The Christmas Story! 3rd and Final Part.

They could see at once that something was very wrong.

There was no movement from the child in the bed of course, since they were within TimeShift, but the agonised rictus on his face, the distorted jaw and neck, and the twisted body lying half in and half out of the bed, immediately made them freeze and stare in horror.

A snapshot…a cruel statue…tiny hands caught in time, clawing desperately at a heaving chest…bulging eyes…

Henderson actually thought he could hear a terrified scream, somewhere in the air in that suddenly awful room.

‘Shee-it!’ Said Edwards, softly and slowly.

Nobody moved.

315a

After a minute or so, as if by comment consent, they opened the door and slowly went out to the landing, each of them reluctant to leave the child – it felt like they were abandoning him.

‘Try that door.’

Lesley was the nearest. Raising his fist he began to tap gently at the door, then realised what he was doing and shrugged, pushing the door slowly open.

They faced a woman frozen in the act of throwing a dressing gown around her shoulders as she stepped towards them, the dressing gown caught billowing like a hero’s cape, although her face was frightened and staring. Instinctively, they all took a step back.

‘She’s heard him,’ muttered Edwards. ‘She’ll make sure he’s okay.’

But none of them believed it.

‘She’ll get an ambulance, for sure.’

‘But what about all that fucking snow? How will they get through that?’

‘What can we do?’

‘I don’t know.’

‘Seems blindingly obvious,’ said Edwards, after a couple of moments. ‘We just pop him in the sleigh and take him to hospital ourselves.’ Henderson looked grim.

‘It’s really not that easy, I’m afraid. We’re in TimeShift, but he’s not.’

‘So? Just bung him in the sleigh anyway, and off we go.’

‘No, we can’t. When you’re inside TimeShift you can’t move any other bodies that are outside. It’s impossible. And even if we could, what about his mum? She’d just find him gone.’

‘So to get him to the hospital, we have to do it outside of this TimeShift thing?’

‘I think we’ll have to do everything outside of that. First we need to find out what’s wrong, which means we have to get outside of TimeShift straight away. Talk to his mother….’

‘…won’t she sort of just freak out when she sees us?’

‘We can’t worry about that. We just need to work out how to do it.’

‘Don’t you know, then?’

‘Er, no. When it happened last time, I don’t know how it worked.’

‘Can you call the office and ask them?’

‘Only in real time. But there is one way I can think of. One or both of you will need to stay here, whilst I take the sleigh and come back in…what, one minute? Will that give you long enough to speak to her and find out what’s happening?’ They both looked doubtful.

‘I’m not sure that the sight of us appearing in her house at the dead of night will really help. Ain’t there any way you can stay here? At least she’ll know who you are.’

‘I don’t think so. Neither of you know how to operate it.’

‘No, we don’t. Okay, come back in a minute or two, and we’ll tell you how we’re getting on.’

***

There were four figures on the landing when he returned.

Lesley and Edwards were standing either side of the woman they had seen in the bedroom, who had her hands to her mouth in shock, whilst the fourth was a man in pyjamas who was lying stretched out on the floor A cricket bat was lying a short distance from his outstretched right arm.

‘What the…

‘Sorry, I had to biff ‘im.’

‘Why?’

‘He was attacking us.’

‘Oh, for…

‘But the boy’s having a fit, and needs to get to hospital. And, shit, that was weird.’

‘What was?’

‘The way she stopped moving the moment you appeared.’ Henderson looked at him, and then went back into the child’s bedroom. He was still lying in that awful, contorted, position, but now there was just a hint of dark blue in his lips. He returned to the landing.

‘I think he’s dying. We don’t have much time.’

‘Have you got a plan, then?’

‘Just to get him to hospital as fast as possible. If I go and get that programmed into the SatNav, then we just have to come out of TimeShift and get him on board as quickly as we can and…’

‘Oh, bugger it! It’s obvious!’ shrieked Lesley suddenly.

‘Eh? What are you talking about?’

‘Well, instead of pratting about here, why don’t we just go and get a doctor and bring ‘im here? We can stay inside this TimeShift bastard thing until the last moment, then.’

