Stormy Weather. Again.

Well, it’s blowing a hooley out there at the moment. Winds howling around the eaves of the house and rain spattering the windows. What a miserable winter we seem to be having so far. Not particularly cold, but at times the damp makes it feel about a hundred below zero.

Sort of.

Not a day for going out and achieving stuff. A day for staying in and achieving other stuff. There, that’s me at my literary best. Talking of which, it seems a good day to get some editing done on my novel now I’ve got feedback from my kind beta readers.

So here’s a picture of some yaks in the Nepalese Himalaya.

You’re welcome.

Phew!

A mere ten days after mentioning I thought I was close to finishing the final draft of A Good Place, it is, in fact, finished. This is the second novel I have written that’s set in India, this time in a fictitious hill station in the Himalaya, amongst the English diaspora remaining behind after Independence.

Having discarded two previous drafts, the skeleton of the story is now essentially the plot I visualised way back when I started.

There is a lesson in there, somewhere.

It will shortly go off to a couple of beta readers for their comments, and then hopefully after that it will just be a case of one final edit, then the hard part. I intend to at least have a go at finding a publisher and / or an agent.

But for now, I think I’ve earned a beer.

A Bit Of Art From The Archives

Nepalese Village Door 22ins x 15ins Oil Pastels on paper 2014

My interpretation of the door to a house in the village of Khumjung, Nepal, high in the Himalaya on the Everest Trail. I was pleased with how this turned out and I’m thinking I should try one or two more similar paintings.

Some Nepalese Photos

It seems unbelievable (to me, that is), but it’s now fifteen years since I last visited Nepal. This is just a selection of some of my favourite photos from my trips there. Some you’ve already seen, some you haven’t.

Travelling from India to Nepal

Temple in Swayambunath, Kathmandu Valley

Carved wooden window, Kathmandu

Sunset light on Everest.

Rhododendron forest, Poon Hill

Carrying a load…

Wall of carved mani stones

Nepal – Annapurna Region (Reblog)

In 1988 I went to Nepal for the first time, travelling by bus from Delhi to Kathmandu. Although the trip took almost 2 days, and the bus was particularly uncomfortable, it was one of the most spectacular journeys I have ever taken, and a most remarkable experience.

And then I trekked the Annapurna circuit, still considered by many to be one of the 10 classic treks of the world. It took 24 days to complete, and from the time we left Ghorka, until the day we walked down into Pokhara, we were travelling entirely on footpaths and saw no vehicles of any description.

Part of the walk is now over a new road, and whilst this is surely welcome to the inhabitants of the region, I suspect that it takes away a little of the magic of the trek.

village_1.jpg

Village near Manang (posibly Mungji), on the Marsyandi River, close to the Annapurnas. In many ways, a typical Nepalese mountain village, it is built on man-made terraces, up steeply sloping mountainside, to avoid using any of the precious farmland available in the valley.

IMG_0001.jpg

View from Poon Hill. Poon Hill lies a little to the west of Ghorapani on the river Ghora (pani being water), west of the Annapurnas. Sunrise there consequently occurs behind the Annapurna peaks, including the spectacular Machhapuchhare, or ‘fishtail’ peaks. That said, this shot was taken towards the west, looking across the Kali Gandaki valley.

IMG_0002.jpg

This is dawn, though. Machhapuchhare and its double peak are shown clearly on the left.

IMG_0003.jpg

Mountains and glacial lake from the village of Manang.

img_0004

Lower down, the land is heavily terraced, fertile land being at such a premium that every available bit is used. These rice paddies are near the village of Chepe Ghat, on the Marsayandi River.

chorten_2.jpg

Chorten. Chortens, or stupas as they are also commonly known, usually contain relics of saints or priests. The original stupas held relics of the Buddha, such as at the Temple of the Tooth, at Kandy, Sri Lanka.

IMG_0005.jpg

Mountains near the village of Muktinath. In the rain-shadow, here, the landscape is that of a high altitude desert.

IMG_0006.jpg

Mani stones on the Annapurna trail. Mani stones may be carved, painted or both, and serve a similar function to prayer flags, in that they either have a prayer or mantra carved on them (typically ‘Om Mani Padme Hum’ – from which the name ‘Mani Stone’ comes from – meaning ‘Hail to the jewel in the heart of the lotus’ i.e. The Buddha) or they may have a picture of the Buddha himself. Although they may be encountered singly or in small numbers by shrines or at Gompas, at times they make up huge walls containing many hundreds of stones, some of which may have been there for hundreds of years. These walls, like shrines or any other Buddhist relics encountered here, are passed on the left.

