Category: writing

I have some news!

On By Mick CanningIn books, Fiction, humour, satire, writing43 Comments

I have some news.

I’m sure some of you (especially the writers) will remember that I reported here a week or two back the disturbing news that fictitious characters now have the legal right to sue their creators for defamation of character, or any other hurt (real or perceived) caused through those said creators’ thoughtless and heartless actions.

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In case you want to have a look, the link is below.

Sue me and I’ll have you killed!

Well, news reaches me this morning of a new grouping of characters, namely sidekicks in detective stories, who have come together under the name of Sidekicks Of Detectives (or ‘Sods’) to challenge their positions as The Most Stupid Person In A Detective Story.

Initially, the group was to have been organised by Captain Hastings, sidekick to the famous Poirot, but after some heated discussion it was agreed that, actually, he couldn’t organise his way out of his own front door without help, and the task was then delegated to Doctor Watson, who arranged a meeting at a coffee shop, one of a well-known chain, in Central London. Unfortunately, he forgot to mention either which branch it was, or the time of the meeting, and so there has only been limited progress on that front, so far.

But, further cases have already come to court.

A number of characters from ‘Three men in a boat’, by Jerome K Jerome, Bertie Wooster and others created by P G Wodehouse, and various characters from books by Spike Milligan began a collective case, but were laughed out of court.

Dan Brown is being sued by every single character he invented.

And there is some confusion in America, where Donald Trump has apparently filed a case against himself on the grounds that he has irreversibly blackened his own character.

I’m told he is confident of winning the case, since the stories he has spread about himself are scarcely believable, and that it is generally held that he must be a fictitious character, since the majority of observers and commentators say they ‘can’t believe this guy is for real!’

The trouble is, all this is symptomatic of our legislative culture. It was the retrospective case brought by Big Ears and Mr Plod against the estate of Enid Blyton that, I think, I found most distressing. By all accounts, they cooked it up over an evening of heavy drinking, after being taunted by the Tubby Bear family, and it is strongly suspected (although it cannot be proved) that much of the impetus came from a third character – possibly one of the Fluffy Cats, since they are known to be bad through and through (it’s okay, I can say that. It was proved in a recent court case of character assassination that the Fluffy Cats brought, and lost, against the estate).

But Big Ears and Mr Plod did win their case, and now not only is it a legal requirement that in future they both be referred to as intelligent, but Big Ears must henceforth be renamed as ‘Graham’. And his ears are officially ‘of normal dimensions’. Or else.

Which brings me to my own characters.

I have decided that I am not going to be dictated to, or browbeaten by, some miserable little…hang on, there’s someone at the door. I’d better just get that. Hello? What? A writ? about what? Oh…

I’m sorry, I have to stop there.

Well, yes, right…or write…

On By Mick CanningIn Fiction, NaNoWriMo, science fiction, writing64 Comments

The clocks have gone back, and it’s getting dark earlier and earlier, but there is still a blackbird singing in the garden, although there is also the smell of wood smoke in the air – from a bonfire, I would guess – and a definite chill in the air. The autumn leaves have been exceptionally beautiful this year, seeming to have an extra couple of tones of red and orange. And there are still plenty of late flowers out. I may be a summer person, but it is  decidedly beautiful at the moment..

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I said I’d take part in NaNoWriMo this year, didn’t I? What on earth could I have been thinking of?

Did I really commit to writing over a thousand words a day all through the month?

Oh, for goodness sake! I’ve not even had time to look at anyone’s posts for the last five days, let alone write anything.

I quit. November 2nd, and I quit. Just like that. I’m sure no one else has ever backed out of it that early. Can I claim some sort of record?

