A Justification of Theft

Clickbait? Perhaps, but I have a point to make.

There is a blog I follow which regularly posts about good people. People who make a difference to their world. Kindness. They change lives. And it makes for a refreshing read in a world which often appears to be so full of shit we could be drowning in the stuff. I also see now on social media – at least on Facebook, which is the only one I follow other than Instagram – AI generated posts on good people. I know they’re AI generated, because the signs are all there. I don’t intend to list the signs, as most people are aware of them already. These AI generated posts seem to fall into the same few categories. There is the rough biker with the heart of gold adopting a defenceless little girl. The retiree who’s lost his wife and finds meaning in life through spreading love through his community. There’re one or two others, but they all seem to fall into a few predictable categories. And you read these long tear-jerkers and reach the end and you go ‘Ah, isn’t that lovely.’ Or you’re meant to, anyway. But they are AI generated, the people don’t exist (although the original ones may have been based on real people), and these things did not really happen. But does this matter?

I think it does, for several reasons. AI invents stuff. If this is not the intention of the user, these are known as ‘AI Hallucinations’. If it can’t find what it’s been asked to find, it will sometimes make something up instead. Equally, it may draw data from untrustworthy sources. Then there are AI programs which are designed to make up stuff. If we understand that, then when we read something we understand is AI generated, we don’t necessarily believe it. And since we don’t believe the characters or the narrative, then the message it is designed to deliver is rejected. We all know that kindness is a good thing, but being told that by a computer program that has clearly fabricated the vehicle of delivery diminishes the message.

It is the exact opposite of ‘Don’t shoot the messenger’, because in this case the message is rejected because the messenger is flawed.

And the more we read these posts, knowing they are AI generated but if we’re still happy to take them completely at face value, the more we help to normalise the things. The more we accept AI into our lives and accept these fabrications.

So there are more than one type of AI program. Many of those that are really good at inventing stuff, and there are quite a few, are designed specifically to write books. They advertise themselves as producing books ‘in minutes, not months’. A few clicks on the button and hey presto! I’ve written a book! I’ll get back to this at some point, but are these people authors? No. They’re not. They’re frauds. But this brings me back to those original posts, which someone has created using an AI program similar to the book writer programs to deliberately invent the contents.

And to the more important point, the point where both the hallucinations, but even more importantly the deliberately fabricated material, really matter.

AI is, as we’ve seen, designed to invent stuff. Okay, that’s a simplification, but the point is that it’s designed to give the user exactly what they ask for. If someone requests it to write a piece justifying theft, or infanticide, for example, (not to ask it if it can be justified, but telling it to actually do so) it will do that, citing either nasty stuff it’s dug up from some remote hole on the internet, or, more likely, completely inventing stuff because the real justifications don’t exist. And it will look reasonably believable, perhaps writing something along the lines of ‘the Cornel University experiments of 1983 – 1984 by Taylor and Whickham et al demonstrate that…’ etc etc. And the casual reader will think ‘oh, I never realised that. So perhaps there’s something in it after all.’ But these citations will be made up.

And to go slightly off topic for a moment, there are the illustrations. AI generated photos are still usually recognisable as such, but they’re getting much better. Ones that have been subtly manipulated are now very hard to detect. The implications there should be obvious, can we now believe anything we see or are told?

This is not to suggest AI is an unmitigated evil. Its champions will point out advances in, for example, medicine and material sciences, which are very real and extremely important. But the issues of misinformation and, as frequently cited, intellectual property theft, to say nothing of the potential to completely destroy careers in the literary and artistic worlds, are also very real.

So how do we fight this? I’m afraid I’ve no idea. The genie is out of the bottle and I see no way it’s going back in again. Other than burning down the internet we are stuck with it and over the next year or so (or less – who knows?) it’s going to get harder and harder to tell truth from complete (and possibly dangerous) crap. While the programs are becoming better at presenting the genuine data they are requested to present, the ones inventing stuff are getting better at making this appear real. All we can do is be aware of this, be cautious and critical. And perhaps we could go back to getting our facts from books which, although not infallible, are far more likely to be accurate. Publishers are still the gatekeepers there, and they tend to do a pretty good job. Research stuff properly. Rather than accepting important medical information, for example, from Joe Bloggs on Facebook, look it up on a respectable site, like the NHS (in UK).

