Tag: books

Belief Systems and Rain

On By Mick CanningIn Beliefs, Buddhism, Christianity, natural world, Religion21 Comments

I had a conversation with a blogging friend a few days ago, in the course of which she asked me if I knew why it was that so many Westerners seemed drawn to Eastern beliefs, especially the more ‘esoteric’ ones.

I briefly mentioned the fascination the East has held for Westerners throughout history, and the fact that many in the West have drawn away from traditional religion – specifically Christianity – in the last fifty or sixty years especially, and that leaves a void: when you have been brought up within a belief system, that needs to be replaced by something. The Beatles nudged a whole generation in that direction by visiting the Maharishi in Rishikesh in the 1960’s / 1970’s, and there followed a whole slew of books on the subject, many seeming to want to outdo the others in sheer weirdness. But even before that there had been a lot of interest in both Buddhism and Hinduism from the late Victorian period onward, with a number of popular books available.

I can’t claim to be immune to this, either. I also rejected Christianity long ago, but felt I needed something to take its place despite deciding the concept of gods had no place in my life. The world is a wonderful and incredibly beautiful and fascinating place, all of which is explained perfectly well by science. But I do need something to satisfy the spiritual part of me – a part that, surely, all of us have?

I have read a lot about Buddhism, and for a long while thought of myself as a Buddhist. In a way, I still do, although I can’t entirely buy into the belief sets of any of the three major schools of Buddhism. But I did read Buddhism Without Beliefs by Stephen Batchelor. I can’t remember the details of the book, but that is unimportant, it’s the message of the title in this case. I like Buddhism. I like its core message, which pared down to basics is simply to be kind to everyone and everything. It is the only religion I know that has no need for gods. Oh, sure, they’re there if you want them, but no one is ordering you to have one.

This doesn’t have to be ‘esoteric’ or ‘eastern’, either. It can apply just as well here in the west. And it doesn’t require sacred writings or rituals, I find poetry or a walk in the woods does just as well for me.

I’m listening to the heavy rain as I write this – which is something that seems to happen a lot at the moment, but is something I find particularly soothing. I wonder at the origins of this; is it something primeval, hidden deep in my DNA from the times we lived in caves or rough shelters and we could take comfort from the fact we were snug, and perhaps large sharp-toothed beasts were taking a similar break somewhere and not out looking for early humans to eat? Or is it perhaps just a forgotten memory of a very calming experience I once had, which my subconscious has decided to hang onto for my benefit, but without telling me why? I am aware of a few of the times I’ve experienced it, such as lying in a tent at night hearing the pounding of the rain on the canvas, with a wonderful feeling of warmth and snugness. Then there was another time in the mountains of Spain, coming across an abandoned cottage just as a rainstorm hit and spending the next half an hour or so just sitting on a bench and leaning against the wall, listening to the rain and thinking. I’m sure there must be many more.

In these rainstorms, I feel as though I’m immersed in nature – something that always makes me feel calm and relaxed, and which is but a step from what the Japanese call Forest Bathing. Forest Bathing is essentially taking a walk in woodland, using all your senses to connect with that environment. This reminds me strongly of meditation, especially meditation as I learned it in a Buddhist environment, which is where I’m going with all this rambling. If I have an actual religion now, it has to be nature. A belief in nature as something important, beneficial and precious. I wouldn’t ‘worship’ nature – ‘worship’, for me, has connotations of supplicants on bended knees with hands clasped together intoning religious dogma and praying, but I do have strong feelings of respect and admiration for nature, which I suppose you could call the same thing.

It just seems a pity that more people don’t seem able to accord it the same respect.

Review of Shadowlands by Matthew Green

On By Mick CanningIn books, Matthew Green, Non fiction, Review, Shadowlands, UK, writing14 Comments

In this book Matthew Green charts the decline and eventual abandonment of eight British settlements; a diverse selection ranging from the Stone Age settlement of Skara Brae in the Orkneys, through several Medieval villages and cities and up to the twentieth century, to an area emptied of its inhabitants during the Second World War and a village that was abandoned when the valley it inhabited was flooded to create a reservoir – although in that case ‘abandoned’ is the wrong word, since that particular story is a harrowing tale of folk driven from their homes at the diktat of decision makers far away, not even of their own country.