But, as some sort of penance, I’m going to put up a short fiction piece for today’s post. I wrote it last week, so that’s almost November…

Light Years

It appears now both ridiculously arrogant and incredibly stupid, but after a mere few thousand years of development we seemed to think that we had arrived at a stage of development that we should consider to be an advanced civilisation. For a handful of years we had been capable of a rather limited space travel. We were beginning to probe the makeup of the universe and were on our way to some understanding of its complexities. And out of all of these thousands of years of development, we had had machines only for a few hundred years. We had had electric light for less than two hundred years. Computers for less than a hundred. We reached the moon one year, and two generations later we were probing the edges of the Solar System. And in those two generations, the life expectancy of almost everyone on the planet increased dramatically. We invented mobile phones and within one generation they were tiny computers that virtually controlled our lives.

In short, the pace of our technological progress increased exponentially.

But we had had wars and cruelty and genocide all of this time. We never solved that problem, we only invented crueller and more effective killing machines.

And should we ever make contact with another civilisation – that’s civilisation, mark you, not just life form – then the odds were that it might be several millions of years old.

No one seemed to realise the rather obvious implications.

And, despite warnings from a few of our more eminent and talented thinkers, we continued to recklessly send signals out into this huge unknown, advertising both our presence and our level of development.

Science fiction in popular culture would have aliens suddenly visiting our planet, swooping through the skies in huge flying saucers with deadly heat rays as weapons. The visitors would be recognisably bipedal – large headed, of course, since their brains would be more developed than ours – but with a limited range of facial expressions (why limited, I always wondered? Surely they would have developed more subtle ones? But perhaps they no longer needed them). The world would be in a panic; world leaders would meet, and attempt to make contact with the visitors. There would be an ill-advised attempt to engage them in battle, which would turn out very badly, but they would finally be forced to leave, or leave of their own accord, and in the end we would be the wiser for it.

But it wasn’t like that at all.

No one seemed to know what they saw, and many seemed unaware even that they had seen anything at all. There was light, but not the lights of UFOs buzzing through the skies at night, and not the stabbing beams of destruction envisioned by the writers and film-makers. For several days, it seemed to me that the light was a rather odd colour, and at times a little misty, or…hard. Others noticed that the light would move around, almost in blocks. It sounds ridiculous, but there you go.

That was about the time that I noticed a slight throbbing in my head and my brother complained of a ringing in his ears. No more than that, although it did seem that there was more shouting and arguing from some of the families in the neighbourhood, but this wasn’t particularly unusual and I thought nothing of it then.

It was the following day, which was yesterday, that everything seemed to go quiet. The arguing had stopped, for which I was grateful, but so had the background noise of traffic. I walked down to the ground floor and pushed open the door, and with that the throbbing in my head seemed to get worse. There were one or two people in the street outside, but no one seemed to be in a particular rush. All of them appeared to be strolling or standing around aimlessly and when I began to walk towards one of them, I found it quite difficult to move my legs; they felt very, very tired. I stopped and looked at the man I had been approaching, but when I caught his eye he began crying. It seemed shocking, and I wanted to cry too, although I did manage to stop myself. In the end, I turned around and went back home. I thought I’d see if there was anything on the news, but the TV no longer worked, and nor did my laptop. There was power, since the power lights came on, and I filled the electric kettle and made a cup of tea, but that tasted awful – perhaps the milk was off –  and I poured it away.

My head was still throbbing, but I thought I ought to see how my brother was this morning. I tapped on his door, then went in, but he wasn’t in his room and the bed looked as though it hadn’t been slept in. He had gone out the previous evening, and it seemed obvious that he had stayed out all night. It didn’t seem to matter.

I still felt tired, and now I did start to cry. It only lasted a moment, though, and then I thought I should have some breakfast. I put a couple of slices of bread into the toaster and put a pan on the cooker. I was going to fry a couple of eggs, but the oil in the bottle seemed to have turned a greenish colour and set solid overnight. I pushed the lever down on the toaster anyway, and for about a second the whole thing glowed with a bright orange light that hurt my eyes, and then just faded away. There was no smell of burning, and the toaster looked unharmed. I unplugged it from the wall, and lifted the lever. The bread was still white.