Maybe just stay off the internet more.

Which is probably a good idea anyway.

An Andalusian Adventure (2) – reblog

It was a long way to Colmenar. I was walking up into the Malaga Mountains, with no map and no directions other than a road sign at the edge of Malaga suggesting that by following this road I would eventually reach my destination.

I suspect I have undertaken other journeys where I have been better prepared.

But the day was perfect for walking, with high drifting clouds and a light breeze to keep me cool, and having done little for several days other than eat, drink and wander around Malaga, I was feeling fit, fresh, and eager to get going.

As the hours went by and I slowly gained height, the clouds began to build up, and the temperature gradually dropped. About an hour from my destination, it finally began to rain. Immediately the temperature plummeted, and I rapidly went from merely chilled to decidedly cold.

Usually, we approach rain all wrong. Buddhists would say unskilfully. If it begins to rain, we hunch ourselves up, both physically and mentally. We fear becoming cold and wet. We need to let go of this fear. It’s a good lesson to learn. Stop. Take several long, slow, deep, breaths, and let go of this feeling. Let go of this need. We act as though hunching ourselves up will keep us dry and make us warmer. It doesn’t. Unless one can find shelter, it is better to accept the rain and finish the journey.

It is a cliché to speak of heightened awareness, yet that is also a by-product of this letting go. We remove our focus from the rain and instead allow it to go elsewhere, where it is really needed. We should throw back our heads and embrace the rain, enjoy the freshness of the rain on our faces. Listen to the sound of the rain on the ground and the leaves around us.

Back then, I hadn’t learned that lesson. I hurried towards the town as fast as I could.

One of the first buildings I came to was an inn. I went into the bar and asked for a room. The room I was given was reached by leaving the bar again and walking around the side of the building. The door to my room had a gap at the bottom of an inch or two, but otherwise fitted the door frame well enough. It was locked and unlocked by the type of huge key frequently described as a jailor’s key. The room was furnished only with a bed, a chair, and a small chest of drawers. There was a mirror above the chest of drawers and a crucifix above the head of the bed, but other than those the whitewashed walls were bare. There was a small window which was shuttered. The floor was of flagstones, with no carpet or mat. To use toilet or bathroom it was necessary to leave the room again and continue still further around the building to reach a very basic room. But again, it was clean. And there was a toilet that worked, and a sink with a cold tap. There was also a shower set into the ceiling I could have braved, but it felt much too cold for that.

Later, I would occupy rooms like this in many other places, in many other countries. Simple, perfectly clean, and usually very cheap. I am not sure whether it is because they appeal to the minimalist in me, but in many ways I prefer them to more comfortable accommodation.

Whenever I have stayed in one, I have always felt I was carrying too much baggage with me. I have been beset with the feeling I should be throwing out some of the items I have in my bag – do I need all those clothes? All those other items? It has been a recurring regret of mine that I have never managed to live a simpler lifestyle than I have. I have never enjoyed the frenetic hurry and clamour of modern urban life, and I hate how easily my life can become complex and filled with what feels like unnecessary fuss.

Here, even the spartan contents of my rucksack seemed too much. Perhaps I had too many books with me…

But now I was here, I changed out of my wet clothes and opened the shutters so I could look out at the low cloud and misty horizon. The rain drummed comfortingly on the roof and I settled down to read a book for an hour or so. I was content, and that’s a good place to be.

I cannot remember what I had for supper that night, but I do remember I drank a bottle of cheap red wine with it. Perhaps that is the reason.

I rather think I slept well, too.