In each chapter he tells the story of the decline of the settlement drawing upon written records for all but the oldest, Skara Brae, for which he relies upon archaeological evidence, and some of the more recent, for which he uses a mixture of eye-witness accounts and the testimonies of those who had heard their stories at first hand. Of all the stories here, that of Dunwich is probably the most famous, with its myths of bells from long-drowned churches being heard far out under the waves, although the popular description of Dunwich as a ‘drowned city’ is inaccurate, as it fell away into the sea as the cliffs beneath it were eroded away. But much is known of Dunwich, with many extant records and maps of the city, enabling Matthew to chart its decline and eventual end in some detail.

Hirta is the biggest island of the St Kilda archipelago and was occupied for at least two thousand years until 1930, when the final thirty six islanders voted to leave. By then, most of the families and younger residents had left for the mainland, and their traditional way of life had become unsustainable. Until a couple of hundred years ago the islanders were virtually cut off from the rest of Scotland, due to the distance and the difficulty of making a landing at the island. Existing almost exclusively on a diet of seabirds (remarkably, they were apparently lousy fishermen!), the islanders lived a remarkably difficult life and it is no surprise that as they were exposed more and more to the outside world, more and more of the islanders opted to leave for a better life.

I found I was drawn deep into these stories not just because I found them so fascinating, but also because of Matthew’s skilful and easy style. A very well researched and beautifully presented book, I’d definitely give it five stars out of five.

My Top Books of 2022

On By Mick CanningIn books, Fiction, Non fiction, poetry, Review27 Comments

Well, my favourite twelve, anyway. One a month, if you like, although that wasn’t how I read them. Or perhaps the twelve book reviews of Christmas – oops, no. Missed that one. Anyway…these are some of the books I read in 2022, not books that were first published this year. But I seem to have read so many good books in 2022, it’s difficult to make a choice and this has ended up being a little arbitrary.

Stranger in the Mask of a Deer by Richard Skelton. It has been a long time since I last read something new and immediately put it into my top ten reads, but this remarkable work is straight in there. A few weeks later I had to re-read it, captivated by its dream-like quality.

It is essentially a poetic narrative ranging between the present day and Palaeolithic Britain, told by humans both ancient and modern, and by non-human voices. Its essence is life and ritual, the connection between humans and animals, between humans and the land they occupy, and the elements surrounding them.

The remains of deer skulls complete with antlers, but with eye holes punched into the skull so they might be worn as masks, have been found at Star Carr in Yorkshire, dating to approximately eleven thousand years ago. It is presumed these masks would have been used in rituals…

Millstone Grit by Glyn Hughes. This very readable book was originally published in 1975, describing a fifty mile walk the author took through East Lancashire and the West Riding of Yorkshire; an exploration of the moorlands and villages alongside the industrial towns, all of them suffering in their own ways from the effects of the loss of traditional industries in that area. It is about Hughes’ attachment to this area he came to live in, the clash between human and non-human landscapes, and about working class history in these places, but above all else about some most remarkable people he meets along the way.

I re-read The Old Weird Albion by Justin Hopper. This is a book about tracing a mystery in his family’s past, beginning with a woman preparing to throw herself off Beachy Head, a notorious spot for suicides, but also about the effects the landscape of the South Downs has had upon people.

This is a book I reviewed on this blog when I first read it three years ago – the link is here – and I’ll just put an extract of that review here: ‘He has a gift for sifting and selecting the weird in these relationships, not just at sites that might be naturally expected to encourage the weird, such as Chanctonbury Ring, high on the Downs above Steyning or in old ruined buildings, but also in humdrum blocks of flats in modern developments. He references modern phenomena like crop circles and throughout there is the presence of ‘magic’, in the sense of a natural force. Many of the people he meets are an eccentric mix of the weird, too, although I choose this description carefully, largely in the old, original meaning of the word of ‘fate’ or ‘destiny’.’