All of this should have worried me more than it did, but the truth was that I felt that I didn’t care. For the next hour or so I sat at the window, watching the few people outside trudging slowly along or standing and crying. A couple of them were lying motionless in the road. With an effort, I lifted my head and looked up to see that there were bands of thick colour across the sky; not clouds, because they were too transparent to be clouds, and they were the wrong colour anyway. I don’t know what colour they were, but it was wrong.

When I looked down again, the street was empty, apart from the colours.

It is possible that what we saw was no more than a trick of the light, or perhaps they were machines. Possibly, they were even the creatures that had sent them. Who knows, maybe they were both at once.

Light. Yes, light. It keeps coming back to light.

I don’t even know whether this is the end.

But I think it is.

Sue me and I’ll have you killed!

On By Mick CanningIn Fiction, humour, satire, writing43 Comments

…slowly, he inched his way along the ledge, his heart in his mouth. It was too late to even contemplate turning back now. The sun was sinking rapidly in the pale sky in front of him, dropping towards the distant plains that were almost hidden in the desert haze. It would be completely dark within the hour. For the first time, he knew real fear. He could never survive a night on this thin, narrow ledge – God knows, there was barely enough room to stand and almost nothing to hold on to. It was inevitable that he would slip off at some point. Even now, there was a thin skin of ice on much of the surface, and the terrible cold would descend as soon as the sun disappeared.

Gritting his teeth, he edged towards what looked like a slightly better foothold, and cried out in sudden terror as his foot slid into space, the momentum taking him over the edge and falling…

Hell, I can’t do that! Stop! Phew, that was close.

As writers, we have to be so careful, because nowadays even our characters have rights, did you know that? And we can’t just be doing this and that to them, just as we please. Only the other day, a lawyer claiming to be acting for a character in a well-known children’s series attempted to take the author to court and sue her for, literally, defamation of character.

This character claimed that the author had totally misrepresented his actions, and applied motives to them that could only be described as evil.

And she said he had no nose, which was just spiteful.

He has claimed damages running into millions of dollars.

If this character is successful, then it is difficult to know where we will see this ending.

The fact that the author has created said character is no defence in law. Really, they are like our children. And whereas a few hundred years or more ago, parents had absolute authority over their children, and, short of killing them, could do whatever they so willed with them, nowadays they have more rights than their parents. And I’m afraid that it may come to that with our characters, too.

‘Why should I be killed off?’ They cry. ‘What right have you…?’ And so they will challenge it.

It has even been mooted in some quarters that these characters should perhaps be able to resort to the legal process appropriate for the time and world that they have been created for. Thus, a dragon in a tale set in ancient times, peeved because the author claimed it ate virgins and had bad breath (not sure if the two are connected…) might very well demand that it meet the author in Trial by Combat, a trial that the author would probably be rather ill-prepared to face.

Upset a Tudor monarch or a Viking chieftain, and I wouldn’t give much for your chances.

And any authors writing tales set in the future, who had unwisely failed to specify what sort of legal process was in existence at this time, might find the lawyers, or even their characters, being given the right to specify this. And that might get very nasty indeed.

But there may still be one remedy open to us. If our characters hold the threat of litigation over us, we might, just might, be able to retaliate by threatening to make their next incarnation even more horrible than the one that they are prosecuting us over. Threaten to sue me for creating you with a flatulence problem? Go ahead, and see what problems you have in my next novel! Don’t forget I’m writing a series! You had quite a decent time in the last one, it’ll be the torture chamber for you next!

It might work, but I’m still nervous about it.

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So what am I going to do? I’m just going to write nice stories about pussy cats, from now on, that’s what.

Authors, you have been warned!

Pitfalls for Writers – no.6: Historical Accuracy

On By Mick CanningIn discussions, Fiction, history, pitfalls for writers, research, writing43 Comments

 

‘Dear Mr. Author.

Whilst reading your book ‘Oh what fun and laughter we had during the time the Black Death wiped out our village’ the other day, I was disappointed to notice that you mentioned July 23rd 1449 as having been a sunny day in your fictitious village. From the descriptions you provide, you have clearly located said village a little to the south of present day Norwich, and my extensive researches prove that July 23rd 1449 would have been a rainy day there.