And as in all good stories, the morning dawned bright and clear, the sun shining low in a clear blue sky. Before I left the town, I passed a couple of shops and bought a few items for my lunch: bread, a huge tomato, a hunk of cheese, a couple of apples, a bottle of cheap wine.

img20190318_12103098

With the improved weather, and the fact I had more downhill stretches that day than uphill ones, I allowed myself the luxury of returning to Malaga slowly, including a stop for lunch of about an hour. Compared to the UK, Spain is a large country and the rural population is comparatively small. Although I was not far from the city, I saw almost no one else on my walk and I meandered along slowly through a mixture of low trees and bushes, many of them in flower – the distinctive Mediterranean maquis vegetation – rocky outcrops and clumps of flowers, and the occasional lone farmhouse. The ground was dry and dusty, as though the rain of the previous day had never happened, and the sun was hot. With my lunch consisting of about half a bottle of wine as well as the food, I was feeling extremely weary and footsore when I reached Malaga again. I found the hotel I’d stayed in before and got a room on the same floor. After showering, I finished the bread and cheese and decided all I wanted to do was read my book for a while and then have an early night.

There was a knock at the door and when I opened it Matthias was standing there grinning.

‘I saw you arrive earlier. We go for beer, now!’

6th November 2025

When I began this blog, some ten years ago, it was for the express purpose of both promoting my writing and discussing writing in general. Since then, although I have certainly used it for that purpose, promoting my books and zines, posting the occasional poem, writing the occasional review of other books, and posting discussion topics on the subject, the blog has almost inevitably drifted into other waters. Since I enjoy travel so much, I began to post photographs and memories of those travels. I put up pictures of my artwork, since this seemed an obvious (and free!) place to promote them. Articles on the British countryside, mythology and folklore, and customs. Like most people, I have wide interests and this is a good format to record them in.

The Old Weird Albion, by Justin Hopper. Reviewed in 2019

One of my great pleasures has been the meeting of minds. We follow each other, read posts and comment, foment discussions. And it is a safe place! Unlike social media, it is very rare for strangers to barge in and attack other users. And on the very rare occasions this happens, it is easy to just block them. This makes it a much more enjoyable place to spend time. And there are no algorithms pushing contentious posts at the reader.

Mount Everest, photographed from Tengboche in Nepal from a post in 2021

But for the last couple of years I have been rather tardy in both posting and reading other’s blogs. Part of the reason for this is that since being retired, for some reason I seem to have less free time than I did before. I’m not really sure why that is. But I’m still here. And to get myself back into the swing of things, as well as writing some new posts, I’ll probably re-post a few of the posts I put up a long while back, which many of my current followers won’t have seen.

Recycling is good, after all.

A piece of my artwork.

Blue Monday

The third Monday in January – Blue Monday – is supposedly the worst day of the year for those who suffer from depression. So here we are on the 20th, Blue Monday. But there is no scientific reason for this date to be singled out, it is just a modern myth invented, apparently, by a UK travel company who presumably intended it to prompt people to take foreign holidays to cheer themselves up. However, I can see some justification for the claim, while also seeing a certain hope. Justification, because I tend to feel depressed and miserable at this time of the year. Tired. Lacking in energy or, indeed, motivation.

But also a certain hope; by now the daylight hours are lengthening, which becomes apparent when we are fortunate enough to have clear skies around sunrise or sunset. New growth is apparent, with new shoots finding their way up through the earth and leaf or blossom buds swelling on trees and bushes.

I feel so tired at this time of the year. I just feel I need to survive this winter, just get through it. I shall light a fire, wrap up warm, pour a beer and read a pile of books. I am in touch with my inner dormouse and intend to essentially hibernate until Spring.

New Year New You Meh

Anyone still following their New Year’s resolutions? Good on you. As a rule I don’t make them, but this year I have drawn up a bit of a list. Partly, this is a coincidence. I’m on Goodreads, and they encourage you to set a reading target for the year, which I usually do as I think it provides that little extra spur to get on with it when I don’t feel much like reading.

When I’m feeling a bit meh, for example.

But the timing of the Goodreads prompt, being at the start of the year, not unnaturally suggested I might compile a little list of targets in other areas, which I did, but which I’m not going to be foolish enough to share here. Anyway, those few of you who follow me on Goodreads might notice that the couple of books I’ve been reading so far this year are books I’ve read before. And that’s because one of the resolutions I’ve made is that I shall re-read lots of books this year that I have read and enjoyed in the past. Favourites of mine. Books that give me real pleasure to read. In fact, the TBR pile beside my bed is currently eight books, not including the one I’m reading, six of which I’ve read before.