Another re-read, this time of a book I first read some forty years ago. The Spire by William Golding is a novel set in medieval England, in an unspecified city somewhere in the south. It is a story essentially about pride and hubris, about the Dean of a church determined to have built a great spire on his church, despite warnings that the foundations will not be able to support such a colossal structure. The ending seems predictable and yet that is not really where the story is going, being more concerned with the characters inhabiting that space.

The setting is the church and environs, and it evokes the feel of the ecclesiastic medieval as successfully as The Name of the Rose does. One test of how good a novel set in historical times is, is whether it transports the reader easily to that setting. I certainly found it did.

I bought Hemisphere by Pete Green at an event where poets read excerpts from their work. It is effectively a poetic journey around the northern hemisphere, beginning in Scotland, the journey approximating to the latitude of the arctic circle. The writing conveys a tremendous sense of place and feels very right for the cold edgelands described.

Holloway by Robert MacFarlane and Dan Richards, with illustrations by Stanley Donwood is a short book, describing a journey MacFarlane, Donwood, and Richards made in Dorset, essentially a revisit of a trip MacFarlane made previously with Roger Deakin for an earlier book, exploring holloways. Holloways, often known as sunken tracks or paths, are old – frequently very old – paths made over the centuries by the passage of feet, both human and animal, and perhaps by the wheels of wagons and carts. It is a short journey – perhaps ‘experience’ would be a better word – describing wild camps and walking, cycling and visiting old buildings; in some ways, perhaps it is really no more than a short camping trip, undertaken by a group of men acting out a boyhood adventure. The writing, though, by both MacFarlane and Richards is exquisitely poetic and Donwood’s illustrations never less than beautiful.

Notes on the Sonnets by Luke Kennard.

‘Luke Kennard recasts Shakespeare’s 154 sonnets as a series of anarchic prose poems set in the same joyless house party.

A physicist explains dark matter in the kitchen. A crying man is consoled by a Sigmund Freud action figure. An out-of-hours doctor sells phials of dark red liquid from a briefcase. Someone takes out a guitar.

Wry, insolent and self-eviscerating, Notes on the Sonnets riddles the Bard with the anxieties of the modern age, bringing Kennard’s affectionate critique to subjects as various as love, marriage, God, metaphysics and a sad horse.’

The Rings of Saturn by W. G. Sebald had been on my ‘to-read’ list for a long time, but I finally got around to picking up a copy this year. On one level, this is a walking journey taken by the author along the Suffolk coast in the early 1990’s, describing both places and people he comes across, but really, it is much deeper than that and is a psychogeographical work par excellence. Throughout the journey, we are never quite certain whether events are happening to the author, or have happened in the past, or perhaps to someone else at some other time. He goes off in unexpected directions, literary, historical, and physical, exploring a wide and eclectic range of subjects yet throughout there is a cohesion to the narrative.

The Birthday Letters are a not-quite-series of poems Ted Hughes wrote to his wife the American poet Sylvia Plath after her death. Personally, I find them to be probably his most accessible poems and wonder whether that says something about me, although this isn’t the time to go into that. Theirs was a difficult relationship, and her suicide (as well as that of a later lover of his) frequently colours people’s opinions of Hughes. Inevitably, these are often extremely personal poems, so much so that at times I feel a slight discomfort reading them, as if I’d opened someone’s private correspondence by accident, but Hughes wrote them as an attempt to restore her to him, and published them almost for the public to read as his own account of her life and death.

Sadly, Roger Deakin only wrote three books, of which Notes From Walnut Tree Farm is compiled from diary entries he kept during the last six years of his life. In these notes, he recorded his day to day life on the farm, walks on nearby Mellis Common, the yearly cycle of the natural world all around him, and his thoughts on literature, the importance of nature, and musings on the past.

Our Place by Mark Cocker is an exploration of the history of environmental thought and politics in Great Britain and, especially, the way forward. It asks pertinent questions like who owns the land and why? And who benefits from green policies? Not afraid to be radical in its suggestions, it asks why there is such a disconnect between the British public’s sympathy for and championing of the countryside and the reality of its current condition.