Yours disgruntledly,

A Pedant.’

How accurate do you need to be, as a writer, with historical facts?

If you are writing a non-fiction book, you have to be scrupulously accurate, no matter what subject it is.

End of.

On the other hand, if you are writing fiction, you have a certain amount of leeway. First of all, though, it is worth saying that if you sell enough copies of your book you will eventually attract correspondents like the fellow above. Is that something to worry about? Only if they get to know where you live, perhaps. Otherwise, send them a nice reply, thanking them for their diligence, and assuring them that you will correct your dreadful fault in the next edition. On the other hand:

‘Dear Mr Author.

The Black Death was actually sweeping the country in 1349, not 1449.

Yours smugly,

A Historian.’

This time, you’ve screwed up.

And yes, it matters.

Very minor inaccuracies are bound to slip through, and very few people will notice them. And if they do, they will not think anything of them.

Except for Arthur Pedant, of course.

The big things are another matter. Imagine reading a novel set in the days around the Russian Revolution, and then the author tells you that the Bolsheviks rose up against the state in 1927 instead of 1917. Or that they were led in the beginning by Stalin. Immediately, the author’s credibility has evaporated, as has their story.

Because the reader no longer believes the author, and they no longer accept their story.

The moral here, then, is don’t skimp on the research!

It is possible to radically change the facts of history, but the difference is that to do this the author must present it as the whole point of the story. In steampunk novels, the whole history of Victorian Britain is altered, but the reader accepts this as it is the premise behind the genre. It is seen not as a mistake, but as a narrative invention.

In many science fiction novels, the premise is a future that is the result of a different history than that which actually happened. For example, the Germans won the Second World War, or of different worlds or dimensions in which history diverges from the accepted version. Again, this is accepted by the reader, as it is the premise that the story is set on.

It is possible to break this rule, but to do so the author has to break it in such a way that it is quickly obvious that they have done it deliberately, and not by mistake.

One might, for example, set a novel in Victorian England that is not steampunk – a detective story, perhaps – but in which Queen Victoria is assassinated in 1860. As this is something that no one could possibly put in by accident, it will be seen as part of the invented narrative and accepted.

Well, probably. Where is Arthur Pedant?

The Past is Another Country…

On By Mick CanningIn history, research, writing70 Comments

…they do things differently there (L.P.Hartley )

Almost 20 years ago I was a care-worker, paying visits to support elderly folk who were, for various reasons, unable to cope on their own. I would provide support in a number of ways – cooking, washing and dressing,and cleaning, for example.

One man I visited quite often would talk a lot about his younger days – as is natural. He had a wealth of stories, and I always told him he should get someone to write them down. It is the ordinary person’s stories that are frequently the most interesting, and the ones that we usually don’t hear. Famous politicians, sports stars, movie stars…well, they write autobiographies, or have them written for them, and we hear all about the other famous people they knew and the hotels they stayed in…yawn, yawn, yawn.

But we hear far less about the family in the village 80 years ago, their day to day life and how the outside world impacted upon them.

Below, there is a photo of London Road, just outside of Tunbridge Wells, taken earlier today.

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My client told me that during his youth, he would walk back along this road after an evening out in town, describing how there was nothing but open fields on both sides for much of the walk. Looking at it now, it is hard to picture that, since I have never known it any way other than how it looks now.

But prior to this, in his childhood, he lived in the village of Groombridge, on the other side of Tunbridge Wells, and he told me how, as a schoolboy during the First World War, he and his classmates ran out of the class one day and across a field, to see a German Zeppelin airship that had just been shot down.

It is stories like this, that are the genuinely interesting stories that come out of the past.

And for my large Work In Progress, the past really is a foreign country. Much of it is set in Persia and India, in a time frame that covers some 300 years up until the late 19th century.

Now, I was about to write that if it is difficult for me to picture the main road near where I live as it was some 50 to 75 years ago, then it is far more difficult for me to picture the places in India and Persia where and when I have set my novel, but then I realised that this is not actually true.

