New Paintings in my Shop

I’ve just got around to putting up a few new paintings in my online shop: https://www.etsy.com/uk/shop/MickCanningArtworks

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The originally entitled Mountain Scene

 

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New Moon

 

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Dartmoor #3

All paintings are pastels on paper, size 11 inches x 15 inches, and cost £35.

What a bargain, eh?

David Nash and Impermanence

A few days ago we went to the Towner Gallery in Eastbourne, Sussex, specifically to see the Eric Ravilious paintings and prints on permanent exhibition there. There was also a large exhibition by the sculptor David Nash, who works with wood on a large scale. The fact that the whole exhibition, which also included a gallery of paintings, prints and a couple of small installations, and was intended to highlight the effects of the Climate Crisis, was the first one ever curated by Caroline Lucas M.P. of the Green Party was an added bonus for me.

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As much as I enjoyed the Ravilious, I was blown away by Nash’s sculptures. To see wooden sculptures on that scale is unusual in itself – usually that would be the preserve of stone or metal – but that very scale plays tricks with the mind and the eye. Boxes and bowls many times larger than one would expect meet the eye as you walk around the galleries, and many of the pieces also deceive where perhaps one looks to be made from several separate pieces of wood, but on closer inspection are carved from a single block like the boat shapes in the top picture, or the ‘stack’ in the one below that.

Much of the work is left rough-hewn, but even this can be deceptive. Some pieces have been carefully finished to give that appearance.

Sculpture is the art form that seems to exist to interact with the natural world. A number of the works here are based on natural forms, but there are also stories of projects Nash has undertaken where his sculpture is either living, in the form of carefully planted and managed groves of trees, or interact in other ways.

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‘Boulder’ is one such project. One of the first large-scale pieces Nash made was to cut a boulder-shaped chunk from a tree (illustrated at the top of Nash’s charcoal drawing above) in 1978. This was then transported to a stream near to where he lives and works, in the Welsh hills, and rolled into the water. Since then, it has slowly made its way downstream until it reached the estuaries and inlets of the sea, where it finally disappeared in 2015. Nash documented its travels in a series of photographs and films made regularly all the while, and presented in the exhibition as a film.

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Nash’s sketch of a Larch trunk

It feels as though there is something of this meeting of art and the natural world in old ruins overrun with scrub and grass. They frequently seem to have a sculptural quality that complements the landscape around them, in a way that more pristine buildings do not.

And I like the sense that an artwork, like a ruined building, is not permanent and that eventually the natural world will absorb it back into itself. That it will reclaim it. Perhaps the artist and the environmentalist in me merge here.

My own sculptures are in wood, and some of them are set out in our garden where they gradually degrade over the years through the action of sun and rain, until they appear strangely like some weird plants that have sprouted unexpectedly there.

A Grand Clear Out!

Most of you are probably aware of my Etsy store, where I put up some of my artwork for sale.

At the moment, I desperately need to make some space in the house, and so I am selling off a number of paintings for very much less than usual – not much more than the cost of materials and the postage.

If you’ve ever felt like owning one of my paintings (and, let’s face it, at least…er…one or two people have…) then now would be a good time. The only catch is that I’m only mailing them to UK, because otherwise it would still make them more expensive than I want to sell them at, due to the cost of the postage.

Payment would be by Paypal, which is a very secure way to pay and gives the buyer a lot of security.

The prices on here are the total cost, including postage within UK.

If you’re interested in any of them, please message me. And even if not, I’d be ever so grateful for a re-blog!

poppies and daisies

Poppies and Daisies, acrylic on board, 24 ins x 18 ins, price £40

 

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Chinese New Year #1, Acrylic on box board, 24 ins x 18 ins x 1 in deep. Price £40

 

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Poppy #1, Acrylic on board – Framed, size 11 ins x 14 ins, Price £25

 

summer solstice

Summer Solstice, Acrylic on board, size 24 ins x 18 ins – framed, price £40

 

taklamakan

Caravanserei, Acrylic on board, 24 ins x 18 ins, price £40

 

dusk

Dusk, acrylic on box canvas, 14 ins x 18 ins x 1 in deep, price £40

Leh Old Town

Fourteen years ago I went up to Ladakh, in the Northern Indian Himalaya. Crikey, fourteen years! Where did that go?