Digging up Britain by Mike Pitts tells the story of Britain’s history and prehistory in ten astonishing excavations. As someone who has always had an interest in history and pre-history, I found this book a timely reminder of the huge strides taken forward in our understanding of the past over the last ten years or so, due to such important tools as DNA analysis as well as the painstaking work of those who excavate and interpret these sites. There are some remarkable tales in this book.

If…

On By Mick CanningIn poetry, reading, walking, writing42 Comments

I’ve been feeling a bit flat recently, although that’s not uncommon at this time of the year.

I know I’m currently craving solitude and simplicity, wanting to spend some time somewhere a little remote. An area of moorland, such as Dartmoor or the Pennines, would do me very nicely. Even better if there were some woodlands nearby, too. Although there would be no people around (ideally), there would be wildlife to watch and hills and valleys and those woods to explore. Maybe some interesting ruins nearby…

Simplicity, that’s what I’d want. Somewhere with no wifi, no TV, no phone signal or even radio. A decent supply of food and a few beers because, as Jerome K Jerome said, thirst is a dangerous thing. A fire to sit beside in the evening. Somewhere small and basic with no luxuries.

I’d take some books. Several sorts, so I could pick one up or swap to another depending upon my mood. At least one book of poetry, perhaps Stranger in the Mask of a Deer which I read for the first time a few months ago, and then re-read recently because it was so damned good. Maybe a Seamus Heaney collection, including the ‘Station Island’ sequence of poems, or a collection by Russian poet Yevgeny Yevtushenko for the marvellous long poem Zima Junction. Maybe I’d just take all of those.

I’d include some sort of detective novel for pure escapism, then one or two books by the likes of Robert Macfarlane – books that would inform me about the landscape I had decided to inhabit for a while.

I wouldn’t just be walking and exploring, or reading. I have a few poems I need to finish off, one about salmon and one about the Winter Solstice. In this environment I think I’d be inspired to finish them, hopefully write some more.

A week would probably do it.

Autumn Equinox

On By Mick CanningIn autumn, Equinox, seasons26 Comments

Often, it still feels like summer at this time of year, but I feel autumn has truly arrived now. This morning I walked a path I haven’t walked for a week or more to find the sun was that much lower than it had been and I was constantly having to shade my eyes. It’s all about colours, now. Colours and the cooling of the world. Russet. Browns. Fading drab greens. Yellows and orange. Autumn can be beautiful, although it can also be dull and dreary and occasionally fierce. But mornings often arrive with an added sparkle, with heavy dews on cobwebs and leaves glinting in the low sun, hedgerows of thistledown, rosehips, and hawthorn. There is usually a freshness in the air, especially in the mornings, which has been absent for most of the summer, that invariably lifts my spirits.

I like summer, of course I do, but the arrival of autumn reminds me in some ways of the arrival of spring. In spring we have the stirring of life after a long period of hibernation, whereas the beginning of autumn always feels to me like the start of a new, second, outburst of life. Many plants have a sudden growth spurt, fruits and nuts and berries swell and glow and are plundered by birds and beasts. It is still warm, warm enough to bask in the sun and to feel hot walking up even quite gentle hills.

The Equinox occurs on Friday (at 2.03am in the UK, to be precise) and after this the hours of darkness outnumber the hours of daylight until the end of next March (counting dusk and pre-dawn as night time). After this, the year always feels to me quite different, even if the weather from the one day to the next is much the same. I can already feel myself slipping into a different place; the logs for the burner have arrived and have been stacked ready for use. The apples have been picked, shortly to be wrapped and stored away. Much in the garden is in the process of being cut back for winter. When the days are short and the nights are long, there will be many books to read, lots of music to listen to, a few beers to drink, and many long conversations to be had.

But also many long walks as well, I hope. I love winter too.

Some Diary Extracts

On By Mick CanningIn Covid-19, diary, internet, Painting, poetry, Wood Carving, writing17 Comments

April 10th 2022:

A few days ago I dug out all the pastel paintings I have hanging around and put them to one side, the intention being to chuck them all out. As part of managing to get my creative side working properly again, I feel I need to clear out the majority of my old work. I think it is simply preventing me from getting going again – as well as taking up space we don’t really have spare. I’ve always been a little reluctant to just destroy a painting I think I might be able to sell at some point, but that’s something that doesn’t matter to me in the same way any longer.