IMG_0007.jpg

Houses at Manang.

IMG_0008.jpg

The Upper reaches of the Marsayandi, looking down to Manang.

IMG_0009.jpg

Snowed in below Thorung La. Not an unusual occurrence. Thorung La is at 5415m (17,700ft). We arrived at our campsite early afternoon with the ground clear of snow and the sun out. This was the scene a couple of hours later, delaying our crossing the pass (‘La’ is Tibetan for ‘Pass’) by 24 hours.

IMG_0010.jpg

Crossing Thorung La. On the day we crossed the pass, we left camp just after 4 in the morning, and were down the other side by late afternoon.

IMG_0011.jpg

Looking west (and down!) from Thorung La). On this side of the pass there is far less precipitation and the land is noticeably drier. This is looking towards Muktinath.

New Year’s Eve – Let’s Party Like It’s 1988!

My favourite New Year’s Eve party occurred on either the 13th or 14th April 1988, from which you may conclude this was not at home in England. I was in the Himalaya, walking the Annapurna Circuit. And my uncertainty about the date is due to the fact I didn’t keep a travel journal in those days. In fact, I’m not even sure exactly where we were staying that night, although I do know we were still heading up towards the high pass, the Thorung La, and that we were still well below the snowline. At the end of the day’s walking we camped, as usual, and while we were eating supper we were informed that we were invited to join in the New Year celebrations in the village close by.

It wasn’t the place in the picture above – it was smaller – but it was definitely what could be described as a little one horse place somewhere rather high up in the Himalaya. The celebrations involved drinking, singing, and dancing. Actually, the celebrations were drinking, singing, and dancing. The drink was chang, which is rice beer, a traditional Tibetan drink, which is drunk on any and all occasions, by everyone. It is cloudy, it doesn’t taste very strong, it’s not very strong, and it slips down easily.

And then there is rakshi, which is a distilled liquor and a whole new level of peril. We were warned about that.

Up where we were, the singing consisted largely – possibly entirely – of folk songs. We were already familiar with at least one of them; when we had been in Kathmandu, the hit of the season was apparently a song called paan ko paat which we heard on radios everywhere – you can find many versions of this on YouTube if you feel curious – and as the chang flowed, so the singing increased in intensity. So too did the dancing – there was what might very loosely be termed a band, consisting of a number of people playing traditional instruments – and we either tried to keep up or stood around drinking and talking with our most hospitable hosts.

I have no photographs of this, sadly, since it was dark and I had no flash on my camera. The only light came from oil lanterns. You’ll just have to imagine a host of Nepalis and half a dozen westerners crammed into a tea house and having a jolly good time.

And then we were informed it was our turn to sing.

They asked us to sing something traditional from whichever countries we came from. I think the others made a reasonable fist of it, although maybe that’s just me assuming that everyone else sings better than me. Which they do. And some of their interpretations of ‘traditional’ may have been rather elastic. And then came the words I had been dreading, the words that sent a frisson of horror through my entire being: ‘Your turn, Mick.’

I must have been drunk, because suddenly I knew that if I had just one more drink I could do it. And so I did. I do at least know quite a few folk songs although I couldn’t remember the words to more than a couple of verses of the one I chose, but no one seemed to mind. On reflection, I suppose no one even really listened.

The rest of the words came to me as I lay in my tent that night, listening to sporadic bursts of singing and shouting – but by then, there was little difference between the two…

Happy New Year, folks.

A Day in Ladakh (2)

I’ve posted (and re-posted) a few times over the years about my trip to Ladakh in 2005. So here’s another extract from my journal for one of the days I spent there.

For those not in the know, Ladakh is high in the Indian Himalaya to the west of Tibet, with which it shares many characteristics, not only of geography but also the ethnic makeup of its people. In fact, since the Chinese invasion of Tibet, it is frequently said that Ladakh is more Tibetan than Tibet. The climate is not dissimilar, either, and although I visited in April that is still well before the main tourist season, and I don’t recall seeing any other tourists during my stay there.

Sunday 10th April 2005

I slept well. No alarms during the night! (I had had a very bad headache the previous night which I put down to altitude sickness) Then up at 6.30 to a fresh snowfall – just a sprinkling of powder on the ground. The skies are clear, though, and the Stok Mountains look wonderful in the sunshine. In fact, they’re going to get photographed right now.

I go out for breakfast and it’s quite mild. Soon last night’s snow has already gone. A few shops are slowly opening – no internet as yet, but I’ll mooch this morning. I’m sure that I can find something.