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This is a painting I made in ink and watercolours of an area of the Old Town of Leh, the Main Town of Ladakh. It shows part of a Buddhist shrine, next to another old building. Most of the buildings are a mixture of stone and wood, the wood frequently carved and / or painted.

Although there were quite a few new buildings in the town, the majority of them were old and the whole town had the feel of belonging to another century. I travelled in early April, before most visitors arrive and when Ladakh is still bitterly cold and wintry – certainly overnight. During the day the temperature just sneaked a little above freezing. This meant that I seemed to be the only Westerner there – I certainly don’t remember seeing any others – and I was never hassled by touts of any description, possibly because it was still too early.

But, above all, the people were among the friendliest I have ever met.

Regretfully, I doubt I’ll get another chance to go there, but it is certainly a very special place!

Picture available on my Etsy shop site here

My Etsy Paintings and Cards Store

A few more pictures added to my online shop here:

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Still life – Lemons

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Poppy

Both of those are monotype prints – these are made by applying printing ink directly to a smooth surface such as glass, then taking a print from this by laying a sheet of paper directly over it and using a roller for pressure. The print produced cannot be repeated, since even if a second print is produced the same way from this painting, it will be both much fainter than the first, and also the ink will have spread and faded so each one is unique.

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And this one’s quite fun – if a bit oo-er! – a peach in pastels.

Catharsis

Today is one of those grim and dark autumn days. It isn’t actually raining, but there is a damp chill in the air that seeps into your bones and just makes you feel miserable.

 

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Yesterday wasn’t a whole lot better, although we did see a little of the sun. So what to do when you need to feel a bit better? When you’re feeling a bit down, lethargic…fed up…you know, whatever fails to float your boat at the time.

Me? Go for a walk. Always helps. But I’ve told you that before. There are a few other remedies, though. Throwing stuff out always helps. Even just going around the house and emptying the rubbish bins is a step in the right direction. I’ve long had this dream to live an incredibly minimalist life – just the bare essentials, no real luxuries, no more than I actually need. The problem is, though, the bare essentials seem to involve hundreds and hundreds of books. and…I…just…can’t…

I love Peter Cook’s line: ‘My tragedy is I was an only twin!’, and I think there’s a slight echo of that in that my tragedy is being a minimalist who can’t stop collecting books.

And photos.

And elephants (but that’s a story for another time).

And…

I’m sure you get the idea.

We have an attic space full of all sorts of stuff that needs to be cleared out. Loads of my old paintings, for a start. And all the other junk that tends to accumulate in attic spaces. There are old carpets and window blinds that are of no use to anyone, including us. Tools. An old water tank (How on Earth can I get that out?). Pet carriers – those little cages that are used to take pets to the vets if necessary – our cats rush out of the house and over the horizon if the carriers ever make an appearance; they learn quickly!

And other stuff.

But I chucked a load out yesterday, including some of my old paintings. It felt very cathartic. And I deleted loads of emails. Some of which I’d actually read.

Cathartic.

Loads of old paperwork that was filling up drawers and files.

Cathartic.

It’s a step in the right direction, anyway. I look at it as trying to take back control of my life.

On the other hand, of course, I could just look at a few somewhat more cheering photos and then get on with writing my book…

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Changtse, Everest, Nuptse and the Khumbu glacier

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Coffee

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Along the South Downs Way, Sussex

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Dozing cat

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Stone elephant, Five Rathas, Mahabalipuram, Tamil Nadu

That should do it.

Clouds

It’s one of those days, today, when the clouds are thick and dark and slightly threatening, but are shifting rapidly across the sky and continually changing shape in a rather exciting way.

I’ve always loved clouds.

When I was young, I was always very conscious of the sky. I still have a copy of a poem I wrote when I was fifteen or sixteen, which I won’t reproduce here, but was titled ‘Clouds’ and compared their shifting shapes with dreams and ambitions. Quite prescient, in my own case, as it happens, but I’ll not go into that now.

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I wonder whether the average fifteen or sixteen year old even sees the sky on a day to day basis, now. After all, you tend to look down at your ‘smart’ phone, do you not?

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Summer clouds…

When I dream about getting away from the daily grind, running away from it all, whatever you care to call it, the image in my head is always a compound of the Himalaya, and clouds. Or English Downland, and clouds. Anywhere remote and away from crowds, really. With clouds.