It’s much the same with writing. Nice if someone buys it and nice, of course, if someone reads it and likes it and, hopefully, gets something from it. But not important in the same way as it used to be. I’ve never wanted to be famous, or sell millions of books (much the same thing, of course), and perhaps this is part of that. If the poetry I’m currently writing is any good, I would like someone to publish it, and if a small audience appreciated it and thought it worthwhile, well, I’d be tickled pink. But it’s not that important.

If I paint again, or carve wood, it will be entirely for me. If someone likes a painting, then perhaps I’ll simply give it to them. I appreciate this isn’t a philosophy that most creatives could adopt, but it’s what I feel I should like to do at the moment.

Wall painting in Amberley Church, Sussex. It dates from around 1300AD, was whitewashed over around 1550, and restored in 1967.

April 11th 2022:

We’re off to Amberley for a couple of days. We should have been walking the South Downs Way at the moment, but Covid has left us too tired for that, so we cancelled our various bookings. But to give ourselves a short break, we kept the Amberley one and booked an extra night.

Yesterday I contemplated completely coming off the internet for a matter of all of about half a second. I find it a huge distraction and much of it incredibly annoying, but like most folk I’m in too deep to extricate myself. We’ve arranged our lives around it over the past twenty years especially, and in my own case I keep in touch with many people that way, I have my blog, which I don’t think I’m ready to give up yet, rely upon it for booking trains and finding train and bus timetables, use it for family research, writing research, and to find and order books and music. None of these would be insurmountable problems, but cumulatively it would just be too much hassle to do without.

But even when I’m using my laptop for writing, I get too easily distracted by the internet and I feel a little like those people who walk through lovely scenery staring down at their mobile phones.

April 15th 2022:

Sunny and clear this morning and the forecast is that the day will be warm and bright. Having had quite a busy day yesterday, I felt quite run down in the evening and this morning feel very tired despite having slept well. It is four weeks until we go to Coll and I hope I’ve got some energy back by then.

It is sunny and, dare I say it, warm all day and despite this being Easter Bank Holiday weekend, the forecast is that it will continue this way.

Strange powers are at work.

An Andalusian Adventure (2)

On By Mick CanningIn journeys, Spain, travel, walking13 Comments

Part 1 can be found here: Part 1

It was a long way to Colmenar. I was walking up into the Malaga Mountains, with no map and no directions other than a road sign at the edge of Malaga suggesting that by following this road I would eventually reach my destination.

I suspect I have undertaken other journeys where I have been better prepared.

But the day was perfect for walking, with high drifting clouds and a light breeze to keep me cool, and having done little for several days other than eat, drink and wander around Malaga, I was feeling fit, fresh, and eager to get going.

As the hours went by and I slowly gained height, the clouds began to build up, and the temperature gradually dropped. About an hour from my destination, it finally began to rain. Immediately the temperature plummeted, and I rapidly went from merely chilled to decidedly cold.

Usually, we approach rain all wrong. Buddhists would say unskilfully. If it begins to rain, we hunch ourselves up, both physically and mentally. We fear becoming cold and wet. We need to let go of this fear. It’s a good lesson to learn. Stop. Take several long, slow, deep, breaths, and let go of this feeling. Let go of this need. We act as though hunching ourselves up will keep us dry and make us warmer. It doesn’t. Unless one can find shelter, it is better to accept the rain and finish the journey.

It is a cliché to speak of heightened awareness, yet that is also a by-product of this letting go. We remove our focus from the rain and instead allow it to go elsewhere, where it is really needed. We should throw back our heads and embrace the rain, enjoy the freshness of the rain on our faces. Listen to the sound of the rain on the ground and the leaves around us.

Back then, I hadn’t learned that lesson. I hurried towards the town as fast as I could.