‘Yeeess…that might be the answer. It’d probably be quicker. Although, we might have a problem if they don’t believe us. We can’t afford to spend too long trying to persuade them; the boy mightn’t last that long.’ Edwards narrowed his eyes.

‘Don’t you worry about that. The doc’ll come with us!’

***

Finding the hospital proved to be the easy part.

It was a small hospital, and at that time of night there were a mixture of sleeping and wakeful patients, nurses doing rounds and writing in folders and dealing with a number of minor crises, but it seemed impossible to find a doctor. They stood at a doorway staring into a restroom where a nurse was sitting with a half empty mug of something and a pile of papers. She looked tired.

‘Don’t they have doctors here at night?’ asked Edwards.

‘I suppose they must have, but I don’t know where we’ll find them.’ They looked at each other.

‘Well, why don’t we just take a nurse?’

‘Well, why not? Come on.’

They hurried back to the sleigh, and as soon as they were aboard, Henderson switched off the TimeShift.

‘Right! Let’s go!’

They ran through the entrance and down the corridor, ignoring the shout from the desk porter, and burst into the restroom.

‘We’ve got a boy dying out there!’

‘What? Who are you? Where?’

‘I don’t know the address; you just need to come with us. He’s having a fit.’

‘I can’t just go…’ Her voice faded away as she took a proper look at the elves.

‘You’ll come with us,’ said Lesley, in a voice that said very clearly that she was going with them. ‘You need to bring anything?’

‘Er, yes…a couple of things…I’ll need a hand.’

‘Right, come on. We’re in a hurry!’

There was plenty of room on the sleigh, with most of the sacks now lying empty on the floor at the back. It took a couple of seconds to deploy the new ramp and push the trolley of equipment on board, and then they were up in the sky again, the nurse in the front seat beside Henderson. As soon as the reindeer started up and they were back in TimeShift, he felt himself relax.

‘Right. Sorry about this, but there’s a boy having a fit, and the ambulance would never get through this snow.’ She nodded.

‘Okay, I get that. I understand that you’re Santa Claus…I suppose. But,’ she lowered her voice and jerked her thumb backwards, ‘who on earth are they?

‘Elves.’

‘They look a bit rough for elves!’

‘I’ve had worse.’

‘You want a beer, love?’

‘What? I…’

‘We’re here!’ said Henderson, hurriedly. This time he managed to bring the sleigh down in the road, squeezing in between a couple of parked cars.

‘Let’s get the trolley off first.’

They pushed it through the snow up to the front door, and then Henderson switched off the TimeShift.

‘Okay. Hurry!’

They hammered on the front door.

***

It was two hours later.

At least, in some ways it was, but just at that moment it was really a hundred and eighty-nine and a bit years earlier.

‘And you’re sure the little feller’s alright, now?’

‘The nurse said he’ll be fine. And we’ve only got two more drops, then we can go home.’

‘Right, I think we need some more beers, then.’

‘Hey, these are good ones!’ Henderson said in surprise. Edwards looked hurt.

‘What was wrong with my lagers? You seemed happy enough with them earlier.’

‘Oh, nothing. No, they were great. I mean, these are pretty expensive ones. Where on Earth did they come from?’

‘Oh, they were in the lounge in that house. I’m sure no one will mind.’

‘No,’ Henderson agreed, ‘under the circumstances, I’m sure they won’t.’

***

If you’ve read this far, and my thanks for doing that, then you might like to read last year’s Christmas short stories:

First one

Second one

Third one

Fourth one

The Christmas Story! Part 2

‘Right,’ said Henderson, ‘here we go.’ He pressed the big green button and the reindeer burst into life. Less than ten seconds later, they were cruising through the sky just below the clouds. The TimeShift had kicked in, and, looking down, they could see they were passing over what appeared to be a small town, nearly every chimney of every house belching smoke, and the few roads between them devoid of traffic. Then the air around them crackled slightly, and instantly they landed on a rooftop in a modern day housing development. It was night time.

307a

Henderson glanced at the elves and nodded. ‘Okay?’

‘Nah, you’re the Big S. Best you do it.’

‘You know the rules!’ he said, in a passable imitation of Nicol’s voice. To his surprise, they looked at each other, grinned, and then got out.