And so this post is now taking a turn that I had not expected when I sat down to write it.

The Indian capital at the time was at Fatehpur Sikri, which today is just the remains of those buildings – it was only occupied for some 22 years, and then abandoned. I have visited the site and walked around it, and it is quite easy to imagine it occupied by Akhbar, his court, and the general population.

I have never been to Persia (modern day Iran), so my impressions are formed only at second hand. And much of what I have read consists of works about the 1500’s, and I am familiar with many of the paintings of the period, so again it seems almost natural to imagine it as it was then.

And then when I have travelled in India, as well as in the Middle East, I have spent a lot of time visiting the old parts of the towns and cities, and many rural areas where life follows the same patterns that it has for hundreds of years, and so, again, it seems more natural to picture the settings for my book in those time periods that concern me.

Finally, researching these areas, I often come across old black and white photos of places of interest to me, and since I have not been there, they are the only impression of these places that I have.

Of course, Tunbridge Wells in the Victorian era is much harder for me to visualise. All of the modern buildings get in the way of my imagination. All of the roads are surfaced with tarmac, the open spaces have largely gone, and many parts of the common that used to be open and windswept are now covered in trees.

On a slightly different note….

As a project, I occasionally take photos in sepia of the area around where I live, as though they might have been taken about 80 years ago – around the time that my elderly client was walking along the London Road, winds blowing across the fields either side of him, and the only light from the moon. Each photo that I take has something in it to show that it was taken recently though, rather than a long time ago, such as a modern vehicle, a modern street lamp, road markings, or modern windows. The shot below is an example.

Holden Pond

Easy to feel that it might be taken in 1930.

The Book is Released – Hurrah!

On By Mick CanningIn books, publishing, writing76 Comments

 

‘Making Friends with the Crocodile‘ is now released!

Making Friends with the Crocodile cover                             POD cover

Kindle edition                                                     Paperback edition

Anyone who has already pre-ordered it on Kindle / Amazon should have received it by now, and in countries where there is no pre-order facility, such as India, the Kindle edition is also now available to buy.

The paperback is available from the Amazon.com, Amazon.ca, Amazon.co.uk and Amazon.eu sites only – this is a quirk of Amazon – but can also be ordered from the estore at CreateSpace, at the following link:

https://www.createspace.com/6301808

And now, I wait to see what people think of the book, with a considerable amount of nervousness.

If you do buy a copy, please consider leaving a review either at Amazon, or on Goodreads, if you are a member (better still, at both!). Reviews are genuinely the lifeblood of a writer, and do help to sell books.

Finally, the blurb again…

‘Siddiqa was only just into her teens when she was forced to leave her home to live with her new husband and his family in another village. The years have passed, and now Siddiqa has three children of her own. Her grown up son has brought his new wife, Naira, to live with them, so Siddiqa is no longer the lowliest in the household, for she has a daughter-in-law.

Life in rural India is particularly harsh for women. This novel explores themes of female oppression and tradition and asks whether the next generation will find life any easier.’

 

 

The Morning After…

On By Mick CanningIn books, publishing, writing33 Comments

Wow, what a weekend!

After the book launch, the parties!

Celebrations!

Oh, and when I looked out of the window to see the streams of bunting all the way along the road, and the swarms of well-wishers gathering outside the house, I was so excited!

Then once I had gone out and signed loads and loads of autographs, I was being chased all over town for interviews by all the big newspapers!

And then I…

Well, okay. That’s not strictly true.

It’s not very true at all.

In fact, it’s not true in even the teeniest tiniest littlest way.

My life does not seem to have altered in the slightest and, actually, I’m glad about that.

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Right, now it’s time to get on with the next stage.

I’ve put a link on the image of the book on my sidebar, which goes directly to my book page on Amazon (thanks, Stuart!).

And I’m looking at the best way to create Print on Demand paperback copies of the book, probably by using CreateSpace (lots of recommendations), and hope to have that sorted out in a couple of days. I don’t think it’s too difficult, but my way of dealing with new technology tends to be by shouting at it and slamming doors, so I may take longer than other writers.