One of the first buildings I came to was an inn. I went into the bar and asked for a room. The room I was given was reached by leaving the bar again and walking around the side of the building. The door to my room had a gap at the bottom of an inch or two, but otherwise fitted the door frame well enough. It was locked and unlocked by the type of huge key frequently described as a jailor’s key. The room was furnished only with a bed, a chair, and a small chest of drawers. There was a mirror above the chest of drawers and a crucifix above the head of the bed, but other than those the whitewashed walls were bare. There was a small window which was shuttered. The floor was of flagstones, with no carpet or mat. To use toilet or bathroom it was necessary to leave the room again and continue still further around the building to reach a very basic room. But again, it was clean. And there was a toilet that worked, and a sink with a cold tap. There was also a shower set into the ceiling I could have braved, but it felt much too cold for that.

Later, I would occupy rooms like this in many other places, in many other countries. Simple, perfectly clean, and usually very cheap. I am not sure whether it is because they appeal to the minimalist in me, but in many ways I prefer them to more comfortable accommodation.

Whenever I have stayed in one, I have always felt I was carrying too much baggage with me. I have been beset with the feeling I should be throwing out some of the items I have in my bag – do I need all those clothes? All those other items? It has been a recurring regret of mine that I have never managed to live a simpler lifestyle than I have. I have never enjoyed the frenetic hurry and clamour of modern urban life, and I hate how easily my life can become complex and filled with what feels like unnecessary fuss.

Here, even the spartan contents of my rucksack seemed too much. Perhaps I had too many books with me…

But now I was here, I changed out of my wet clothes and opened the shutters so I could look out at the low cloud and misty horizon. The rain drummed comfortingly on the roof and I settled down to read a book for an hour or so. I was content, and that’s a good place to be.

I cannot remember what I had for supper that night, but I do remember I drank a bottle of cheap red wine with it. Perhaps that is the reason.

I rather think I slept well, too.

And as in all good stories, the morning dawned bright and clear, the sun shining low in a clear blue sky. Before I left the town, I passed a couple of shops and bought a few items for my lunch: bread, a huge tomato, a hunk of cheese, a couple of apples, a bottle of cheap wine.

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With the improved weather, and the fact I had more downhill stretches that day than uphill ones, I allowed myself the luxury of returning to Malaga slowly, including a stop for lunch of about an hour. Compared to the UK, Spain is a large country and the rural population is comparatively small. Although I was not far from the city, I saw almost no one else on my walk and I meandered along slowly through a mixture of low trees and bushes, many of them in flower – the distinctive Mediterranean maquis vegetation – rocky outcrops and clumps of flowers, and the occasional lone farmhouse. The ground was dry and dusty, as though the rain of the previous day had never happened, and the sun was hot. With my lunch consisting of about half a bottle of wine as well as the food, I was feeling extremely weary and footsore when I reached Malaga again. I found the hotel I’d stayed in before and got a room on the same floor. After showering, I finished the bread and cheese and decided all I wanted to do was read my book for a while and then have an early night.

There was a knock at the door and when I opened it Matthias was standing there grinning.

‘I saw you arrive earlier. We go for beer, now!’

Why You Should Buy Books (especially mine!)

On By Mick CanningIn Author, books, e-book, promoting, publishing, writing18 Comments

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Hours of pleasure for the price of a cup of coffee in Bigbucks.

Like any other worker, you pay for my time. Only unlike the decorator, say, you only pay for a tiny fraction of the real time spent creating your book.

And what do you get for this investment?

Why, I bring you a whole, newly created world to explore!

I introduce you to people you never expected to meet, without the inconvenience of having to make small talk with them.

Heroes and villains, fools and wise men.

Perchance I will take you on a perilous voyage, yet you will return safely to the shore.

Encounter your deepest fears, and overcome them.

Know love, and disappointment, happy ever after and abject failure.

See through the eyes of the cruel and the eyes of the kind.

And all this for less than the price of a coffee.

And unlike the decorator, I won’t come and tread paint into your carpet, disappear for two weeks to do another job, leave your kitchen a complete mess, eat all your biscuits or drink all your tea.

I mean, really, what have you got to lose?