Ethereal, ephemeral, forever changing shape, never boring.

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Dramatic clouds…

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Clouds like a painting on a masterpiece by Leonardo Da Vinci…

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Clouds in my own paintings…

I’m tinkering around with a short(ish) story absolutely stuffed full of clouds at the moment, too. perhaps that’s what led me here.

In which case, I’d better chuck in one more…

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From Nepal in 1988. *Sigh*.

An Author Page, a Relaunch, and, well, Other Things.

…what’s not to like?

Um, I meant that as a rhetorical question, and I’m rather hoping I won’t get any answers to that!

But, as promised a few weeks back, I have got around to creating my Author Page on Facebook. You can find it here and if you are on Facebook, please feel free to nip over and follow it.

I was going to put up a screenshot of the page, but I really can’t work out how to do it and almost lost the will to live trying.

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Totally irrelevant picture of wild boar hoof prints in Portugal instead

The point of creating an Author Page is so that I can separate out my writing and blogging posts from my personal ones on Facebook. I shall still send posts from this blog to both accounts, but the Author Page will also get a number of updates on my writing progress and other posts that my personal one won’t.

I will probably put up an album of my paintings.

It is even possible that Bob might be persuaded to make a guest appearance, just so long as he can find his way there.

The relaunch? I have put together extracts from a few of the very kind reviews I have received for my novel Making Friends with the Crocodile, which is available on Amazon by clicking on the picture below. Since I have taken the rather huge liberty of writing the novel in the first person, as an Indian woman, I am especially delighted with some very complimentary reviews which have come from Indian women.

The extracts read:

‘Mick Canning depicts quiet lives of ordinary desperation, in an Indian context. Although the “million mutinies” of which Naipaul writes have rescued India from famine and penury, it now needs a million more to deliver it from social, sexual and religious prejudices like those which bedevil the life of the narrator and her family.

Canning is an acute observer of nature as well as human nature, and his prose flows.’

 

‘This beautifully written story, set in a village in Bihar, draws you in from its first page. We see the household through the eyes of Siddiqa, wife of Maajid, mother of two school-age girls and her son Tariq, who is married to Naira. We are drawn into the rivalry between Siddiqa and Naira, in a society where the men are the only wage earners and the women’s lives must, by tradition, revolve around their wishes. Small incidents pile up, one after another, as the underlying harmony of the household is fractured by the resentment and self-loathing of Naira. The family is Moslem, the village is a mix of Moslem and Hindu, and one incident threatens the uneasy cohabitation of the two communities. The police, seen as a hostile force in the village, get involved with an unpredictable outcome to the novel.’

 

‘In his debut novel Mick Canning weaves a brilliant story of the tragic life of a young bride in rural India – a story that is synonymous with many women, who continue to suffer oppression and victimization at the hands of men.

The characters are depicted with obvious respect for a culture that is both beautiful and at times shocking. By the novels finale, though tragic, we are left with a very thought provoking and memorable story.’
‘In an understated tone, the story presents the lives of people in an average Indian village in Bihar, and highlights the conditions that not only dissuade a woman from reporting an assault but also subjugate her further by holding her responsible for it.

Mick has delved into the mind of a middle- aged woman living in rural Bihar and has beautifully sketched the love – hate relationship she shares with her daughter in law. The book gives a lot of perspective on the mind-set and predispositions that prevail in the rural north Indian society (which apply, at large to many other parts as well).

Siddiqa, the protagonist character gets as real as she can be. The manner in which, the author connects the social issue with the system and institutions is very authentic and shows his deep understanding of the culture and milieu.
Go for it, if you like to read serious stuff that deals with real thought provoking issues.’

 And how is the writing going? I’m so glad you asked. I’m working hard on the new novel, and occasionally putting in some time on the older one that just seems to keep changing its mind on what it wants to be. *sigh* It’s like living with teenagers.

I’ll put up a proper update on all that soon.

Responsible Travelling – Part 1

In a way, this could be titled ethical travelling, but I would like it to cover cultural issues as well as environmental and other ethical concerns. I don’t particularly like proselytising, but I think that we all need to be responsible for our actions: it makes for a happier world for all concerned.

