Welcome to my Crisis!

I’ve been hiding from the internet.

No, I didn’t go away, unfortunately, although a holiday was what I both have been and am still craving. I made a rash promise some weeks ago to put up a Facebook Author page, to do a minor relaunch of my novel, and to serialise a bawdy Elizabethan detective story. Really, I should know myself better than that.

dawn panorama

I think it was the short story that finally broke me.

Writing, for me, is a pleasure, comparable to painting. It is all about crafting the finished product, taking my time and eventually producing the best I can. When all goes well, the process is immensely satisfying from beginning to end.

Within that process, of course, there are times of writer’s block, false starts and finishes, wrong turnings, and many other things to go wrong. And the editing can be an infuriating process. But overall, there needs to be a flow.

Making Friends with the Crocodile worked for me at the length it was (45,000 words), since I wrote it almost as a stream of consciousness as the story unfolded in my mind. It came out in a rush partly because of its importance to me, and partly because I found I could visualise the characters, the story and the setting clearly. Once I had reached the end, I knew that was the end.

Obviously, many stories take a lot more coaxing to get down on paper. I’ve struggled with ones that need to be forced, certainly in places, partly because at that point they are not ‘me’ at the heart of them; I have lost that flow. But sometimes because of the length.

One reason I stopped entering short story competitions is I write a lot of long short stories. I am perfectly aware of the dictum that whatever you write can be edited down to the required length and that, indeed, they should be edited down.

But I also strongly believe that when a story presents itself to be written, that story has an internal length that needs to be respected, even after editing. Some require a few hundred words, some a lot more. But to attempt to turn Making Friends with the Crocodile into a 120,000 word novel or a 5.000 word short story, I am sure would have meant a lesser read. It would have been padded out for the sake of it, or stripped down to bare bones that would have meant that the characters could not have been drawn as strongly as I wanted them to be, and therefore encouraged less empathy from the reader.

Where is all this leading?

I began the short story / serial. It was working quite well, and I had a good few chuckles to myself as I was writing it and then, suddenly, it was almost 10,000 words long and nowhere near finished.

Oh dear.

So I attempted to cram and trim and edit and get it down to a suitable length for serialisation, but I was not happy with the result. Oh no. And I had one of my minor panic-I-can’t-cope-stress attacks and decided the only way to deal with it was to hide.

So, I’m not going to serialise it after all. I will finish it, but the attempt to condense it into a few instalments simply wasn’t working, and what I ended up with felt completely wrong. I will return to it at some point in the future, and finish it as the novella that it clearly is.

There is another strand to all this:

I made the Facebook Author page. That was the easy bit, and I’ll show you where it is next time. And I put together the re-launch promotion piece by the simple expedient of gathering together extracts from lots of the kind reviews the book has had.

But I am in a state of recurring panic, once again, over this huge need to self-promote to sell books. Of course, we all want to, but we are forever urged to use this or that platform, accept this or that offer, etc. Now, we are told that we ‘must’ have a YouTube channel. Really? And a presence on all sorts of social media. Are we not ‘serious’ writers if we are not prepared to move heaven and earth to sell a couple of extra books? That we should ‘invest’ a hundred or five hundred dollars here and there to advertise ourselves?

I have sold a few, and what is really important to me is the tremendous feedback that I’ve had.

Blowing my own trumpet is anathema to me, as I have written in the past. I just can’t do the selling and marketing the way that seems to be presented as essential. It’s an aspect of life that I hate, and a reason I have never gone into ‘business’. Everything around the promotion and marketing just seems relentless and is something that I cannot cope with.

Fortunately, I am not interested in fame. The idea frightens me.

And I really struggle with social media. I have had two goes at being on Facebook, and cope with it at the moment by not going on it very much. I spent ages trying to see the use of Linkedin, and have solved that one by closing my account last week. I really see no use for it.

And I am not doing Twatter.

So here I am back on WordPress, which is a platform I do enjoy. I’ll dip in and out of it a bit over the next few weeks or months, I suspect, since I still feel a bit panicky, but I will be there.

Thank you for your patience!

Grumble Mutter Whinge

It is the first of March, today.

Meteorologically, it is the first day of spring. So, that virtually guarantees what weather we will have today; the sky is overcast and grey, there is a bitterly chill wind blowing and a spiteful, thin drizzle.

Spring! Oh, humour!

Arf!

Admittedly, the astronomical calendar tells us spring doesn’t arrive until around the 20th March, so winter still has cate blanchett to do whatever it will.

So that’s fine; it sort of reflects my mood at the moment, anyway. But at least going out for a walk always lifts my mood a little, and today is no exception. I’ve been working on my new novel quite intensely for a while, and I suddenly need to step back from it for a week or two.

Come up for air, as it were.

ladakh 5 panorama

Not this one!