They all stepped forward together, and found themselves in the middle of a darkened room, although each of them was able to see as clearly as if it were daytime. There was a single bed on either side of the room, each containing a sleeping child. On the end of each bed lay a large bag shaped like a sock, made from red material and embroidered in white with ‘Merry Christmas.’ A card table had been set up at the foot of one of the beds, covered with a small white cloth on which there was a small glass of sherry, and a plate with two mince pies and a carrot. He popped the mince pies and carrot into a small bag he was carrying, and poured the sherry into a flask. While he did that, the ‘elves’ put the regulation number of presents into each bag.

‘Dunnit.’ Said one of them. Henderson nodded, put a tick against the first name on his list, did that thing with his fingers he had to do, and then they were back in the sleigh. He turned around and put the bag and the flask on the floor behind the seat, and pressed the button.

‘Mind if we have these?’ said a voice behind him.

‘Go ahead.’

‘Cheers. Saves on lunch, anyway.’ He paused. ‘They don’t mind you eating one or two, do they?’

‘No, eat as much as you want. They don’t much care what happens to them anyway.’

‘What do they do with them when we get back, then? Do they just throw them away?’

‘They used to, but it goes to a food bank, now.’

‘What about the carrot? Can I give it to the reindeer?’

‘No, these ones can’t eat carrots. Don’t try it, whatever you do.’

‘Oh. Right.’ There was silence for a moment, then he heard a fsshh followed rapidly by two others, and then a hand suddenly appeared over his shoulder holding a tin of lager.

‘There you go, Big S. There’s a spot of Christmas cheer. It’s a bloody long day, this.’

‘Oh, thanks,’ he said in surprise. He took a sip, and then shivered slightly. It tasted pretty strong. ‘Better than that bloody sherry, anyday. Cheers!’

‘What happens to that?’

‘The sherry? Biofuel. That’s all it’s good for.’

A couple of hours into the shift, Henderson found he was beginning to relax. He was beginning to relax quite a lot, actually. He took his hands off the controls and turned around, leaning one elbow on the back of his seat.

‘I know one of you guys is called Edwards,’ he said, conversationally, ‘what about the other?’

‘It’s Lesley,’ the bigger of the two said grimly, clenching his fists belligerently. Henderson smiled.

‘Oh, right. Lesley, then, pass me another of those tins, would you?’

He reckoned they must be about halfway through the shift. It was always difficult to tell, what with their bobbing backwards and forwards randomly through the last two hundred years or more, and because of that it seemed somehow ridiculous to start worrying about whether it was two o’clock or three o’clock.

And at the moment, it didn’t seem to matter anyway.

But gradually they were working their way through the list; each name was ticked off in order, and the sacks that held the presents in the back of the sleigh were slowly emptying.

He thought he’d drunk three of those lagers, although there was a little voice somewhere inside him insisting it was four, and was just thinking it was a jolly good job that he didn’t actually have to drive the sleigh, when…

Crunch! Sssssssccccrrrrrsssshhhhhhh! Whump!

It took a lot to get reindeer to crash, but it seemed he’d managed it.

‘Where are we?’ Henderson slowly wriggled up from the foot well and got back onto his seat. He pulled his list out from his pocket and stared down at it.

‘Err, just outside Huddersfield. Probably.’ They had landed, but for some reason instead of coming down gently onto the roof of the house they were to visit, the sleigh had rushed down through the falling snow until it had collided with a hedge of conifers. The impetus had taken them through the trees, although they seemed to have a fair amount of snow and twigs over them and on the floor of the sleigh, then they had bounced a couple of times on the ground and come to rest against a low stone wall that formed part of the rear boundary of quite a large house.

He felt a little shaken, but nothing worse than that. He looked round at the others.

‘There’s a fair bit o’ the white stuff here, ain’t there?’ said Edwards, rubbing the back of his head,

‘Yes. Are you both okay?’

‘Yeah. Let’s get on with it.’ They all stood up, and Lesley picked up one of the sacks.

‘Right.’ They stepped forwards, but all that happened was that they found themselves standing ankle deep in fresh snow. ‘Oh.’

‘That’s not meant to happen,’ put in Lesley.