Re-reading a book is always a good idea anyway, as one inevitably notices things one didn’t notice the first time around. But my motive is pleasure, pure and simple. I shall still read some new books this year, but I shall focus strongly on those I’ve read before that I love. We’re often told, in one way or another, that we ‘should’ read this or that book, or that it is an ‘essential’ read (I know I’ve been guilty of it myself in the past, and will no doubt do it again). Well, this year, those folk can shove off. And take their ‘essential’ reads with them.

New Year’s Resolution lists seem to be routinely full of ways to ‘improve’ the maker of the list – make them fitter, get a better job, etc etc – rather than simply to bring pleasure. And although that’s perfectly laudable, it’s important not to forget pleasure for its own sake. It’ll help us get through the year.

Found – One Muse

‘Oh, you’re back.’

‘Well, not really. I’ve been here all the time. I just didn’t have anything to say to you, that’s all.’

‘Why on earth not?’

‘For a start, you don’t listen to me. You keep fannying around with that novel that your heart’s not in, anyway. What is it that you actually want to write? Not that one, at least at the moment.’

‘I’d love to finish it, actually, just get it out of the way.’

‘It’ll still be there when you’re ready to finish it – if you ever are. And if you’re not, it doesn’t matter. Surely you’ve got other stuff you’d rather be working on?’

‘I…’

‘Like, your poetry’s pretty crap, but you enjoy writing it.’

‘Hey! I…’

‘Then there’s the other novel, the one you’ve been faffing around with for years.’

‘Yes…’

‘So work on that one, since you actually do like it, and do a few paintings, for God’s sake. You’ve been saying you’re going to, well get on with it.’

‘I thought a muse was meant to be an inspiration, not a nag.’

‘A muse,’ she replied tersely, ‘will say whatever she thinks necessary to get her author off his lazy butt! Now, what about this pamphlet or brochure you’re meant to be doing at the moment?’

‘The zine?’

She visibly cringed.

‘Yes…that. As far as I can see you’ve been tinkering with it for months but you’ve nothing to show for it.’

‘I…’

‘You seem to have decided on a few of the poems you want to put in it, and a short story, but you haven’t rewritten the essays you wanted to use, haven’t sorted out the photographs and done nothing towards the artwork. You’ve not even decided on a title for the thing yet!’

‘I’ve…’

‘Yes, and that’s another thing. You keep jumping from one thing to another, and never completing anything.’

‘I’ve always thought it’s good to have a couple of projects on the go. When I get stuck on one I can go and work on another.’

‘Yeeessss….a couple you say. Exactly how many have you got on the go at the moment?’

‘Ah, er, I’m not sure…’

‘No? Well roughly how many?’

‘Er…’

‘Very roughly? You don’t actually know, do you? Just finish something! What about the short poem’ -*cringe* – ‘zine you’ve got in bits? As far as I can tell it’s nearer completion than the other one.’

‘Um, I suppose I could…’

‘And I’m not some lifestyle guru, but get out and go for more walks. And listen to more music and read some more books. You’re not reading very much at the moment, are you? And read something you want to read and listen to something you want to listen to. Not because you think you ‘ought’ to, whatever the hell that means. And stay off fricking social media, too. It’s poisonous.’

‘That’s certainly true.’

‘So just see that you do, or I really will be off. I’ll be checking up on you more regularly, now. I can see it’s the only way.’

She’s a tough, unforgiving, so-and-so, my muse.

At Tunbridge Wells Literary Festival

Tunbridge Wells now boasts a literary festival. Over four days this year it hosts talks from well-known writers such as Michael Rosen, Michael Parkinson and Sheila Hancock. But not just the big names.

Yesterday was the day local writers could book a table and hawk their wares. It’s been some time since I’ve taken part in one of these, in fact, I’ve only done it once before, I think. When I used to regularly have paintings in exhibitions, I spent a lot of time essentially doing the same thing – chatting to other painters, talking to members of the public who might buy a painting and generally ‘networking’ (I still find that a slightly silly word). Although talking about Making Friends with the Crocodile did have another effect – it reminded me again that I’m beginning to feel I ought to take one final trip to India, sometime.