But since the release date of the Kindle copy is June 4th, I should have time to arrange for the paperback to be released on the same date.

So, what next?

Actually, it will be great to feel that I can focus on just writing again, and not just constant editing and revision, so it’s back to the long Work in Progress, ‘The Assassin’s Garden’. This has a timeline that stretches from Medieval Persia through Medieval India and the British Raj, through to Edwardian England. It’s already a long novel and nowhere near finished, so I suspect that I might eventually have a trilogy on my hands.

I might even write a short story or two.

Ooh, it’s exciting. I do love this writing lark!

Published!

On By Mick CanningIn books, publishing, writing117 Comments

Well, blimey, Making Friends with the Crocodile is now published on Kindle and is up on Amazon as we speak!

Making Friends with the -Crocodile

About a week ago, I reached the point where I felt that the editing was finally complete, or, at least, if it wasn’t, then I might just pick at it for ages without really making any further difference, and so it was time to get the process finished.

What a relief.

It feels as though I have been under pressure for weeks. I’ve felt tired, I’ve felt tense.

Ooh, I’ve been irritable!

All this pressure, of course, is of my own making. A lot of it, I suspect, being due to this being my first foray into publishing.

I knew that I needed to format my text for Kindle, and heard that Scrivener was a useful tool for that. And so I downloaded Scrivener, and spent a couple of hours working through the tutorial until I decided that it just wasn’t going to happen for me.

I’m sure it is very useful, but I was getting to the point where I felt like chucking the laptop at the wall.

So I went and looked in detail at the instructions for publishing on Kindle, and found that you could just save your file in the correct format and then upload that.

Bye, bye Scrivener.

I looked at a few Kindle books and then wrote the stuff at the front and back of the book – about copyrights and stuff like that.

I inserted my table of contents.

I already had my book cover ready.

I wrote the blurb:

‘Siddiqa was only just into her teens when she was forced to leave her home to live with her new husband and his family in another village. The years have passed, and now Siddiqa has three children of her own. Her grown up son has brought his new wife, Naira, to live with them, so Siddiqa is no longer the lowliest in the household, for she has a daughter-in-law.

Life in rural India is particularly harsh for women. This novel explores themes of female oppression and tradition and asks whether the next generation will find life any easier.’

Working out how to upload to Kindle, and to complete all of the forms and tick boxes proved a little long winded, but reasonably straightforward.

So then, suddenly, there it was. Sitting on Amazon, available for pre-order, with a launch date of 4th June. Although for some reason, unfortunately, pre-order is not available in India.

And now it feels much like stepping off of a crowded and noisy street into summer sunshine; the sounds of the shouting and the traffic disappearing and being replaced by birdsong.

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Woo-hoo!

And what a buzz to go and look at my own author page on Amazon, with my own book there!

Woo-hoo again!

For the moment, as I say, it is only available for pre-order, and will be released on 4th June. But if anyone does feel inclined to buy it, pre-orders will help boost the ratings when it actually launches.

I am going to look again at Print on Demand, in a day or so. Initially, I had ruled it out, mainly because the one site that I looked at required the customer (i.e. me) to order and pay for a set number in advance, and I assumed that would always be the case, but now I think that is possibly not so. Certainly, the Amazon tool, CreateSpace, looks as though it might work more the way that Kindle does.

It will be great if it does, since I really prefer to have a physical copy of a book, and I know there are still a few other people out there who still feel that way.

So…now to get my head around promotion…

Ooh, it’s nearly finished!

On By Mick CanningIn books, editing, Fiction, India, publishing, women, writing109 Comments

I’m getting excited, now.

My novel, ‘Making Friends with the Crocodile’ is hopefully ready for its final edit.

This part of the journey seems to be taking a great deal of time, but this might be because it is my first foray into publishing. I know that there is still much to do – formatting, advertising, proof-reading, the publishing itself, amongst a plethora of smaller but no less important tasks – but I am finally beginning to feel that I am getting there.