Review of The New Asylum by Frank Prem

On By Mick CanningIn Frank Prem, mental health, poetry, Review, The New Asylum68 Comments

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This is Australian poet Frank’s third collection of poems, and in a way this is a return to the narrative arc of his first collection; Small Town Kid, after the heartbreak of his second collection, Devil in the Wind, which dealt with the horrors of the bush fires in Australia on what became known as Black Saturday in February 2009

Not only is this a personal, time-ordered narrative like Small Town Kid, but it takes up Frank’s life where that collection left off, with his taking a job at the institution in his home town housing people with mental health problems. At that time (around forty years ago), these institutions were generally known as ‘mental asylums’ although that name, as well as a lot of the attitudes that coloured people’s ideas of them, have supposedly been consigned to history.

These poems take us on Frank’s journey from his visits to the institution where both his parents worked, then as naive and wide-eyed Trainee Psychiatric Nurse through to today, introducing us to a wonderful collection of colourful, sad, genial, well-meaning and, yes sometimes, mad characters, both staff and residents of the institution and, latterly, the hostel that acts as a ‘half-way house’ between incarceration and release.

All these characters are realistically and sympathetically drawn, and I suspect that not a few readers will be surprised at the humour (occasionally black) and warmth that comes through from the average day in their lives. Frank does not shy away from showing the attitudes prevalent in those earlier days, when patients were severely regimented and often treated less than sympathetically, although I suspect there is much he does not reveal. But where he is at his best, I feel, is in depicting the almost unutterable sadness of many of the inmates. In ‘Huntington’s Marionette’ it is for the young victim of this, one of the cruellest of all diseases, In ‘Lost: One Cockerel’ it is for another youngster, this time a young man with his mind destroyed by illicit drugs. Then there are the families of these victims, often victims themselves in so many ways – dealing with loss or aggression, blame, or just the horror of watching a loved one disintegrate before their eyes.

And the institution is frequently under-staffed and the staff are over-worked, a situation all too familiar to anyone working in public health today as well as then. The final poem  ‘Still its Creature’ is the book’s epilogue, and it is worth quoting the first few lines..

in aftermath

it seems so clear

there are few mental-health

happy endings

and there are no

simple cures

I give this five stars out of five.

Review of The Old Weird Albion

On By Mick CanningIn books, Justin Hopper, Non fiction, Review, The Old Weird Albion15 Comments

The Old Weird Albion, by Justin Hopper.

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The viewer sees a painting that appears to be composed of watercolour and charcoal, of a winding road or track, possibly even a river, leading towards a line of downland hills, the whole created entirely in black and shades of grey, with the title and author scrawled into the picture in brilliant white, as though it were a prehistoric figure etched into the Downs themselves.

And that’s just the cover.

This is a book quite unlike any I have read before, in that it is a book about the south of England, especially the South Downs of Sussex, but it is far more than geography and the associated disciplines such as geology and biology, rural history and architecture, and folklore. Psycho-geography was not a term I had come across before, but there is an aptness to it that becomes apparent as you read.

The book opens at Beachy Head, a beautiful piece of Sussex with a dark reputation for suicide, as a woman throws herself off the edge. Quickly, we learn that this woman was the first wife of the grandfather of the author, Justin Hopper. And we learn that this book is in part a chronicle of his efforts to discover this person and learn something of her life and, consequently, her motives for such an act.

In so doing, he needs to revisit parts of his earlier time in Sussex and examine his own relationship to the area as well as the relationship of other players, not just his grandfather and other members of their family.

He has a gift for sifting and selecting the weird in these relationships, not just at sites that might be naturally expected to encourage the weird, such as Chanctonbury Ring, high on the Downs above Steyning or in old ruined buildings, but also in humdrum blocks of flats in modern developments. He references modern phenomena like crop circles and throughout there is the presence of ‘magic’, in the sense of a natural force. Many of the people he meets are an eccentric mix of the weird, too, although I choose this description carefully, largely in the old, original meaning of the word of ‘fate’ or ‘destiny’.

A strength of this book is its intensity, and I feel impelled to look at the pictures it references and read the books it quotes. So much so that upon finishing the book, I spent some time tracking down an old copy of one of those books, which I am now reading, and which holds my interest in just the way Justin implied it would.

On a personal level, this book came just at the right time for me, in that I am reacquainting myself with the geography and history, and the plants and animals, of the South of England, where I grew up and which formed my love of the natural world, and the book has encouraged me to look at this in a new way.

It is most certainly a five star book for me.