Anyway, I think I should probably do one of these more often. Did I sell armfuls of books? No, but I sold a few. I had some good conversations with members of the public and other writers, It also seems to have the effect of energising my commitment to writing, which is something that happened to my painting at exhibitions, too. Talking about my books and projects encourages me to focus afresh on them and, basically, get my finger out and get on with it, which can’t be a bad thing.

So, I’d better get on with it.

Belief Systems and Rain

I had a conversation with a blogging friend a few days ago, in the course of which she asked me if I knew why it was that so many Westerners seemed drawn to Eastern beliefs, especially the more ‘esoteric’ ones.

I briefly mentioned the fascination the East has held for Westerners throughout history, and the fact that many in the West have drawn away from traditional religion – specifically Christianity – in the last fifty or sixty years especially, and that leaves a void: when you have been brought up within a belief system, that needs to be replaced by something. The Beatles nudged a whole generation in that direction by visiting the Maharishi in Rishikesh in the 1960’s / 1970’s, and there followed a whole slew of books on the subject, many seeming to want to outdo the others in sheer weirdness. But even before that there had been a lot of interest in both Buddhism and Hinduism from the late Victorian period onward, with a number of popular books available.

I can’t claim to be immune to this, either. I also rejected Christianity long ago, but felt I needed something to take its place despite deciding the concept of gods had no place in my life. The world is a wonderful and incredibly beautiful and fascinating place, all of which is explained perfectly well by science. But I do need something to satisfy the spiritual part of me – a part that, surely, all of us have?

I have read a lot about Buddhism, and for a long while thought of myself as a Buddhist. In a way, I still do, although I can’t entirely buy into the belief sets of any of the three major schools of Buddhism. But I did read Buddhism Without Beliefs by Stephen Batchelor. I can’t remember the details of the book, but that is unimportant, it’s the message of the title in this case. I like Buddhism. I like its core message, which pared down to basics is simply to be kind to everyone and everything. It is the only religion I know that has no need for gods. Oh, sure, they’re there if you want them, but no one is ordering you to have one.

This doesn’t have to be ‘esoteric’ or ‘eastern’, either. It can apply just as well here in the west. And it doesn’t require sacred writings or rituals, I find poetry or a walk in the woods does just as well for me.

I’m listening to the heavy rain as I write this – which is something that seems to happen a lot at the moment, but is something I find particularly soothing. I wonder at the origins of this; is it something primeval, hidden deep in my DNA from the times we lived in caves or rough shelters and we could take comfort from the fact we were snug, and perhaps large sharp-toothed beasts were taking a similar break somewhere and not out looking for early humans to eat? Or is it perhaps just a forgotten memory of a very calming experience I once had, which my subconscious has decided to hang onto for my benefit, but without telling me why? I am aware of a few of the times I’ve experienced it, such as lying in a tent at night hearing the pounding of the rain on the canvas, with a wonderful feeling of warmth and snugness. Then there was another time in the mountains of Spain, coming across an abandoned cottage just as a rainstorm hit and spending the next half an hour or so just sitting on a bench and leaning against the wall, listening to the rain and thinking. I’m sure there must be many more.

In these rainstorms, I feel as though I’m immersed in nature – something that always makes me feel calm and relaxed, and which is but a step from what the Japanese call Forest Bathing. Forest Bathing is essentially taking a walk in woodland, using all your senses to connect with that environment. This reminds me strongly of meditation, especially meditation as I learned it in a Buddhist environment, which is where I’m going with all this rambling. If I have an actual religion now, it has to be nature. A belief in nature as something important, beneficial and precious. I wouldn’t ‘worship’ nature – ‘worship’, for me, has connotations of supplicants on bended knees with hands clasped together intoning religious dogma and praying, but I do have strong feelings of respect and admiration for nature, which I suppose you could call the same thing.

It just seems a pity that more people don’t seem able to accord it the same respect.

Review of Shadowlands by Matthew Green

In this book Matthew Green charts the decline and eventual abandonment of eight British settlements; a diverse selection ranging from the Stone Age settlement of Skara Brae in the Orkneys, through several Medieval villages and cities and up to the twentieth century, to an area emptied of its inhabitants during the Second World War and a village that was abandoned when the valley it inhabited was flooded to create a reservoir – although in that case ‘abandoned’ is the wrong word, since that particular story is a harrowing tale of folk driven from their homes at the diktat of decision makers far away, not even of their own country.