‘No,’ Henderson looked up into the sky, where the clouds were continuing to release a fair amount of snow, ‘and nor is that.’

‘What?’

‘Somehow, we’re in real time. Get back in the sleigh.’ They jumped in, and Henderson sat staring at the SatNav with its large red over-ride button, wondering what he should do now. He had a feeling that he’d been told about this the previous year, but the alcohol had made his thoughts rather woolly. As he hesitated, though, he heard a shout and looked up to see a couple of figures running towards them.

‘Oh, shit!’ Quickly he pressed the start button, and the reindeer roared into life. Seconds later they were up in the clouds again, and then they were down and sitting on a snow-covered roof. He looked at his list, then looked suspiciously at the co-ordinates showing on the SatNav. It seemed the program had reset itself automatically and they were now at the correct house.

Inside, he checked the list again. One child, boy, aged eight. Name of Dylan. On top of a chest of drawers was a hand-written note beside a mince pie and a couple of chocolates that read ‘For Santa, love from Dylan.’

That seemed okay then. He put a tick next to the name and they returned to the sleigh.

It was another short hop to the next call; the sleigh had barely risen to the clouds before it was down on a roof again. This time, the snow was seriously thick, and the flakes hanging silently around them were very big and very fluffy. It was remarkable, he thought, that the reindeer didn’t feel the cold.

But they wouldn’t, of course. Not these ones.

‘Right, come on. Only a few more to do, now.’ They stepped forward into the snow and materialised in a small bedroom.

And froze in horror at what they saw.

***

If you’ve read this far, and my thanks for doing that, then you might like to read last year’s Christmas short stories:

First one

Second one

Third one

Fourth one

Sue me and I’ll have you killed!

…slowly, he inched his way along the ledge, his heart in his mouth. It was too late to even contemplate turning back now. The sun was sinking rapidly in the pale sky in front of him, dropping towards the distant plains that were almost hidden in the desert haze. It would be completely dark within the hour. For the first time, he knew real fear. He could never survive a night on this thin, narrow ledge – God knows, there was barely enough room to stand and almost nothing to hold on to. It was inevitable that he would slip off at some point. Even now, there was a thin skin of ice on much of the surface, and the terrible cold would descend as soon as the sun disappeared.

Gritting his teeth, he edged towards what looked like a slightly better foothold, and cried out in sudden terror as his foot slid into space, the momentum taking him over the edge and falling…

Hell, I can’t do that! Stop! Phew, that was close.

As writers, we have to be so careful, because nowadays even our characters have rights, did you know that? And we can’t just be doing this and that to them, just as we please. Only the other day, a lawyer claiming to be acting for a character in a well-known children’s series attempted to take the author to court and sue her for, literally, defamation of character.

This character claimed that the author had totally misrepresented his actions, and applied motives to them that could only be described as evil.

And she said he had no nose, which was just spiteful.

He has claimed damages running into millions of dollars.

If this character is successful, then it is difficult to know where we will see this ending.

The fact that the author has created said character is no defence in law. Really, they are like our children. And whereas a few hundred years or more ago, parents had absolute authority over their children, and, short of killing them, could do whatever they so willed with them, nowadays they have more rights than their parents. And I’m afraid that it may come to that with our characters, too.

‘Why should I be killed off?’ They cry. ‘What right have you…?’ And so they will challenge it.

It has even been mooted in some quarters that these characters should perhaps be able to resort to the legal process appropriate for the time and world that they have been created for. Thus, a dragon in a tale set in ancient times, peeved because the author claimed it ate virgins and had bad breath (not sure if the two are connected…) might very well demand that it meet the author in Trial by Combat, a trial that the author would probably be rather ill-prepared to face.

Upset a Tudor monarch or a Viking chieftain, and I wouldn’t give much for your chances.

And any authors writing tales set in the future, who had unwisely failed to specify what sort of legal process was in existence at this time, might find the lawyers, or even their characters, being given the right to specify this. And that might get very nasty indeed.

But there may still be one remedy open to us. If our characters hold the threat of litigation over us, we might, just might, be able to retaliate by threatening to make their next incarnation even more horrible than the one that they are prosecuting us over. Threaten to sue me for creating you with a flatulence problem? Go ahead, and see what problems you have in my next novel! Don’t forget I’m writing a series! You had quite a decent time in the last one, it’ll be the torture chamber for you next!