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So, in no particular order…

Trekking

First of all, when arranging a trek, please try and have a look at the ethical policy of your chosen company. Nowadays, many have a policy of ensuring that porters are properly paid and treated, food is sourced wisely and money makes its way back into the local community. The guides / cooks / sherpas or what-have-yous should be trained to ensure that the environment is treated with respect during the trek. Personally, I feel that from a selfish point of view it makes sense to choose a company that follows these guidelines, because I feel that I will be treated better by them, too. It should not be much more expensive, either.

Secondly, it is not all up to them. One of the most important things we can all do is avoid littering villages and countryside as we trek. Apart from the unpleasantness of spectacular scenery ruined by plastic bags and used loo paper, we can hardly criticise local laxness in this area if we are guilty of the same ourselves.

Deforestation is a major problem in the mountains now, which can only get worse with the effects of global warming. Consequently, anything that we can do to minimise the burning of wood is important, so please do not insist on unnecessary fires to sit around or warm up. You should have brought sufficient clothing on the trek for that. And it seems a minor thing, but if a group of trekkers turn up at a tea house and insist on lots of different dishes, then that will involve a lot of extra firewood to cook them. Try and have the same dish, if possible.

Shopping

Ah, yes. Such an important part of our visit, really. The ultra-cheap clothes, the amazing antique statues, the cheap religious paintings…unbelievable bargains, compared to what we would pay in the west…

…and rather a minefield, unfortunately. Those cheap imitation brand names, as we should all know by now, are usually produced in sweatshop conditions, conditions that would often justify being described as ‘slavery’. As well as being, usually, rather inferior quality. Difficult to avoid them all; after all, who is to say we shouldn’t be buying those attractively embroidered ‘I did the Everest Trail 2017’ or suchlike t-shirts for the equivalent of a couple of dollars?

Well, there is a world of difference between the genuine sweatshop (if I can use such a phrase) and the family sitting around their sewing machines under a tarpaulin beside the stall producing their goods. The latter may be working hard for a poor return, but may be infinitely better off than those with no work and certainly better off than the sweatshop labourer who will earn far less, in conditions far worse. Even today, unfortunately, some of them are bonded labourers.

The antiques…if you go to the Kathmandu valley, you will in many places find the remains of religious statues that have been stolen from their sites beside roads or outside temples. These statues usually find their way to the west to ‘collectors’, or may be sold off to tourists who know no better. In many countries you will need an export licence from the authorities to take antiques over 100 years old out of the country simply to attempt to prevent this sort of desecration. Invariably it is possible to buy modern copies of these items – handcrafted and as beautiful as the originals. It is better for everybody if the traveller contents themselves with these, not least because the smuggler can be hit with a hefty fine or prison sentence. It is also worth mentioning that many of the ‘antiques’ are fakes, in any case.

And the religious paintings. Again, in Kathmandu, Thankas, the paintings that hang in temples, are frequently offered for sale. And again, if genuine, should not be sold. They have probably been stolen. Wherever they are offered for sale, however, there will be bright new paintings for sale – equally beautiful, well made and far cheaper. Spend your rupees on them and support the craftsmen that make a living that way.

BIG or small?

Staying with the shop theme, it seems fairly obvious that by buying from the little shop rather than the supermarket you will be far more likely to be putting money back into the local community. All well and good. Inevitably, though, it is never quite as straightforward as that. Moving south across the border to India, we may find that in the market that we are searching for souvenirs, as well as local traders there may be traders from Tibet or Nepal, Kashmiris and dealers from the city. How you wish to spend your money may pose a dilemma that I cannot solve for you. But at least give it some thought!

The same situation can arise with hotels and trekking companies. I feel that in that situation, the small company or hotel is likely to get my rupees, since, unless I know otherwise, they are more likely to put money back into the local community.

Water, water everywhere…

…but most of it comes in plastic bottles which end up littering the environment, or refilled by unscrupulous rascals with what could be contaminated water, to be sold on again. Avoid this if you can (not always possible, I admit) by taking water purifying tablets and using the local water – read the instructions carefully to see exactly what is required – or using the boiled and filtered water available in some places (See info in places such as Lonely Planet guide books). If you buy plastic bottles, scrunch them up before disposal to prevent their re-use.

In some places, such as Ladakh, you can find environmentally minded laundry shops, where the soapy water is disposed of properly, rather than just poured into local streams. May they prosper and multiply!