In each chapter he tells the story of the decline of the settlement drawing upon written records for all but the oldest, Skara Brae, for which he relies upon archaeological evidence, and some of the more recent, for which he uses a mixture of eye-witness accounts and the testimonies of those who had heard their stories at first hand. Of all the stories here, that of Dunwich is probably the most famous, with its myths of bells from long-drowned churches being heard far out under the waves, although the popular description of Dunwich as a ‘drowned city’ is inaccurate, as it fell away into the sea as the cliffs beneath it were eroded away. But much is known of Dunwich, with many extant records and maps of the city, enabling Matthew to chart its decline and eventual end in some detail.

Hirta is the biggest island of the St Kilda archipelago and was occupied for at least two thousand years until 1930, when the final thirty six islanders voted to leave. By then, most of the families and younger residents had left for the mainland, and their traditional way of life had become unsustainable. Until a couple of hundred years ago the islanders were virtually cut off from the rest of Scotland, due to the distance and the difficulty of making a landing at the island. Existing almost exclusively on a diet of seabirds (remarkably, they were apparently lousy fishermen!), the islanders lived a remarkably difficult life and it is no surprise that as they were exposed more and more to the outside world, more and more of the islanders opted to leave for a better life.

I found I was drawn deep into these stories not just because I found them so fascinating, but also because of Matthew’s skilful and easy style. A very well researched and beautifully presented book, I’d definitely give it five stars out of five.

My Top Books of 2022

Well, my favourite twelve, anyway. One a month, if you like, although that wasn’t how I read them. Or perhaps the twelve book reviews of Christmas – oops, no. Missed that one. Anyway…these are some of the books I read in 2022, not books that were first published this year. But I seem to have read so many good books in 2022, it’s difficult to make a choice and this has ended up being a little arbitrary.

Stranger in the Mask of a Deer by Richard Skelton. It has been a long time since I last read something new and immediately put it into my top ten reads, but this remarkable work is straight in there. A few weeks later I had to re-read it, captivated by its dream-like quality.

It is essentially a poetic narrative ranging between the present day and Palaeolithic Britain, told by humans both ancient and modern, and by non-human voices. Its essence is life and ritual, the connection between humans and animals, between humans and the land they occupy, and the elements surrounding them.

The remains of deer skulls complete with antlers, but with eye holes punched into the skull so they might be worn as masks, have been found at Star Carr in Yorkshire, dating to approximately eleven thousand years ago. It is presumed these masks would have been used in rituals…

Millstone Grit by Glyn Hughes. This very readable book was originally published in 1975, describing a fifty mile walk the author took through East Lancashire and the West Riding of Yorkshire; an exploration of the moorlands and villages alongside the industrial towns, all of them suffering in their own ways from the effects of the loss of traditional industries in that area. It is about Hughes’ attachment to this area he came to live in, the clash between human and non-human landscapes, and about working class history in these places, but above all else about some most remarkable people he meets along the way.

I re-read The Old Weird Albion by Justin Hopper. This is a book about tracing a mystery in his family’s past, beginning with a woman preparing to throw herself off Beachy Head, a notorious spot for suicides, but also about the effects the landscape of the South Downs has had upon people.

This is a book I reviewed on this blog when I first read it three years ago – the link is here – and I’ll just put an extract of that review here: ‘He has a gift for sifting and selecting the weird in these relationships, not just at sites that might be naturally expected to encourage the weird, such as Chanctonbury Ring, high on the Downs above Steyning or in old ruined buildings, but also in humdrum blocks of flats in modern developments. He references modern phenomena like crop circles and throughout there is the presence of ‘magic’, in the sense of a natural force. Many of the people he meets are an eccentric mix of the weird, too, although I choose this description carefully, largely in the old, original meaning of the word of ‘fate’ or ‘destiny’.’

Another re-read, this time of a book I first read some forty years ago. The Spire by William Golding is a novel set in medieval England, in an unspecified city somewhere in the south. It is a story essentially about pride and hubris, about the Dean of a church determined to have built a great spire on his church, despite warnings that the foundations will not be able to support such a colossal structure. The ending seems predictable and yet that is not really where the story is going, being more concerned with the characters inhabiting that space.