To use the internet, I need to find a place that is both open and with a generator. This looks as though it might take some time! Never mind, I’ve got a woollen scarf from the Ladakhi Women’s co-op, so a good start to the day.

As well as the scarf I also bought a bag of the dried apricots (organic, ‘solar-dried‘) Ladakh is famous for, and at last a singing bowl. I’m sure I paid more than necessary, but he came down RS 200/-, so what the heck. I think we were both happy with the deal. And it’s a nicer one than any I saw in Bodhgaya.

After a Ladakhi lunch of apricots, apple juice and water, – not that I suppose for one moment that is what a Ladakhi might have for lunch, only that it is all locally produced – I headed north past the Shanti Stupa towards the first line of hills. Reached there at 1.15pm and stopped there for a breather. Silence, apart from the pounding of the blood in my head. Absolute silence. After a few minutes the call of the muezzin drifts up from Leh, from the Jama Masjid. Then a few bird calls from the crags. Perfect peace. A perfect desert landscape, with pockets of snow. I’m sitting on a boulder, warmed by the sun, my feet in patches of fresh snow.

1.50 and I am at the col. A lot higher than the fort at Namgyal Tsemo Gompa, with a fantastic view north up the valley towards the Kardang-la.

2.45 and I am at what appears to be the highest point. There is another peak some way to the west, but this one has a cairn, walls and prayer flags, so I’m taking it to be the highest. At a rough guess, I’ve climbed about seven to eight hundred metres. The views are out of this world. More side valleys to the north and I’m up in the snow here. On the northern sides it is quite thick and I am feeling quite light-headed. It was worth coming to Ladakh just for this alone! Stunning!

Very reluctant to start heading down, but a few flakes of snow convince me that it’s time to go.

Down to the road just before 4.00, then head up the road to have a look at what appears to be a half reconstructed fort. When I get there, there is nothing to indicate what it is, just a sign warning people that it is of historic interest, so don’t go knocking it over. I guess that it might be Tisseru Stupa, although it does not really look that much like a stupa to me.

I then head back to the guesthouse, feeling a bit weary. Wander out into town and end up eating thukpa in a Tibetan restaurant.

Back again for the evening. It’s getting cold!

Looking at my map, there is a peak a couple of kilometres north of Leh, marked at 4150m. It’s in the right place and is about the right height, so I’m bagging it.

Return To Tengboche…

…but not literally, unfortunately. I did say I would re-post another travel post from some while back, so here it is.

Four years ago I wrote four short posts about Tengboche. Here I’ve combined them into a single post and added some extra pictures and text to give a little more information about this lovely place.

Tengboche is a monastery complex and a couple of trekking lodges at 3860m on the route up to Everest Base Camp from Lukla, in Nepal. It sits high above the waters of the Dudh Khosi, the rapidly flowing river than runs alongside much of the Everest Trail.

The monastery complex. On arrival in the afternoon, the clouds are low. This seems to be the pattern most days – clear mornings and then the clouds coming in early afternoon. In a general sense, weather patterns in the Himalaya – certainly in some parts, and probably at certain times of the year – can be quite predictable. When I trekked the Annapurna Circuit, for example, we were told one evening that around ten o’clock the next morning there would be strong winds blowing in the valley we were to follow, because that was what happened every day. And blow they did. At ten o’clock.

From inside the monastery grounds. The monastery is a Tibetan Buddhist complex, liberally decorated with the pictures, statues, and symbols to be found in every such place.

Roof decoration
145a

Inside Tengboche monastery following a puja (ceremony).

Rightly or wrongly, I don’t like taking photographs of pujas in monasteries. It feels intrusive and bad mannered. I would feel the same in a church, mosque or temple. This has nothing to do with any beliefs of my own, but is born of simple respect.

I noted in my diary: We have just sat in on a chanting puja, but my meditation failed dismally. I was completely unable to concentrate on my breath as all that I could think of were my freezing feet!

It was blooming cold!

198a

This view must have been photographed so many times, but how fantastic is it? Sunset on Everest (left) and Nuptse (right), photographed from Tengboche. This was taken on my third visit; the other two times the clouds failed to clear in the evening, so this was an unexpected treat.

212a

And this is the same view in the morning – but with the addition of Ama Dablam on the right of the picture. Ama Dablam is possibly my favourite mountain; the classic ‘mountain-shaped’ mountain, similar to the Matterhorn.

Close-up of window showing the dawn chorus orchestra.