Curiously, after what I wrote in my last post, I never found any of the characters threatening to hijack the plot in any way. Although I never planned it out in any detail, I had a rough plan in my head, which, remarkably, I kept to. Perhaps it is because the subject matter is strong. I don’t know.

And I think that I have settled upon the cover (the artwork is my own).

Making Friends With The Crocodile cover 1

I may play around with the wording, slightly, for example I might take out the words ‘A Novel’.

For some background; the story is set in a village in Northern India, some fifteen odd years ago. It is about the deteriorating relationship between two women in a family: the mother and her daughter in law. Like this relationship frequently is, it is a strained, fractious one, not helped by that society’s attitudes towards women and their roles in general. And when one of them gets caught up in events beyond her control, these attitudes become dreadfully destructive.

As always, your thoughts would be very much appreciated.

Pitfalls for Writers – 4) Language; a bit of a follow-up

On By Mick CanningIn editing, language, opinion, pitfalls for writers, writing41 Comments

Back somewhere deep in the mists of time, I published ‘Pitfalls for Writers 1’. In this, I discussed some of the potential problems of language in a novel.

If I am to write a story of medieval Persia, for example, I will write it in English. No one who reads it is going to be fooled into thinking that my characters were really speaking in English. But this on its own is not enough. There must be something in the language I use that reminds the reader that the story setting really is medieval Persia.

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And so I suggested using a flavour of the speech. I might sprinkle the conversation with words such as ‘dirham’ (a unit of currency), or ‘djinns’ (genies). The characters might smoke a ‘qalyan’, which is how they would have referred to what we generally call a hookah. A greeting might be ‘Salām ʿalaykom’.

In the comment stream that followed, I concluded that I might employ a glossary, but certainly not footnotes.

This has now become most relevant to me.

About a month ago, I finished reading Anuradha Roy’s ‘The Folded Earth’. It is a novel that is set in India, written by an Indian writer, yet it uses a glossary, although she is presumably writing in the first instance for an Indian audience. This glossary explains a few words and phrases that many western readers would be unfamiliar with, although I would expect the majority of Indian readers to know them all.

My own novel is being read now by generous beta readers, and some of the discussion is over the use of the appropriate Hindi / Urdu words in the text.

And so, with ‘The Folded Earth’ as an example, I shall definitely use a glossary.

Next, it is important to employ the correct voice.

Speech:

Clearly, if the protagonists of a story are sitting down to a meal, they might complain about the amount of fat on the meat, but they would be most unlikely to refer to it as ‘adipose tissue’. Unless one or both were, for example, surgeons.

Very few people would be likely to refer to two items as being ‘in casual juxtaposition’. They would be far more likely to say something along the lines of ‘oh, they look a bit odd next to each other.’ As tempting as it might be for the author to show off their vocabulary, it is something that should be used most carefully.

Narrator:

If the story actually has a narrator, then this becomes even more important. The country bumpkin relating an everyday tale of rustic shenanigans should not be employing sophisticated and subtle wordplay. He or she should only be employing language that they would naturally use.

Author’s voice:

Even if there is no actual narrator, it remains important to use only language that would be natural to the situation. For example, it sounds plain wrong to describe a group of Vikings ‘computing’ an answer to a problem, even if it is only the author describing it that way.

Generally, of course, and I know that some will disagree with this, it is usually better to avoid all flowery and showy language in novels, and use simple language well.

Finally, a jarring note found in a few modern novels set in older times, is that the characters often think like modern folk. Reading these books as against books written, perhaps, 150 years ago, it is not just the style and language of the writing that are different, but also the prejudices. The hero of a novel set in 1840 is going to have casual prejudices against, perhaps, people of another race, women, etc etc. We tend to be reluctant to set these down in print, nowadays, perhaps as if by doing so we are almost admitting to having these prejudices ourselves.

However, if we want to depict our characters realistically, we need to do so ‘warts and all’. And if the writer is going to depict them otherwise, then he or she needs to have a good reason why they do.