And so I go for a walk in the miserably wintery springy weather. Ten minutes or so through the streets brings me to the common – a wooded area on the edge of the town which, on good days, is a pleasant enough place to walk, even if it doesn’t have any convenient mountains or long distance trails.

On bad days, though, it is full of dog walkers.

That sounds a bit mean, you may say. And, okay, you’re right. It is. But in my defence, when I say full of dog walkers (and dogs), I mean full!

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This one!

It is not unusual to be surrounded by dozens of dogs running madly around, the air filled with strident shouts of ‘Gawain! Guinevere! Come here at once!’ ‘Will you come here!’ ‘Put that down!’ ‘Keep still and he won’t hurt you!’ and then some wretched little tyke suddenly tugging at your trouser leg with a mouthful of razor-sharp teeth, to be followed by another shout of ‘Keep still, I said!’ from a voice that could etch glass.

But not today, fortunately.

And having had my walk, I can sort out a couple of other things on my writing list.

Once I got back, I edited a short story I promised for a project for our writing group. Job done – tick.

Next, I’ll begin the edit of a very long short story that has been hanging around for ages. So long, in fact, that I mentioned it in the ‘My Writing’ section on this blog when I first set it up, a year and a half ago. Tut. It’ll be good to get that finished, anyway. It’s my first attempt at a traditional murder mystery, and I rather got lost in my own convolutions.

If I get it to the point where I’m happy with it, I might put it out as an e-book, just to see what people think of it.

Ahem…if anyone buys it, of course.

And, as a bonus, I had an idea for another short story while I was out walking, so hooray!

Now to barricade the door against all the angry dog walkers.

Ooh, it’s nearly finished!

I’m getting excited, now.

My novel, ‘Making Friends with the Crocodile’ is hopefully ready for its final edit.

This part of the journey seems to be taking a great deal of time, but this might be because it is my first foray into publishing. I know that there is still much to do – formatting, advertising, proof-reading, the publishing itself, amongst a plethora of smaller but no less important tasks – but I am finally beginning to feel that I am getting there.

Curiously, after what I wrote in my last post, I never found any of the characters threatening to hijack the plot in any way. Although I never planned it out in any detail, I had a rough plan in my head, which, remarkably, I kept to. Perhaps it is because the subject matter is strong. I don’t know.

And I think that I have settled upon the cover (the artwork is my own).

Making Friends With The Crocodile cover 1

I may play around with the wording, slightly, for example I might take out the words ‘A Novel’.

For some background; the story is set in a village in Northern India, some fifteen odd years ago. It is about the deteriorating relationship between two women in a family: the mother and her daughter in law. Like this relationship frequently is, it is a strained, fractious one, not helped by that society’s attitudes towards women and their roles in general. And when one of them gets caught up in events beyond her control, these attitudes become dreadfully destructive.

As always, your thoughts would be very much appreciated.

Dull day

It is a particularly dull and miserable day, today, with unbroken thick grey cloud overhead, an unpleasant, damp cold, and a very thin rain in the air. I read bits of my novel, and I yearn at this moment to be in India. That I am looking through a few of the photographs I took in India, at the moment, does not help.

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I am now at the stage of giving my short novel its first edit. I have written the book from the point of view of an adult female in a rural community in Northern India. It is primarily about both the relationship between the two main characters; a woman and her daughter-in-law, and about the roles and the treatment of women in a male dominated society. The way that I have written it, it is essential for the reader to be able to get inside the head of one of the main protagonists. So, for this reason, I felt that the narrator had to be one of them.

It is a little unusual, of course, but hardly unheard of, for a writer to write with the voice of someone of the opposite sex, although it is more usual for female authors to adopt the voice of a male narrator, rather than the other way round.

(Is that because we are so shallow and easily understood? Don’t answer that, it might be a post for another time, although if I did attempt to write it, I probably wouldn’t have the courage to finish.)

Anyway, whether this voice I have used in my novel sounds authentic or not, might be quite another matter.

I can imagine several areas where I might have succeeded less well than I would have hoped;

a) It might sound like a male voice, especially to female readers.

b) I may have painted a vague, shallow picture of my narrator, subconsciously avoiding difficulties.

c) I may therefore have painted minor characters more brightly than the protagonists.

d) By doing this, I may present as an arrogant westerner, thereby fulfilling images of ex-colonial stereotypes.

On my CV, however, I do have a few months when I was living and working in a small town in Northern India, much of the time spent in rural areas, amongst a dozen or so visits to India in total.

It probably goes without saying that I also have a keen interest in most things Indian, many books about India and, of course, we all have Google.

And writers do, all the time, write about places and situations that are outside their experience, and it is never really possible for anyone to fully understand the thought processes of someone from another time, another culture, or another gender, and so it is a level playing field in that respect.

So, with a glance out of the window at the gloom outside, I’ll get on with it. I do wonder how many male writers have tried to write with a female voice, though, and how successful they felt they were…

…anyone want to come in at this point?