridge, on the other side of Tunbridge Wells, and he told me how, as a schoolboy during the First World War, he and his classmates ran out of the class one day and across a field, to see a German Zeppelin airship that had just been shot down.

It is stories like this, that are the genuinely interesting stories that come out of the past.

And for my large Work In Progress, the past really is a foreign country. Much of it is set in Persia and India, in a time frame that covers some 300 years up until the late 19th century.

Now, I was about to write that if it is difficult for me to picture the main road near where I live as it was some 50 to 75 years ago, then it is far more difficult for me to picture the places in India and Persia where and when I have set my novel, but then I realised that this is not actually true.

And so this post is now taking a turn that I had not expected when I sat down to write it.

The Indian capital at the time was at Fatehpur Sikri, which today is just the remains of those buildings – it was only occupied for some 22 years, and then abandoned. I have visited the site and walked around it, and it is quite easy to imagine it occupied by Akhbar, his court, and the general population.

I have never been to Persia (modern day Iran), so my impressions are formed only at second hand. And much of what I have read consists of works about the 1500’s, and I am familiar with many of the paintings of the period, so again it seems almost natural to imagine it as it was then.

And then when I have travelled in India, as well as in the Middle East, I have spent a lot of time visiting the old parts of the towns and cities, and many rural areas where life follows the same patterns that it has for hundreds of years, and so, again, it seems more natural to picture the settings for my book in those time periods that concern me.

Finally, researching these areas, I often come across old black and white photos of places of interest to me, and since I have not been there, they are the only impression of these places that I have.

Of course, Tunbridge Wells in the Victorian era is much harder for me to visualise. All of the modern buildings get in the way of my imagination. All of the roads are surfaced with tarmac, the open spaces have largely gone, and many parts of the common that used to be open and windswept are now covered in trees.

On a slightly different note….

As a project, I occasionally take photos in sepia of the area around where I live, as though they might have been taken about 80 years ago – around the time that my elderly client was walking along the London Road, winds blowing across the fields either side of him, and the only light from the moon. Each photo that I take has something in it to show that it was taken recently though, rather than a long time ago, such as a modern vehicle, a modern street lamp, road markings, or modern windows. The shot below is an example.

Holden Pond

Easy to feel that it might be taken in 1930.