It might work, but I’m still nervous about it.

001

So what am I going to do? I’m just going to write nice stories about pussy cats, from now on, that’s what.

Authors, you have been warned!

What a great review for Making Friends with the Crocodile!

 

Making Friends with the -Crocodile

Somali, at: Somali K Chakrabarti has put up such a generous review of my book, Making Friends with the Crocodile, that I am going to spend the rest of the day puffed up with most unreasonable pride! It comes as I battle with the various internet demons to put up a version on Kobo (ready in a couple of days, I hope), and, finally, a Print On Demand version for sale in India.

My biggest worry when I published the book, was that as a Western male writing in the voice of an Indian female, I would not be able to make it sound realistic, but I finally feel reassured by Somali’s review.

It can be found here: Making friends with the Crocodile

 

Varanasi and Sarnath

The city of Varanasi is probably the most important place in India to Hindus, whilst the ruins of Sarnath, some 10km away, mark the remains of a site of great importance to Buddhists. I stayed there for three days, some 8 years ago.
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Dasaswamedh Ghat, Varanasi. Taken from the top of the steps (ghats). The River Ganges is the holiest river to Hindus, and Varanasi is the one of the holiest cities. Previously named Benares (and often so still called) and Kashi (City of Life), it is visited by Hindus in their millions who come to bathe in the Ganges to purify their souls. In a final journey, many are cremated here and their ashes cast into the river, believing that this will help to achieve liberation from rebirth.

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The river Ganges from Dasaswamedh Ghat, Varanasi.

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Stalls on the ghats at Varanasi. Varanasi never seems less than vibrant and colourful.

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And another stall near the ghats.

049

Down at the ghats I was trailed by this cheerful young rogue demanding money to have his photo taken or to show me the sights or sell me souvenirs or lead me to stalls where I could purchase to my heart’s content or…whatever.

037

Street scene in Varanasi. The church in the middle distance is Saint Thomas’. This was taken quite early in the morning when I was on my way to the ghats. Early afternoon as I was returning, it was packed solid, traffic completely unable to move.

004

10km outside Varanasi lie the ruins of Sarnath. After the Buddha had achieved enlightenment at Bodhgaya, he came to Sarnarth – a walk of some 250kms or so, through what would have been highly dangerous country then – to seek out his former companions and in the Deer Park there he gave his first sermon, on the turning of the wheel of law. This comprises the Buddha’s path to Enlightenment: the Four Noble Truths, the Eightfold path and the Middle Way. In the 3rd century BC, the emperor Ashoka, a convert to Buddhism after witnessing the terrible carnage of a war he had unleashed, built stupas and monasteries here as well as an engraved pillar. These survived until the end of the 12th century when they were destroyed during the Muslim invasions and not rediscovered until 1834 by a British archaeological team.

008

 

This altar stone in the ruins of Sarnath) is still being used by pilgrims for pujas.

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Dhamekh Stupa at Sarnath . This solid cylindrical tower, 33m in height, supposedly marks the place where the Buddha gave his first sermon. The base is stone, covered in delicate carvings, and the upper part brick.

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Carvings adorning the base of the Dhamekh Stupa.

How India Changed an Englishman

I wrote a piece for The Good Men Project, about my time in India and how I came to write Making friends with the Crocodile’. Sushi Menon kindly edited it to make it readable, and gave it a title, and you can find it here:

How India Changed An Englishman

Making Friends with the Crocodile cover

Pitfalls for Writers – no.6: Historical Accuracy

 

‘Dear Mr. Author.

Whilst reading your book ‘Oh what fun and laughter we had during the time the Black Death wiped out our village’ the other day, I was disappointed to notice that you mentioned July 23rd 1449 as having been a sunny day in your fictitious village. From the descriptions you provide, you have clearly located said village a little to the south of present day Norwich, and my extensive researches prove that July 23rd 1449 would have been a rainy day there.

Yours disgruntledly,

A Pedant.’

How accurate do you need to be, as a writer, with historical facts?