The setting is the church and environs, and it evokes the feel of the ecclesiastic medieval as successfully as The Name of the Rose does. One test of how good a novel set in historical times is, is whether it transports the reader easily to that setting. I certainly found it did.

I bought Hemisphere by Pete Green at an event where poets read excerpts from their work. It is effectively a poetic journey around the northern hemisphere, beginning in Scotland, the journey approximating to the latitude of the arctic circle. The writing conveys a tremendous sense of place and feels very right for the cold edgelands described.

Holloway by Robert MacFarlane and Dan Richards, with illustrations by Stanley Donwood is a short book, describing a journey MacFarlane, Donwood, and Richards made in Dorset, essentially a revisit of a trip MacFarlane made previously with Roger Deakin for an earlier book, exploring holloways. Holloways, often known as sunken tracks or paths, are old – frequently very old – paths made over the centuries by the passage of feet, both human and animal, and perhaps by the wheels of wagons and carts. It is a short journey – perhaps ‘experience’ would be a better word – describing wild camps and walking, cycling and visiting old buildings; in some ways, perhaps it is really no more than a short camping trip, undertaken by a group of men acting out a boyhood adventure. The writing, though, by both MacFarlane and Richards is exquisitely poetic and Donwood’s illustrations never less than beautiful.

Notes on the Sonnets by Luke Kennard.

‘Luke Kennard recasts Shakespeare’s 154 sonnets as a series of anarchic prose poems set in the same joyless house party.

A physicist explains dark matter in the kitchen. A crying man is consoled by a Sigmund Freud action figure. An out-of-hours doctor sells phials of dark red liquid from a briefcase. Someone takes out a guitar.

Wry, insolent and self-eviscerating, Notes on the Sonnets riddles the Bard with the anxieties of the modern age, bringing Kennard’s affectionate critique to subjects as various as love, marriage, God, metaphysics and a sad horse.’

The Rings of Saturn by W. G. Sebald had been on my ‘to-read’ list for a long time, but I finally got around to picking up a copy this year. On one level, this is a walking journey taken by the author along the Suffolk coast in the early 1990’s, describing both places and people he comes across, but really, it is much deeper than that and is a psychogeographical work par excellence. Throughout the journey, we are never quite certain whether events are happening to the author, or have happened in the past, or perhaps to someone else at some other time. He goes off in unexpected directions, literary, historical, and physical, exploring a wide and eclectic range of subjects yet throughout there is a cohesion to the narrative.

The Birthday Letters are a not-quite-series of poems Ted Hughes wrote to his wife the American poet Sylvia Plath after her death. Personally, I find them to be probably his most accessible poems and wonder whether that says something about me, although this isn’t the time to go into that. Theirs was a difficult relationship, and her suicide (as well as that of a later lover of his) frequently colours people’s opinions of Hughes. Inevitably, these are often extremely personal poems, so much so that at times I feel a slight discomfort reading them, as if I’d opened someone’s private correspondence by accident, but Hughes wrote them as an attempt to restore her to him, and published them almost for the public to read as his own account of her life and death.

Sadly, Roger Deakin only wrote three books, of which Notes From Walnut Tree Farm is compiled from diary entries he kept during the last six years of his life. In these notes, he recorded his day to day life on the farm, walks on nearby Mellis Common, the yearly cycle of the natural world all around him, and his thoughts on literature, the importance of nature, and musings on the past.

Our Place by Mark Cocker is an exploration of the history of environmental thought and politics in Great Britain and, especially, the way forward. It asks pertinent questions like who owns the land and why? And who benefits from green policies? Not afraid to be radical in its suggestions, it asks why there is such a disconnect between the British public’s sympathy for and championing of the countryside and the reality of its current condition.

Digging up Britain by Mike Pitts tells the story of Britain’s history and prehistory in ten astonishing excavations. As someone who has always had an interest in history and pre-history, I found this book a timely reminder of the huge strides taken forward in our understanding of the past over the last ten years or so, due to such important tools as DNA analysis as well as the painstaking work of those who excavate and interpret these sites. There are some remarkable tales in this book.