We were awoken in the mornings by the harsh notes of conch shells and the clashing of symbols. This was part of the morning puja, rather than a summons for coffee and porridge. It does make for an excellent alarm call, though.

A Busy Time in West Bengal

For the last couple of months, during Lockdown and its easing, I have spent an awful lot of time up in the Himalayan foothills of West Bengal.

bookshop (2)

Okay, that’s not strictly true, but for most of that time I have spent my working day revising, re-writing, and editing A Good Place, my novel set in a fictitious hill station there. I have some new characters to weave in, some old ones to remove, and the story line to alter in several major ways, including a different ending.

I finished the first draft some nine months ago, but there were parts I didn’t feel entirely satisfied with then, and my beta reader unerringly picked those out for major revision. I then spent a while thinking about the story line and took out nearly all the final third of the book and chucked it.

That left me with a lot to rewrite.

Much of the problem stemmed from the fact that after I published Making Friends With the Crocodile, which is set in an Indian village with peopled with all Indian characters, I wanted to write a novel dealing with the British who remained behind in India after partition. A kind of balance to my writing. That was all well and good, but I began writing the novel before I was completely satisfied with the story line, and the more I wrote of it the less I liked it. So I kept changing the story line as I wrote rather than doing what I really should have done, which was delete the whole thing and go away and write something completely different, waiting until I knew what I really wanted to write. But I’m now content that I have the story I want to tell, rather than Just A Story.

Consequently, I have been virtually living in West Bengal during these days, inevitably leading to yearnings to be there in person. Which does nothing to ease the feelings of frustration at enduring the travel restrictions of Lockdown.

050a

However, one of the advantages of having several projects on the go at once, which I always have, is that I can switch to another for a while when I need to. Last week, then, I spent one day giving a final edit to a short story which gave me the opportunity to spend the day (in my head!) in rural Sussex, which was very welcome. Especially as that is somewhere we can get to now, with a minimum of hassle.

And A Good Place? I’m glad you asked. I think I’m close to finishing the second draft, which will be a blessed relief.

Just so long as my beta reader doesn’t throw her hands up in horror when she reads it…

The Joy of Unknowing (2)

As soon as I had written my last blog post, I thought of this piece I wrote quite a long time ago which offers a similar take on travel and navigation. I am tempted to tidy it up a bit and perhaps update it to mention GPS, but instead I’ll leave it as it is.

Untitled-Grayscale-01

When I was a teenager, I began to use maps, although in rather an ad hoc, hit and miss manner. They were there for me when I was really stuck, or just wanted to know which general direction something lay. It would be a very long time before I began to use them in a careful, detailed way, able to predict the exact lie of the land, navigate in the fog or the dark, find my way through complicated landscapes with the map and compass. And, do you know, since I’ve learned to do that, I feel as though I’ve lost something rather magical, although I don’t suppose that I can blame it all on that. The maps that I was using as a teenager would tend to be the Bartholomew’s touring maps, small scale with little detail. I would feel, as I headed along a Cornish footpath, that I only knew roughly where I was going. It felt like an adventure, an exploration.

Untitled-Grayscale-02

Now, I need to be more and more remote to get that feeling, and even then it does not always work. Having just spent some time in Ladakh, in the Himalaya in the far north of India, I was surprised at just how easy all of my walking was. Setting off with map and compass, I always knew exactly where I was, only confused at times by the multiplicity of tracks criss-crossing the landscape. Even then, reference to mountains and villages with map and compass would invariably allow me to set my position. It doesn’t mean that I wanted to get lost, just that there was a small part of me that said ‘even this is all tame!’ Equally, I can be put off, by using the map, by the knowledge that over the interesting looking ridge that I was heading for, lies a motorway or building estate, and so I spend ages trying to plot a route that I try to get perfect, rather than simply heading off in the direction that I want to go and exploring as I go, correcting my course as I travel.

Nothing can tempt me more than a track leading tantalisingly into the distance, perhaps meandering through Mediterranean scrub towards a notch in the skyline, perhaps leading through a glowing archway of trees. Even now, when using map and compass to navigate, I often have to resist the temptation to ignore the map and head off to follow an interesting looking track. I think that this must be a part of my ‘I wonder what’s over the other side of the hill?’ nature. It is another reason why I’ve never been able to lie on a beach – apart from the fact that it seems a particularly pointless pastime in any case. Any time that I’ve tried it, it never seems to be more than a couple of minutes before I begin to think ‘What’s round the cliff?’ or ‘If I head back up the river, I think I might find a way through those hills.’ And then I just have to go to find out.