If you are writing a non-fiction book, you have to be scrupulously accurate, no matter what subject it is.

End of.

On the other hand, if you are writing fiction, you have a certain amount of leeway. First of all, though, it is worth saying that if you sell enough copies of your book you will eventually attract correspondents like the fellow above. Is that something to worry about? Only if they get to know where you live, perhaps. Otherwise, send them a nice reply, thanking them for their diligence, and assuring them that you will correct your dreadful fault in the next edition. On the other hand:

‘Dear Mr Author.

The Black Death was actually sweeping the country in 1349, not 1449.

Yours smugly,

A Historian.’

This time, you’ve screwed up.

And yes, it matters.

Very minor inaccuracies are bound to slip through, and very few people will notice them. And if they do, they will not think anything of them.

Except for Arthur Pedant, of course.

The big things are another matter. Imagine reading a novel set in the days around the Russian Revolution, and then the author tells you that the Bolsheviks rose up against the state in 1927 instead of 1917. Or that they were led in the beginning by Stalin. Immediately, the author’s credibility has evaporated, as has their story.

Because the reader no longer believes the author, and they no longer accept their story.

The moral here, then, is don’t skimp on the research!

It is possible to radically change the facts of history, but the difference is that to do this the author must present it as the whole point of the story. In steampunk novels, the whole history of Victorian Britain is altered, but the reader accepts this as it is the premise behind the genre. It is seen not as a mistake, but as a narrative invention.

In many science fiction novels, the premise is a future that is the result of a different history than that which actually happened. For example, the Germans won the Second World War, or of different worlds or dimensions in which history diverges from the accepted version. Again, this is accepted by the reader, as it is the premise that the story is set on.

It is possible to break this rule, but to do so the author has to break it in such a way that it is quickly obvious that they have done it deliberately, and not by mistake.

One might, for example, set a novel in Victorian England that is not steampunk – a detective story, perhaps – but in which Queen Victoria is assassinated in 1860. As this is something that no one could possibly put in by accident, it will be seen as part of the invented narrative and accepted.

Well, probably. Where is Arthur Pedant?

The Past is Another Country…

…they do things differently there (L.P.Hartley )

Almost 20 years ago I was a care-worker, paying visits to support elderly folk who were, for various reasons, unable to cope on their own. I would provide support in a number of ways – cooking, washing and dressing,and cleaning, for example.

One man I visited quite often would talk a lot about his younger days – as is natural. He had a wealth of stories, and I always told him he should get someone to write them down. It is the ordinary person’s stories that are frequently the most interesting, and the ones that we usually don’t hear. Famous politicians, sports stars, movie stars…well, they write autobiographies, or have them written for them, and we hear all about the other famous people they knew and the hotels they stayed in…yawn, yawn, yawn.

But we hear far less about the family in the village 80 years ago, their day to day life and how the outside world impacted upon them.

Below, there is a photo of London Road, just outside of Tunbridge Wells, taken earlier today.

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My client told me that during his youth, he would walk back along this road after an evening out in town, describing how there was nothing but open fields on both sides for much of the walk. Looking at it now, it is hard to picture that, since I have never known it any way other than how it looks now.

But prior to this, in his childhood, he lived in the village of Groombridge, on the other side of Tunbridge Wells, and he told me how, as a schoolboy during the First World War, he and his classmates ran out of the class one day and across a field, to see a German Zeppelin airship that had just been shot down.

It is stories like this, that are the genuinely interesting stories that come out of the past.

And for my large Work In Progress, the past really is a foreign country. Much of it is set in Persia and India, in a time frame that covers some 300 years up until the late 19th century.

Now, I was about to write that if it is difficult for me to picture the main road near where I live as it was some 50 to 75 years ago, then it is far more difficult for me to picture the places in India and Persia where and when I have set my novel, but then I realised that this is not actually true.

And so this post is now taking a turn that I had not expected when I sat down to write it.

The Indian capital at the time was at Fatehpur Sikri, which today is just the remains of those buildings – it was only occupied for some 22 years, and then abandoned. I have visited the site and walked around it, and it is quite easy to imagine it occupied by Akhbar, his court, and the general population.

I have never been to Persia (modern day Iran), so my impressions are formed only at second hand. And much of what I have read consists of works about the 1500’s, and I am familiar with many of the paintings of the period, so again it seems almost natural to imagine it as it was then.

And then when I have travelled in India, as well as in the Middle East, I have spent a lot of time visiting the old parts of the towns and cities, and many rural areas where life follows the same patterns that it has for hundreds of years, and so, again, it seems more natural to picture the settings for my book in those time periods that concern me.

Finally, researching these areas, I often come across old black and white photos of places of interest to me, and since I have not been there, they are the only impression of these places that I have.

Of course, Tunbridge Wells in the Victorian era is much harder for me to visualise. All of the modern buildings get in the way of my imagination. All of the roads are surfaced with tarmac, the open spaces have largely gone, and many parts of the common that used to be open and windswept are now covered in trees.

On a slightly different note….

As a project, I occasionally take photos in sepia of the area around where I live, as though they might have been taken about 80 years ago – around the time that my elderly client was walking along the London Road, winds blowing across the fields either side of him, and the only light from the moon. Each photo that I take has something in it to show that it was taken recently though, rather than a long time ago, such as a modern vehicle, a modern street lamp, road markings, or modern windows. The shot below is an example.

Holden Pond

Easy to feel that it might be taken in 1930.

The Book is Released – Hurrah!

 

Making Friends with the Crocodile‘ is now released!

Making Friends with the Crocodile cover                             POD cover

Kindle edition                                                     Paperback edition

Anyone who has already pre-ordered it on Kindle / Amazon should have received it by now, and in countries where there is no pre-order facility, such as India, the Kindle edition is also now available to buy.

The paperback is available from the Amazon.com, Amazon.ca, Amazon.co.uk and Amazon.eu sites only – this is a quirk of Amazon – but can also be ordered from the estore at CreateSpace, at the following link:

https://www.createspace.com/6301808

And now, I wait to see what people think of the book, with a considerable amount of nervousness.

If you do buy a copy, please consider leaving a review either at Amazon, or on Goodreads, if you are a member (better still, at both!). Reviews are genuinely the lifeblood of a writer, and do help to sell books.

Finally, the blurb again…

‘Siddiqa was only just into her teens when she was forced to leave her home to live with her new husband and his family in another village. The years have passed, and now Siddiqa has three children of her own. Her grown up son has brought his new wife, Naira, to live with them, so Siddiqa is no longer the lowliest in the household, for she has a daughter-in-law.

Life in rural India is particularly harsh for women. This novel explores themes of female oppression and tradition and asks whether the next generation will find life any easier.’

 

 

The Morning After…

Wow, what a weekend!

After the book launch, the parties!

Celebrations!

Oh, and when I looked out of the window to see the streams of bunting all the way along the road, and the swarms of well-wishers gathering outside the house, I was so excited!

Then once I had gone out and signed loads and loads of autographs, I was being chased all over town for interviews by all the big newspapers!

And then I…

Well, okay. That’s not strictly true.

It’s not very true at all.

In fact, it’s not true in even the teeniest tiniest littlest way.

My life does not seem to have altered in the slightest and, actually, I’m glad about that.

070 (2)

Right, now it’s time to get on with the next stage.

I’ve put a link on the image of the book on my sidebar, which goes directly to my book page on Amazon (thanks, Stuart!).

And I’m looking at the best way to create Print on Demand paperback copies of the book, probably by using CreateSpace (lots of recommendations), and hope to have that sorted out in a couple of days. I don’t think it’s too difficult, but my way of dealing with new technology tends to be by shouting at it and slamming doors, so I may take longer than other writers.

But since the release date of the Kindle copy is June 4th, I should have time to arrange for the paperback to be released on the same date.

So, what next?

Actually, it will be great to feel that I can focus on just writing again, and not just constant editing and revision, so it’s back to the long Work in Progress, ‘The Assassin’s Garden’. This has a timeline that stretches from Medieval Persia through Medieval India and the British Raj, through to Edwardian England. It’s already a long novel and nowhere near finished, so I suspect that I might eventually have a trilogy on my hands.

I might even write a short story or two.

Ooh, it’s exciting. I do love this writing lark!